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Latest news

"Mi Gente" Nominated For Two Latin AMAs!

September 18, 2018

The 2018 Latin American Music Awards are coming back in October to celebrate the best of Latin music. Beyoncé's collaboration with J Balvin & Willy William "Mi Gente" is up for two awards! The show is slated to air live Oct. 25 on Telemundo from The Dolby Theater in Hollywood, Ca.

Song of the Year
Becky G feat. Bad Bunny - “Mayores”
Daddy Yankee - “Dura”
J Balvin & Willy William feat. Beyoncé - “Mi Gente”
Luis Fonsi & Demi Lovato - “Échame La Culpa”
Maluma & Nego do Borel - “Corazón”
Nicky Jam & J Balvin - “X”
Wisin feat. Ozuna - “Escápate Conmigo”

Favorite Song - Urban
Becky G feat. Bad Bunny - “Mayores”
Daddy Yankee - “Dura”
J Balvin & Willy William feat. Beyoncé - “Mi Gente”
Nicky Jam & J Balvin - “X”
Wisin feat. Ozuna - “Escápate Conmigo”

Beyoncé Set to Perform at City of Hope Gala

September 17, 2018

It was announced today that global icon Beyoncé will perform at the City of Hope gala on October 11 in Los Angeles. This will mark her first solo performance following the successful run of the biggest tour of the summer, with JAY-Z. OTRII stadium tour started in Cardiff, UK in June and is scheduled to wrap on October 4 in Seattle, Washington.

City of Hope, a world-renowned independent research and treatment center for cancer, diabetes and other life-threatening diseases, is honoring Jon Platt, Chairman and CEO of Warner/Chappell Music, with its prestigious Spirit of Life® award. Platt has worked with Beyoncé since 2005.

Inspired by the guiding humanitarian principles of City of Hope and motivated by the institution's commitment to innovative medical research and compassionate patient care, a group of key industry executives founded the charity’s Music, Film and Entertainment Industry Group in 1973. In its 45-year history, the group has raised more than $118 million for City of Hope and has honored some of the most important figures in the music and entertainment industry.

The evening’s host will be producer/entertainer Pharrell Williams and JAY-Z, multi-Grammy winner/entrepreneur, will present the award to Platt.

“Beyoncé agreed to perform without a moment’s hesitation, and that wasn’t just for me,” said Jon Platt. “She wanted to be part of our celebration for the patients, doctors, scientists, and nurses who make City of Hope a place where miracles can happen. That’s what makes her a cultural icon. She’s not only a genius, in a class of her own, but she has phenomenal heart and soul, and she knows how to use them. This event is going to be one for the ages.”

On the Run II Tour in Houston (September 16)

September 17, 2018

Last night Beyonce and Jay-Z performed for the second time at the NRG Stadium in Houston, TX. Bey wore a new opening costume. After the show, she wrote: "Two nights in H-Town complete! Thank you for the love!"






On the Run II Tour in Houston (September 15)

September 16, 2018

Last night Beyonce and Jay-Z performed during the On the Run II Tour at the NRG Stadium in Houston, TX. Again, Bey had a new costume. Before the show, she wrote: "9 more shows. Houston I’m home!"






New Vogue Picture

September 15, 2018

New picture from Beyonce's latest photoshoot for Vogue has been released. See below!

On the Run II Tour Nominated at the 2018 AMAs

September 15, 2018

The Carter's On the Run II Tour has been nominated for Tour of the Year at the 2018 American Music Awards. Vote now! The winners will be announced on ABC live from L.A.'s Microsoft Theater on Oct. 9 at 8 p.m.

Tour of the Year
Beyoncé and Jay-Z
Bruno Mars
Ed Sheeran
Taylor Swift
U2

The Carters Nominated at the 2018 BET Hip-Hop Awards

September 15, 2018

Beyonce and Jay-Z have been nominated in 3 categories at the 2018 BET Hip-Hop Awards. The ceremony will take place at The Fillmore Miami Beach at Jackie Gleason Theater on October 6, and BET Networks will premiere the annual telecast on October 16.

