Beyonce.com was also updated with photos from rehearsals.
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September 17, 2018
City of Hope, a world-renowned independent research and treatment center for cancer, diabetes and other life-threatening diseases, is honoring Jon Platt, Chairman and CEO of Warner/Chappell Music, with its prestigious Spirit of Life® award. Platt has worked with Beyoncé since 2005.
Inspired by the guiding humanitarian principles of City of Hope and motivated by the institution's commitment to innovative medical research and compassionate patient care, a group of key industry executives founded the charity’s Music, Film and Entertainment Industry Group in 1973. In its 45-year history, the group has raised more than $118 million for City of Hope and has honored some of the most important figures in the music and entertainment industry.
The evening’s host will be producer/entertainer Pharrell Williams and JAY-Z, multi-Grammy winner/entrepreneur, will present the award to Platt.
“Beyoncé agreed to perform without a moment’s hesitation, and that wasn’t just for me,” said Jon Platt. “She wanted to be part of our celebration for the patients, doctors, scientists, and nurses who make City of Hope a place where miracles can happen. That’s what makes her a cultural icon. She’s not only a genius, in a class of her own, but she has phenomenal heart and soul, and she knows how to use them. This event is going to be one for the ages.”
July 10, 2018
Beyonce, Jay-Z and Ed Sheeran will headline a special Global Citizen Festival in honor of Nelson Mandela in South Africa on Dec. 2. The concert, which will be held at FNB Stadium in Johannesburg, will mark the 100th anniversary of the birth of the anti-apartheid leader and Nobel Peace Prize winner, organizers announced early Monday. Mandela died in 2013.
Others performing at the festival include Usher, Eddie Vedder, a joint set from Pharrell Williams and Coldplay’s Chris Martin, and African artists including Wizkid, Cassper Nyovest and Femi Kuti.
June 20, 2018
The stage is mainly constructed of two catwalks, which Bey and Jay use to perform independently of one another; at the end of the show, a giant bridge connects the two, floating over the audience as it does so. More impressive than this is the backdrop of the stage, which is dominated by two giant video screens (each of which, designer Ric Lipson tells me, is the size of “a London street”). At various points in the show, these screens split open, to reveal a four-storey structure, on which figures dance, play instruments, and sometimes create a silhouetted tableau. It’s reminiscent of the thrum of vibrant energy that Bey brought with her to this year’s Coachella performances, where she chose to perform in front of college-style bleachers packed with 120 dancers and instrumentalists, rather than the screens that usually dominate massive arena pop shows.
The show was brought to life by Stufish, a London-based entertainment architectural firm who also worked on the stage that was used for Beychella (as well as having a storied history producing shows for Lady Gaga, Queen, and U2). Dazed spoke to Stufish architect Ric Lipson about how the stage design reflected Beyoncé and Jay-Z’s narrative of forgiveness and reconciliation, why Beyoncé altered the design to accommodate a huge band, and how the show may change as it keeps travelling.
May 3, 2018
Beyoncé may have been front and center at her spectacular Coachella performances last month. But two of her secret weapons were Mr. Grant and Mr. Knight, the show’s main choreographers.
From the start Beyoncé was clear about what she wanted. “She said, ‘Let’s do a homecoming,’” Mr. Knight said. “Boom. A nice, clear concept that we were all able to snap into and execute.”
In the nearly two-hour performance, references to homecoming at historically black colleges and universities (H.B.C.U.s) — complete with a marching band and a glittering majorette solo — lived alongside dance styles ranging from flexing, a form born on the streets of Brooklyn, to stepping, a percussive form popular in fraternities and sororities.
Beginning in December, Mr. Grant and Mr. Knight worked with Beyoncé’s music team and started their preliminary dance preparations. By January, they started skeleton-crew rehearsals. “We worked with 12 dancers for a month just to start to further develop the ideas that we laid down in December,” Mr. Knight said. “We started to build choreography.”
April 30, 2018
April 29, 2018
“It’s just like old girlfriends coming together,” explains the 37-year-old, who last reunited as Destiny’s Child at the 2015 Stellar Awards where they performed her upbeat gospel single “Say Yes.” “It’s something that when the three of us come together, we all know we feel safe within each other. Like I got your back. We’re good. I really love that about us.”
