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Apparently shutting down one epicenter of cultural history was not enough for Beyoncé, because she is now reportedly trying to film something at the Colosseum. You know, the ancient Roman landmark where gladiators once dueled to the death some 2,000 years ago? Yep, that Colosseum.
According to Italian newspaper Il Messaggero, Beyoncé has put in a request to film something at the Colosseum (it's not yet clear what). She initially requested to book the amphitheater on July 7 and July 8, when she and Jay-Z were in town for their On the Run II tour, but was reportedly rejected by Italy’s Ministry of Cultural Heritage because Italian scientist Alberto Angela already had it reserved. Il Messaggero also notes her request was too last minute, as the Colosseum is “a very complicated place.” (Closing down the Louvre to shoot "Apes--t," on the other hand? A total breeze.)
But Beyoncé, being Beyoncé, is not ready to throw in the towel, and has reportedly resubmitted her request, which is currently under review.
It's worth mentioning she has filmed at the Colosseum before (remember that Pepsi commercial with Britney Spears and Pink?), so if the timing is right, it seems like things will be a go. Block out your Saturday nights for another surprise!
The 2018 MTV Video Music Awards nominations have been announced today. Cardi B leads the noms with 10, while The Carters follow with eight. Beyonce also scored one nomination for Eminem's "Walk on Water". Beginning today, fans can vote in eight of the categories. Voting concludes Friday, August 10. The VMAs will air live from Radio City Music Hall at 9 PM on Monday, August 20.
VIDEO OF THE YEAR
Ariana Grande – “No Tears Left to Cry”
Bruno Mars ft. Cardi B – “Finesse (Remix)”
Camila Cabello ft. Young Thug – “Havana” The Carters – “APES**T”
Childish Gambino – “This Is America”
Drake – “God's Plan”
Bebe Rexha ft. Florida Georgia Line – “Meant to Be”
Bruno Mars ft. Cardi B – “Finesse (Remix)” The Carters – “APES**T”
Jennifer Lopez ft. DJ Khaled & Cardi B – “Dinero”
Logic ft. Alessia Cara & Khalid – “1-800-273-8255”
N.E.R.D & Rihanna – “Lemon”
It's been a year since Jay Z released his thirteenth studio album, the critically acclaimed 4:44. In honor of its anniversary, producer No I.D., who picked up a producer of the year Grammy nomination for his work on the album, reflected on how it all came together and which beat on the album almost went to Beyoncé.
“Family Feud” (Featuring Beyoncé)
Scientifically to me, certain vibrational tones create a reaction, a feeling, an emotion, tension, joy or suspense. So that’s what I look for in music. Whether it’s musicians, sampling — whatever. And the The Clark Sisters just had this emotion already going. Just like joyous and pain and spiritual and I know part of Bey’s joy in music stems from that type of emotion.
And when I first did the music, of course I wanted her to be a part of the album and when she first heard the track, she was like, “Oh, no, no! I’m GETTING on that!” So she really kind of jumped in and did her part. And that song came in at the very end. Maybe about a week before the album came out. I didn’t really have to incorporate her. She’s a producer in her own right. She came in and wove herself right into it. Did an amazing job at completing the song to be honest.
Jay-Z and Beyonce released their joint album Everything is Love as a surprise on June 16th on their streaming service TIDAL, which was followed by a wide release two days later on all platforms.
For those looking for the physical edition of the album, here’s some good news: it hits stores July 6th! This edition will feature 9 songs as the 10th track ‘Salud!’ continues to be a non album exclusive on TIDAL.
As Beyoncé and JAY-Z earn their first charted album as a duo, as Everything Is Love, billed as by The Carters, opens at No. 2 on the Billboard 200 with 123,000 equivalent album units, according to Nielsen Music, five tracks from the set debut on the Billboard Hot 100.
"Apes**t" debuts the highest of the bunch on the Hot 100, at No. 13. Sparked by its official video, the song arrives with 24.1 million U.S. streams in the tracking week, as well as 20,000 downloads sold.
The Carters' "Boss" debuts at No. 77 on the Hot 100, followed by "Summer" at No. 84, "Nice" at No. 95 and "Friends" at No. 99.
