Welcome to Beyoncé Online - your #1 source for everything Beyoncé Knowles. You'll find here a lot of interesting information, one of the biggest photo galleries with over 100.000 pictures, downloads and more! Be sure to check out the latest news about Mrs. Carter and leave your comments. We hope you'll enjoy your stay and come back soon! Have fun!
The 2018 Latin American Music Awards are coming back in October to celebrate the best of Latin music. Beyoncé's collaboration with J Balvin & Willy William "Mi Gente" is up for two awards! The show is slated to air live Oct. 25 on Telemundo from The Dolby Theater in Hollywood, Ca.
Song of the Year
Becky G feat. Bad Bunny - “Mayores”
Daddy Yankee - “Dura” J Balvin & Willy William feat. Beyoncé - “Mi Gente”
Luis Fonsi & Demi Lovato - “Échame La Culpa”
Maluma & Nego do Borel - “Corazón”
Nicky Jam & J Balvin - “X”
Wisin feat. Ozuna - “Escápate Conmigo”
Favorite Song - Urban
Becky G feat. Bad Bunny - “Mayores”
Daddy Yankee - “Dura” J Balvin & Willy William feat. Beyoncé - “Mi Gente”
Nicky Jam & J Balvin - “X”
Wisin feat. Ozuna - “Escápate Conmigo”
Beyonce and Jay-Z have been nominated in 3 categories at the 2018 BET Hip-Hop Awards. The ceremony will take place at The Fillmore Miami Beach at Jackie Gleason Theater on October 6, and BET Networks will premiere the annual telecast on October 16.
Album of the Year
Cardi B - Invasion of Privacy
Drake - Scorpion
J. Cole - KOD
Migos - Culture II The Carters - Everything Is Love
Best Collabo, Duo or Group
21 Savage & Offset & Metro Boomin - Ric Flair Drip
Blocboy JB - Look Alive feat. Drake
Cardi B - I Like It feat. Bad Bunny & J Balvin
Post Malone – Rockstar feat. 21 Savage The Carters – Apes**t
Single of the Year Apesh*t - Produced by Pharrell (The Carters)
God's Plan - Produced by Cardo, Young Exclusive and Boi-1da (Drake)
I Like It - Produced by Craig Kallman, JWhiteDidIt and Tainy (Cardi B Feat. Bad Bunny & J Balvin)
Nice for What - Produced by Murda Beatz (Drake)
This Is America - Produced by Donald Glover and Ludwig Goransson (Childish Gambino)
Nominations for the 2018 People's Choice Awards have been announced and Beyonce is up for 5 awards! The show will be broadcast live from Santa Monica on Nov. 11 at 9 p.m. ET. Voting is open now at pca.eonline.com.
THE FEMALE ARTIST OF 2018
Ariana Grande Beyoncé
Music stars gathered at New York's Radio City Hall on Monday for the 2018 MTV Video Music Awards. The Carters were not present at the ceremony but won in two categories. Congrats!
Alessia Cara – “Growing Pains” – Def Jam Recordings – Cinematography by Pau Castejón
Ariana Grande – “No Tears Left to Cry” – Republic Records – Cinematography by Scott Cunningham The Carters – “APES**T” – Roc Nation/Parkwood Entertainment – Cinematography by Benoit Debie (WINNER)
Childish Gambino – “This Is America” – mcDJ / RCA Records – Cinematography by Larkin Seiple
Eminem ft. Ed Sheeran – “River” – Shady/Aftermath/Interscope Records – Cinematography by Frank Mobilio & Patrick Meller
Shawn Mendes – “In My Blood” – Island Records – Cinematography by Jonathan Sela
Best art direction The Carters – “APES**T” – Roc Nation/Parkwood Entertainment – Art Direction by Jan Houlevigue (WINNER)
Childish Gambino – “This Is America” – mcDJ / RCA Records – Art Direction by Jason Kisvarday
J. Cole – “ATM” – Dreamville/Roc Nation/Interscope Records – Art Direction by Miles Mullin
Janelle Monáe – “Make Me Feel” – Bad Boy Records/Atlantic Records – Art Direction by Pepper Nguyen
SZA – “The Weekend” – TDE/RCA Records – Art Direction by SZA and Solange
Taylor Swift – “Look What You Made Me Do” – Big Machine Records – Art Direction by Brett Hess
Nominations for the 2018 iHeartRadio Much Music Video Awards were announced on Wednesday morning and The Carters are nominated in three categories! You can vote for Fan Fave Video here.