Album of the Year
Cardi B - Invasion of Privacy
Drake - Scorpion
J. Cole - KOD
Migos - Culture II
The Carters - Everything Is Love

Best Collabo, Duo or Group
21 Savage & Offset & Metro Boomin - Ric Flair Drip
Blocboy JB - Look Alive feat. Drake
Cardi B - I Like It feat. Bad Bunny & J Balvin
Post Malone – Rockstar feat. 21 Savage
The Carters – Apes**t

Single of the Year
Apesh*t - Produced by Pharrell (The Carters)
God's Plan - Produced by Cardo, Young Exclusive and Boi-1da (Drake)
I Like It - Produced by Craig Kallman, JWhiteDidIt and Tainy (Cardi B Feat. Bad Bunny & J Balvin)
Nice for What - Produced by Murda Beatz (Drake)
This Is America - Produced by Donald Glover and Ludwig Goransson (Childish Gambino)

On the Run II Tour in New Orleans (September 13)

September 14, 2018

Last night Beyonce and Jay-Z performed during the On the Run II Tour at the Mercedes-Benz Superdome stadium in New Orleans, LA. Bey wore a new costume! Before the show, she wrote on Instagram: "Tonight is the first of the last ten shows of OTRII. I’m doing what I love most with whom I love most. I wish it could never end. Feeling thankful for all of the love from our fans around the world. New Orleans, you ready? Let’s go get em!!!"






On the Run II Tour in Arlington (September 11)

September 14, 2018

Beyonce and Jay-Z performed during the On the Run II Tour at the AT&T Stadium in Arlington, TX on September 11.






Beyonce Continues Vacation in Sardinia (September 7-8)

September 9, 2018

Beyonce was again spotted in Sardinia on Friday and Saturday.



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June 19, 2018

Cool & Dre Detail the Last-Minute Making of 'Everything Is Love'

Where were you when the joint Beyoncé and JAY-Z album dropped?

Producer duo Cool & Dre won't forget the answer to the question on everybody's minds this weekend anytime soon. After all, they were right alongside the Carters on tour in London, having literally put finishing touches on Everything Is Love just a few hours before it arrived with no warning on Saturday evening (June 17).

But just because the album's release came down to the wire doesn't mean its creation was hasty: Marcello "Cool" Valenzo and Andre "Dre" Lyon describe the work ethic of hip-hop's perfectionist power couple as nothing short of fastidious -- no drum sound, sample or melody was spared their scrutiny. Below, Cool & Dre take Billboard behind the scenes of their Paris stadium sessions, Beyoncé's hands-on role in the writing process and just how much music they have left in the vault.

Beyoncé and JAY-Z work in mysterious ways. Were you surprised that the album came out when it did?

Dre: Nah, we knew what was going on. We were in London with them when the album dropped. JAY-Z and Beyonce are Golden State Warriors: they shoot half-court shorts, and it goes in. We spent three weeks in Paris recording, then we went to Cardiff for like a week. We got to London and knocked out two to three tracks 10 days of finishing up the album. An hour and a half before showtime, Bey and Jay were still cutting up vocals. Three hours later it was released to the world. There are no rules when it comes to those two.

Were you racing to meet a deadline, or was that just when they decided to release it?

Cool: We knew that they were in the last stages of the project. The whole release and all that, that was their genius. Me and Dre were just happy to be there. We thought maybe this shit was going to come out a few weeks down the line, but they finished up and felt good enough about the material they had to let the world hear it.

When did you get involved in the project?

Dre: I would say seven or eight weeks ago. I was sending Jay new records that Cool and I were working on, nothing in particular or for anything. Jay had mentioned a long time ago, “Whenever you feel you got that heat, that undeniable s--t, play it for me before you play it for anyone else.” I was emailing with him back and forth. He was feeling it and asked me to come out to the palace in L.A. We cut a good five or six records -- not full songs, just ideas here and there. Then he played me two or three joint records . I was like, “Man, I have one more,” and the last record I played was “SALUD!” Bey walked in during the middle of me recording the hook and loved it and listened to it about four or five times. When I got back to Miami a week later, he hit me like, “Bey cut ‘SALUD!’ Congrats!” Then his engineer, Young Guru, hit me like, “We’re going to Paris, if you want to come out, let’s keep going!” Two days in Paris turned out to be three weeks. It was a life-changing experience. It’s been unbelievable, and we’re so thankful to even be a part of this s--t.

It’s interesting that this album came together so quickly -- a joint album between them has been rumored for so long, and Jay even said in an interview that they were working on one before Lemonade came out.

Dre: I don’t know why they released it when they did or what their thinking was. I was just focused on not stopping. Jay and Bey kept telling me and Cool, “Don't stop, just keep giving us that heat.” We’re dealing with people that move when they feel it's right. You could be doing something for three years and maybe not feel like it's time. And if that means you have to record 14 records in 4 weeks, that’s what has to happen. You’re dealing with two genius-level talents.

Are you in the same room with them at the same time, or do they record separately?