Since Destiny’s Child went on hiatus in the wake of their last album, 2004’s Destiny Fulfilled, Williams hasn’t slowed. She’s put out four solo full-lengths including her final release, 2014’s Journey to Freedom (which won’t be her last); starred on stage as leads in Chicago and Aida; launched her own furniture and candle line Believe by Michelle; and, more recently, got engaged to pastor Chad Johnson just prior to her Coachella performance. Still teeming with excitement from the pair of shows, Williams explains how it all came together.
There were rumors before Coachella that a Destiny’s Child reunion might happen. How did the conversations begin for this? Did Beyoncé call you and just say, “It’s time?”
April 22, 2018
April 22, 2018
Visually the show was refreshed, with Beyoncé and her 100 dancers and band members washed in shades of magenta and virtually every ensemble the singer wore was swapped out for a new look.
The set-list, however, remained untouched and she was again joined by husband Jay-Z, former Destiny's Child bandmates Kelly Rowland and Michelle Williams as well as her sister Solange Knowles. There was an extra surprise, as the singer was also joined by J. Balvin for a quick run of "Mi Gente."
Beyoncé's Coachella merchandise collection was expanded with two new items, which are now available on the Coachella Pop-Up Store website.
April 20, 2018
April 19, 2018
April 18, 2018
Amidst the performance, Beyoncé became the first black woman to ever headline Coachella in its nearly 20-year history, and she absolutely made it a point to use the platform to showcase all of the beauty of her roots throughout the entire history-making night. Making mention of the monumental moment, Beyoncé spoke to the audience, saying, “Thank you Coachella for allowing me to be the first black woman to headline."
April 17, 2018
Now, she's admitting that she "stands corrected," as a revealing conversation with the pop star showed her how important it was for her to stick to her vision.
Lawson shared part of an intimate conversation between her and Beyoncé about the historic Coachella set, which drew inspiration from the marching bands, step teams and dance crews of HBCU, or Historically Black Colleges and Universities. "I told Beyoncé that i was afraid that the predominately white audience at Coachella would be confused by all of the black culture and Black college culture because it was something that they might not get," she writes.
"Her brave response to me made me feel a bit selfish and ashamed. She said 'I have worked very hard to get to the point where I have a true voice and at this point in my life and my career I have a responsibility to do whats best for the world and not what is most popular.'"
She went on to point out that Bey's mission was to unite the audience at Coachella and encourage understanding, even if they weren't familiar with HBCU: "She said that her hope is that after the show young people would research this culture and see how cool it is, and young people black and white would listen to 'LIFT EVERY VOICE AND SING' and see how amazing the words are for us all and bridge the gap."
"She also hopes that it will encourage young kids to enroll in our amazing Historically Black Colleges and Universities," Lawson continued. "I stand corrected ❤️"
April 15, 2018
April 15, 2018
April 15, 2018
April 14, 2018
April 14, 2018
“Beyoncé and Destiny’s Child are reuniting,” claims the source. “It was teased, rumored, squashed, so nothing much else was said . . . But it’s happening.”
Beyoncé’s scheduled to perform solo on Saturday.
The insider said the added surprise is “to make up for the fact she was unable to perform last year,” when pregnant.
“The girls really wanted it and felt they owed it to the fans.”
April 10, 2018
Other artists whose sets will be streamed live from Coachella include The Weeknd, St. Vincent, Tyler, the Creator, Migos, Kamasi Washington, Brockhampton, Kamaiyah, Moses Sumney, Perfume Genius, Haim, Alvvays, and more. The streams will be available on Coachella's YouTube page.
March 12, 2018
White spoke openly of his collaborations with Beyonce, saying the two were supposed to take to Saturday Night Live to perform "Don't Hurt Yourself" -- the searing cut from Lemonade that explicitly referred to Jay-Z’s infidelity, laced with White's cryptic guitar keys -- though the plan never came to fruition.
He also revealed another unreleased collab with Queen Bey, saying the singer had requested an (even more) country-inspired version of “Daddy Lessons,” citing blues musician Seasick Steve as the alternate arrangement’s inspiration. White was impressed by the request, but his version of the song remained unused on Lemonade.
March 3, 2018
The singer, who is taking to the Coachella stage in April, announced on Facebook Friday that she is returning to her 22 Days Nutrition plan in preparation.
“We have 44 days until Coachella!! Vegan Time!! Click the link to join me!! Mealplanner.22daysnutrition.com” Beyoncé captioned a photo of her fancy avocado toast as part of the plant-based food challenge which she co-founded in 2015.
Queen Bey also shared the first sneak peeks inside her Coachella rehearsals.