Best Hip-Hop Artist or Group The Carters
Jay Martin (Shawn Mendes – "In My Blood")
Karena Evans (Drake – "God's Plan")
Karena Evans (Drake – "Nice for What")
Hiro Murai (Childish Gambino – "This Is America")
Arturo Perez Jr. (Justin Timberlake – "Say Something") Didier Charette (The Carters – "APESHIT")
This week, Billboard is celebrating the music video with a week's worth of content that looks at the past, present and future of the video, at a time when it seems to be as relevant as ever. Here, we flashback ten years for an extended look at how arguably the most legendary video from the 21st century's greatest music video star came together, and why its legacy endures a decade later.
On the St. Louis stop of the 2016 Formation World Tour, Beyoncé and her dancers -- including her dance captain, Ashley Everett -- were just about to wave their hands through the final bars of “Single Ladies (Put A Ring On It)” when the pop star paused. The buoyant bass continued to blast as she vamped, coyly pacing the stage before she turned on her heel and signaled for a gentleman in a white jacket to join her. John Silver, Everett’s boyfriend, trotted into the spotlight and took the floor, where he presented his dumbstruck love with an engagement ring -- one that got an all-too-appropriate cameo during a sequence as familiar to the crowd as the “Single Ladies” chorus itself. If you like it, then you shoulda put a ring on it: he did, so he did, and Everett flicked her wrist and flashed her newly-minted diamond in the routine she helped create.
That such a life-changing moment went down in the middle of a “Single Ladies” performance is perfect, as the song has proven to be a monumentally transformative force in the lives of Beyoncé and those of her closest collaborators. Everett was at Beyoncé’s side when she filmed the music video for “Single Ladies” and in the three months leading up to the shoot, when they and choreographers Frank Gatson Jr. and JaQuel Knight worked tirelessly to hone every kick, waist-wind, and lift that would go on to define one of the most iconic dances in pop music history.
Apparently shutting down one epicenter of cultural history was not enough for Beyoncé, because she is now reportedly trying to film something at the Colosseum. You know, the ancient Roman landmark where gladiators once dueled to the death some 2,000 years ago? Yep, that Colosseum.
According to Italian newspaper Il Messaggero, Beyoncé has put in a request to film something at the Colosseum (it's not yet clear what). She initially requested to book the amphitheater on July 7 and July 8, when she and Jay-Z were in town for their On the Run II tour, but was reportedly rejected by Italy’s Ministry of Cultural Heritage because Italian scientist Alberto Angela already had it reserved. Il Messaggero also notes her request was too last minute, as the Colosseum is “a very complicated place.” (Closing down the Louvre to shoot "Apes--t," on the other hand? A total breeze.)
But Beyoncé, being Beyoncé, is not ready to throw in the towel, and has reportedly resubmitted her request, which is currently under review.
It's worth mentioning she has filmed at the Colosseum before (remember that Pepsi commercial with Britney Spears and Pink?), so if the timing is right, it seems like things will be a go. Block out your Saturday nights for another surprise!
The 2018 MTV Video Music Awards nominations have been announced today. Cardi B leads the noms with 10, while The Carters follow with eight. Beyonce also scored one nomination for Eminem's "Walk on Water". Beginning today, fans can vote in eight of the categories. Voting concludes Friday, August 10. The VMAs will air live from Radio City Music Hall at 9 PM on Monday, August 20.