Dre: We were blessed. They booked the owners’ suites of the stadium they were rehearsing the tour at in Paris. They rented a stadium to prepare for the tour and bought out all the owners’ suites and converted them into studios. Our owners’ box was right above the tunnels they would walk underneath after they rehearsed. Cool and I would purposely open up our doors upstairs and blast music while they were walking through, and they would look up and pop up into our room every other day. It was like a club in the Cool and Dre studio. There were times when they were together and we’d play them what we were working on. There were two or three times when they’d call us in to make a change. And other times it was just Jay in his room doing what he does, and we’re in the room with him.

Were other producers on the album, like Pharrell and Boi-1da, working in other suites simultaneously?

Dre: I didn’t see Pharrell, but Boi-1da, he was definitely in Paris for a couple days. That’s our guy. He did two amazing records on the album. We were definitely catching a vibe. There were some songwriters there as well. It wasn’t a lot of people.

Did they give you any instructions about what kind of vibe they were going for? Or did they just want your best material?

Dre: In our case, we just kept seeing them . When we played them “SUMMER,” we would tell Bey and Jay, “If you don’t like the melody or the words, we’ll change them. We want to do anything to be a part of this.” They were like, “No, we love it, don’t stop.” That was the greatest thing they would tell me and Cool: not to stop.

They were really feeling what we were presenting to them. Of course, once they did a record, . On “BLACK EFFECT,” the drums were more of a steady hip-hop beat, and Jay was like, “I want this to bounce more, change the drum track and make it bounce!” And on records like “SUMMER,” Beyoncé would be like, “I want to hear strings; I want to hear horns. Use my string section, use my horns -- I got them all here.” They really produced these records with us. That’s why it says produced by Beyonce and JAY-Z and Cool and Dre. They definitely gave us direction. And when we were doing it right, they told us not to stop.

How involved was Beyoncé in the writing process?

Dre: She was 100 percent involved. She put her mind to the music and did her thing. If she had a melody idea, she came up with the words. If we had the words, she came up with the melody. She’s a beast.

I’ll tell you one story: When I went out to their compound, I played them a sample that had a lady singing in French on a loop throughout the whole record. Bey said to play it again, and I did. And then she said to play it again, and I did. On the third time, she sang the whole sample from beginning to end -- in a different language! When you make a beat, that could take hours, days. I didn’t know what the hell that sample was saying. But in three listens, she picked up on a sample in a different language and sang the whole thing. When I saw that, I was like, “This is a totally different level.”

It’s interesting to hear you say that -- there’s this perception out there, particularly among her haters, that Beyoncé isn’t really involved in the writing process, that she just changes a word or two and gets credit.

Dre: Haters, that’s their job: to do everything to discredit brilliant people. As someone who had the opportunity and the honor to actually share the same creative space with Beyonce, there's nothing farther from the truth than that statement. That’s what haters do. God bless ‘em. Tell them to stream the album!

One thing that stood about this record is how much Beyoncé raps.

Dre: Man, it’s unbelievable. That’s that H-Town. That’s that Third Ward. I think we forget she’s from Third Ward, Houston. This isn't the first time -- she rapped on the “No, No, No” remix back in the day. She’s been doing this. She's been letting us know: don't play with her MC skills, she gets its popping. Everybody's starting to give her credit: “Yo, is Beyoncé rapping better than everybody?”

Cool: If she wanted to put out a rap album, it’d be the best rap album out.

Fans were especially excited about “713,” as Beyoncé interpolates Dr. Dre and Snoop Dogg’s “Still D.R.E.,” which was partially written by JAY-Z.

Dre: We thought it was the coolest shit in the world. It was fucking awesome that 17 years later, Beyoncé is doing the same lines. It’s definitely a nod to the legacy of the record, and it’s pretty fucking cool. I don't think Dre and Jay when they worked on this record.

Another song you worked on, “BLACK EFFECT,” opens with a mysterious sample. Who is that voice?

Dre: When you go to the tour, they filmed a movie plays throughout the tour. They went to Jamaica to film and grabbed scenes where they spoke to the people in Jamaica, and I believe that's one of those scenes.

Are there other instances of the live show and tour footage influencing the music?

Dre: For the “SUMMER” record, Cool had this music groove that he was working on and played it for me, and immediately I heard a melody, and it was definitely inspired by what we were seeing every day. There’s a scene where Jay and Bey are on the beach filming each other on the sand and just enjoying the presence of each other, and we took what we saw and put it in the music. When they heard it, they took the idea and turned it into “SUMMER.”

Cool: It was really organic. It was just creating amazing music in a great environment. Just taking in all the vibes of where we were at and just riding off the highs. Me and Dre were in a special type of place.

It sounds like you recorded a lot more music than what made the cut. Should we brace ourselves for Everything Is Love II?

Dre: Man, everything’s top-secret! There’s some amazing stuff, some amazing records that were cut and locked and loaded. I don't know for what, but they’re definitely in the chamber.
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