VIDEO OF THE YEAR
Ariana Grande – “No Tears Left to Cry”
Bruno Mars ft. Cardi B – “Finesse (Remix)”
Camila Cabello ft. Young Thug – “Havana” The Carters – “APES**T”
Childish Gambino – “This Is America”
Drake – “God's Plan”
Bebe Rexha ft. Florida Georgia Line – “Meant to Be”
Bruno Mars ft. Cardi B – “Finesse (Remix)” The Carters – “APES**T”
Jennifer Lopez ft. DJ Khaled & Cardi B – “Dinero”
Logic ft. Alessia Cara & Khalid – “1-800-273-8255”
N.E.R.D & Rihanna – “Lemon”
It's been a year since Jay Z released his thirteenth studio album, the critically acclaimed 4:44. In honor of its anniversary, producer No I.D., who picked up a producer of the year Grammy nomination for his work on the album, reflected on how it all came together and which beat on the album almost went to Beyoncé.
“Family Feud” (Featuring Beyoncé)
Scientifically to me, certain vibrational tones create a reaction, a feeling, an emotion, tension, joy or suspense. So that’s what I look for in music. Whether it’s musicians, sampling — whatever. And the The Clark Sisters just had this emotion already going. Just like joyous and pain and spiritual and I know part of Bey’s joy in music stems from that type of emotion.
And when I first did the music, of course I wanted her to be a part of the album and when she first heard the track, she was like, “Oh, no, no! I’m GETTING on that!” So she really kind of jumped in and did her part. And that song came in at the very end. Maybe about a week before the album came out. I didn’t really have to incorporate her. She’s a producer in her own right. She came in and wove herself right into it. Did an amazing job at completing the song to be honest.
Jay-Z and Beyonce released their joint album Everything is Love as a surprise on June 16th on their streaming service TIDAL, which was followed by a wide release two days later on all platforms.
For those looking for the physical edition of the album, here’s some good news: it hits stores July 6th! This edition will feature 9 songs as the 10th track ‘Salud!’ continues to be a non album exclusive on TIDAL.
As Beyoncé and JAY-Z earn their first charted album as a duo, as Everything Is Love, billed as by The Carters, opens at No. 2 on the Billboard 200 with 123,000 equivalent album units, according to Nielsen Music, five tracks from the set debut on the Billboard Hot 100.
"Apes**t" debuts the highest of the bunch on the Hot 100, at No. 13. Sparked by its official video, the song arrives with 24.1 million U.S. streams in the tracking week, as well as 20,000 downloads sold.
The Carters' "Boss" debuts at No. 77 on the Hot 100, followed by "Summer" at No. 84, "Nice" at No. 95 and "Friends" at No. 99.
Beyoncé and JAY-Z have each tallied 59 and 97 solo entries on the Hot 100, respectively. The husband-and-wife luminaries have logged eight shared Hot 100 entries under their usual monikers (Beyoncé and JAY-Z), including the eight-week No. 1 "Crazy in Love" (credited to Beyoncé featuring JAY-Z) in 2003.
Everything Is Love concurrently debuts at No. 1 on the Top R&B/Hip-Hop Albums chart, while "Apes**t" opens at No. 9 on Hot R&B/Hip-Hop Songs.
The names Cool & Dre ring out across the hip-hop landscape for more reasons than one. If you're feeling nostalgic, their work on the Game's "Hate It or Love It" and Ja Rule's "New York" will get your blood flowing. If you're feeling contemporary, look no further than Fat Joe and Remy Ma's anthemic "All the Way Up," which dominated airwaves and peaked at No. 7 on the Billboard Hot 100.
They've been locked into the music game for more than a decade—but it still came as a surprise when credits on JAY-Z and Beyoncé's joint album Everything Is Love revealed the veteran production duo produced three out of nine tracks: "Summer," "713," and "Black Effect." They couldn't sound any more different: "Summer," with its deceptively lazy but thoroughly soulful pace, "713," with driving keys just south of in tune but hard enough that it doesn't matter, and "Black Effect," with its comparatively sparse beat and haunting background vocals. The Carters also released a bonus track, "Salud!" which Cool & Dre produced, and Dre laid down vocals for. As its name suggests, it sounds like a toast to victory.
As expected, Cool & Dre are floating on Cloud Nine now that their contributions to Everything Is Love have officially reached our ears. In an interview with Complex, the pair talked about their favorite moments creating with JAY and Bey, how easy it was to keep the collaboration a secret, and their status after producing for two of the most revered artists on the planet.
Where were you when the joint Beyoncé and JAY-Z album dropped?
Producer duo Cool & Dre won't forget the answer to the question on everybody's minds this weekend anytime soon. After all, they were right alongside the Carters on tour in London, having literally put finishing touches on Everything Is Love just a few hours before it arrived with no warning on Saturday evening (June 17).
But just because the album's release came down to the wire doesn't mean its creation was hasty: Marcello "Cool" Valenzo and Andre "Dre" Lyon describe the work ethic of hip-hop's perfectionist power couple as nothing short of fastidious -- no drum sound, sample or melody was spared their scrutiny. Below, Cool & Dre take Billboard behind the scenes of their Paris stadium sessions, Beyoncé's hands-on role in the writing process and just how much music they have left in the vault.
Beyoncé and JAY-Z work in mysterious ways. Were you surprised that the album came out when it did?
Dre: Nah, we knew what was going on. We were in London with them when the album dropped. JAY-Z and Beyonce are Golden State Warriors: they shoot half-court shorts, and it goes in. We spent three weeks in Paris recording, then we went to Cardiff for like a week. We got to London and knocked out two to three tracks 10 days of finishing up the album. An hour and a half before showtime, Bey and Jay were still cutting up vocals. Three hours later it was released to the world. There are no rules when it comes to those two.
When Beyoncé and Jay-Z's album Everything Is Love appeared suddenly on Tidal on Saturday night, a surprising name stood out on the credits list: veteran duo Cool & Dre co-produced three of the nine songs on the album, along with a bonus track. Cool & Dre were ubiquitous on much of the radio in the mid-2000s – see Ja Rule's "New York" and the Game's "Hate It or Love It," for starters – and enjoyed a recent renaissance as the team behind Fat Joe's "All the Way Up." The pair had never worked on a Jay-Z or Beyoncé album before, though. On Everything Is Love, they're responsible for "Summer," the album's soul-sampling opener; the radio-ready, Dr. Dre-interpolating "713"; and a pair of triumphant cuts that appear near the end of the LP, "Black Effect" and "Salud!" Cool & Dre co-produced more tracks than anyone on the album other than Beyoncé and Jay-Z themselves.
"We always joke with Jay: Working with them two is like working with the Golden State Warriors," Dre says. "We can just dribble the ball up the floor and look like geniuses." Rolling Stone spoke with the duo – Dre is by far the chattier of the two – about how they ended up on Everything Is Love, the recording sessions in Paris and Cardiff, and how Jay-Z and Beyoncé's talents pushed them to new creative heights.
How did you get involved in the album?
Dre: We've had a relationship with Jay-Z shit, for 15 years. OG Juan introduced me to Jay shortly after "Hate It or Love It" was ringing off. He told me back in the day: "'Hate It or Love It,' I get it, I gotta let that go. But 'New York,' you were supposed to hand deliver that to me. You gotta find a way to get to me." We've always had a cordial relationship with him. We never had the opportunity to get on one of his albums. You have to be right beside him. Jay has a thing, he'll text or email: "Stay close." That's advice you have to take literally. He'll record in two weeks and the album is done.
Beyoncé and Jay-Z have added their brand new collaborative album to major streaming services and iTunes.
Originally a timed exclusive to TIDAL, Everything Is Love, featuring the new single APES**T, is now available across Spotify, Apple Music and Deezer, while it is now available to download for the first time on iTunes and Amazon.
Everything Is Love was revealed following The Carters' final On The Run II UK tour performance at London Stadium, London. The video to APES**T was played to the audience in full to close the show.
Everything Is Love is nine tracks long, and features uncredited vocals from Pharrell, Ty Dolla $ign, plus Quavo and Offset of Migos. One more track Salud! - billed as a non-album promotional song - remains exclusive to TIDAL.
A joint Beyoncé-Jay-Z album has finally dropped after years of rumors. Titled "Everything Is Love," the announcement was made by Tidal, the streaming company owned by Jay-Z. It features nine tracks, each credited to Beyoncé and Jay-Z — or The Carters — and clocks in at just under 40 minutes.
The album, unusually brief for both artists, sent fans scrambling to sign up for Tidal, a subscription-based music streaming service started by Jay-Z and other artists. That's where they could find the bonus track called "Salud" that the duo presumably felt didn't fit with the album's sequence.
According to unofficial credits, the album features production from Pharrell Williams (two tracks, "Nice" and "Apes---"), Cool & Dre, Boi-1Da, Vory, Jahaan Sweet and Sevn Thomas, and guest spots from Migos ("Apes---") and Pharrell.
The nominations for this year's BET Awards were announced Tuesday night and Beyonce is up for two awards:
Best Female R&B / Pop Artist Beyonce
Bruno Mars feat. Cardi B - Finesse (Remix)
DJ Khaled feat. Rihanna & Bryson Tiller - Wild Thoughts DJ Khaled feat. Jay-Z, Future & Beyonce - Top Off
Cardi B feat. 21 Savage - Bartier Cardi
French Montana feat. Swae Lee - Unforgettable
Kendrick Lamar feat. Rihanna - LOYALTY.
BET's annual telecast celebrates black excellence in music, film, TV, sports and philanthropy and will air live June 24 from the Microsoft Theater at 8 p.m. Eastern time.
The nominations for the 2017 Brit Awards were announced Saturday. Beyoncé is up for International Female Solo Artist, while "Hymn for the Weekend" has a chance to win two awards! The 2017 Brit Awards goes live on Feb. 22 from the O2 Arena in London.
International Female Solo Artist Beyoncé Christine and the Queens Rihanna Sia Solange
British Single Alan Walker, "Faded" Calum Scott, "Dancing On My Own" Calvin Harris feat. Rihanna, "This Is What You Came For" Clean Bandit feat. Sean Paula & Anne-Marie, "Rockabye" Coldplay, "Hymn for the Weekend" James Arthur, "Say You Won't Let Go" Jonas Blue feat. Dakota, "Fast Car" Little Mix, "Shout Out to My Ex" Tinie Tempah feat. Zara Larsson, "Girls Like" Zayn, "Pillowtalk" Read more...
The nominations for the 2017 iHeartRadio Music Awards were announced today. The awards are intended to celebrate the music heard across iHeartMedia radio stations over the past year. Beyonce is nominated in four categories.
Voting for socially voted categories is open now and runs through Feb. 24. Voting for the fan army award began Tuesday through iHeartRadio's social media accounts and its app, with the voting window extending to the night of the event on March 5. Fans can vote by visiting iHeartRadio.com/awards.
The 2017 iHeartRadio Music Awards will air live March 5 at 8 p.m. EST on TBS, TNT and truTV.
See the list of Beyonce's nominations below.
R&B Song of the Year: - "Exchange" - Bryson Tiller - "Needed Me" - Rihanna - "No Limit" - Usher featuring Young Thug - "Sorry" - Beyoncé - "Work" - Rihanna featuring Drake Read more...
We take music videos for granted. In about 35 years, they’ve gone from an alleged scourge on the musical imagination to a form of oxygen. Every so often, one comes along that touches a nerve or causes a scandal. Back in February, on the eve of the Super Bowl, “Formation” stopped the nation. It was another Beyoncé sneak attack, but also a statement piece and a work of art. And for a month, the intent of its imagery — Beyoncé atop a sinking New Orleans Police Department cruiser; the witchiness of her wide-brimmed hat and her seemingly spiritually possessed head bob on the porch of a manse; a young black boy dancing before a phalanx of militarized cops — was deconstructed, debated and defended.
This was Beyoncé, of course. But it was also Melina Matsoukas, who directed “Formation.” These are edited excerpts from The New York Times' conversation with her.
At what point did you get involved with “Formation”?
Right after I came back from Cuba last year, after the family vacation. Beyoncé was performing at the Super Bowl, so she wanted this to come out right before that, obviously, to set up her performance. She wanted to shoot in two weeks. And because it was also my birthday, I probably didn’t even really think about it for a week. Read more...
“The Best Is Yet to Come” for Tony Bennett, who at 90 years old is showing no signs of slowing down.
“There’s still a lot I’d like to do,” the iconic crooner tells PEOPLE.
The past two years, Bennett has won the Best Traditional Pop Vocal Album trophy at the Grammys, this year for Cheek to Cheek, his collection of jazz duets with longtime pal Lady Gaga — and he insists there’s more classics where that came from.
“I’d love to do a second album with Lady Gaga,” he says. “She was performing at a benefit the first time I met her. I told her backstage, ‘You were terrific! I’d love to do an album with you someday.’ She said, ‘Let’s do it!’ Boom! We get along great. We’ve been close ever since.”
Indeed, Gaga — as well as A-listers including Elton John, Michael Bublé and Stevie Wonder — will honor the musician and painter during Tony Bennett Celebrates 90, a two-hour music and comedy special airing at 9 p.m. ET on NBC, Dec. 20.
And Gaga isn’t the only diva Bennett has plans to collaborate with — he and Queen Bey may have something in the works.
“Beyoncé. She’s thinking of something to do with me,” the singer adds with a laugh. “We met at a benefit, and she said, ‘I’ve got an idea that we should do something together.’ She didn’t tell me what it was yet, so we’ll see what happens!”
The nominees for the 59th Grammy Awards were announced this morning (Dec. 6), with last year's Best New Artist winner Meghan Trainor unveiling the contestants for the marquee categories live on CBS. The field is led by Beyoncé with 9 nominations, followed by similarly huge stars Drake, Rihanna and Kanye West (8 each). The awards show will air live from Los Angeles' Staples Center on February 12th. Check all of Beyonce's nominations below!
Album Of The Year 25 — Adele Lemonade — Beyoncé Purpose — Justin Bieber Views — Drake A Sailor's Guide To Earth — Sturgill Simpson
Record Of The Year "Hello" — Adele "Formation" — Beyoncé "7 Years" — Lukas Graham "Work" — Rihanna Featuring Drake "Stressed Out" — Twenty One Pilots Read more...
Join others on Tuesday for a viewing of Beyoncé’s "Lemonade" video, followed by an audience discussion of the issues this unique video album addresses.
The screening and conversation are presented in conjunction with Global Voices for Social Justice: Art as Activism, a current exhibition at New Bedford Art Museum/ArtWorks! curated by the New Bedford Historical Society, the event is free and open to the public and slated to run from 5:30 to 7:30 p.m.
New Bedford Art Museum / ArtWorks! is located at 608 Pleasant Street, New Bedford, MA 02740. Winter hours are noon to 5 p.m. Wednesday and Friday-Sunday and noon to 9 p.m. Thursdays.
It looks like Beyonce is rolling out “All Night” as the fourth US single from Lemonade. The cover art surfaced online today (here) and the Diplo-produced ballad is being added to rhythmic radio on December 6 according to All Access.
Somewhat amusingly, “All Night” is already a top 40 hit. The song debuted at number 38 on the Billboard Hot 100 after the release of Lemonade and has charted in Canada, France, UK and Australia among other countries. It could soar even higher if it gets a little love from pop radio — something “Formation,” “Sorry” and “Hold Up” failed to achieve.
This year CAMERIMAGE Festival, The International Film Festival of the Art of Cinematography which takes place in Bydgoszcz, Poland, will present two remarkable films connected with the music video creativity.
The first is Beyoncé’s “LEMONADE”, the visual accompaniment to her 12-track sixth studio album and a portrayal of every woman’s journey of self-knowledge and healing.
The screening will tak place on November 13 at 12:15 p.m. an will be followed by a Q&A meeting with DPs Chayse Irvin and Malik Sayeed.
BeyonceOnline.org will be in attendance so you can expect a coverage of the event!
Additionally, Beyonce's "Formation" is nominated for Best Music Video and Best Cinematography in a Music Video. The winners will be announced during the Festival's Closing Ceremony on Saturday, November 21.