Beyoncé and JAY-Z have each tallied 59 and 97 solo entries on the Hot 100, respectively. The husband-and-wife luminaries have logged eight shared Hot 100 entries under their usual monikers (Beyoncé and JAY-Z), including the eight-week No. 1 "Crazy in Love" (credited to Beyoncé featuring JAY-Z) in 2003.
Everything Is Love concurrently debuts at No. 1 on the Top R&B/Hip-Hop Albums chart, while "Apes**t" opens at No. 9 on Hot R&B/Hip-Hop Songs.
The names Cool & Dre ring out across the hip-hop landscape for more reasons than one. If you're feeling nostalgic, their work on the Game's "Hate It or Love It" and Ja Rule's "New York" will get your blood flowing. If you're feeling contemporary, look no further than Fat Joe and Remy Ma's anthemic "All the Way Up," which dominated airwaves and peaked at No. 7 on the Billboard Hot 100.
They've been locked into the music game for more than a decade—but it still came as a surprise when credits on JAY-Z and Beyoncé's joint album Everything Is Love revealed the veteran production duo produced three out of nine tracks: "Summer," "713," and "Black Effect." They couldn't sound any more different: "Summer," with its deceptively lazy but thoroughly soulful pace, "713," with driving keys just south of in tune but hard enough that it doesn't matter, and "Black Effect," with its comparatively sparse beat and haunting background vocals. The Carters also released a bonus track, "Salud!" which Cool & Dre produced, and Dre laid down vocals for. As its name suggests, it sounds like a toast to victory.
As expected, Cool & Dre are floating on Cloud Nine now that their contributions to Everything Is Love have officially reached our ears. In an interview with Complex, the pair talked about their favorite moments creating with JAY and Bey, how easy it was to keep the collaboration a secret, and their status after producing for two of the most revered artists on the planet.
Where were you when the joint Beyoncé and JAY-Z album dropped?
Producer duo Cool & Dre won't forget the answer to the question on everybody's minds this weekend anytime soon. After all, they were right alongside the Carters on tour in London, having literally put finishing touches on Everything Is Love just a few hours before it arrived with no warning on Saturday evening (June 17).
But just because the album's release came down to the wire doesn't mean its creation was hasty: Marcello "Cool" Valenzo and Andre "Dre" Lyon describe the work ethic of hip-hop's perfectionist power couple as nothing short of fastidious -- no drum sound, sample or melody was spared their scrutiny. Below, Cool & Dre take Billboard behind the scenes of their Paris stadium sessions, Beyoncé's hands-on role in the writing process and just how much music they have left in the vault.
Beyoncé and JAY-Z work in mysterious ways. Were you surprised that the album came out when it did?
Dre: Nah, we knew what was going on. We were in London with them when the album dropped. JAY-Z and Beyonce are Golden State Warriors: they shoot half-court shorts, and it goes in. We spent three weeks in Paris recording, then we went to Cardiff for like a week. We got to London and knocked out two to three tracks 10 days of finishing up the album. An hour and a half before showtime, Bey and Jay were still cutting up vocals. Three hours later it was released to the world. There are no rules when it comes to those two.
When Beyoncé and Jay-Z's album Everything Is Love appeared suddenly on Tidal on Saturday night, a surprising name stood out on the credits list: veteran duo Cool & Dre co-produced three of the nine songs on the album, along with a bonus track. Cool & Dre were ubiquitous on much of the radio in the mid-2000s – see Ja Rule's "New York" and the Game's "Hate It or Love It," for starters – and enjoyed a recent renaissance as the team behind Fat Joe's "All the Way Up." The pair had never worked on a Jay-Z or Beyoncé album before, though. On Everything Is Love, they're responsible for "Summer," the album's soul-sampling opener; the radio-ready, Dr. Dre-interpolating "713"; and a pair of triumphant cuts that appear near the end of the LP, "Black Effect" and "Salud!" Cool & Dre co-produced more tracks than anyone on the album other than Beyoncé and Jay-Z themselves.
"We always joke with Jay: Working with them two is like working with the Golden State Warriors," Dre says. "We can just dribble the ball up the floor and look like geniuses." Rolling Stone spoke with the duo – Dre is by far the chattier of the two – about how they ended up on Everything Is Love, the recording sessions in Paris and Cardiff, and how Jay-Z and Beyoncé's talents pushed them to new creative heights.
How did you get involved in the album?
Dre: We've had a relationship with Jay-Z shit, for 15 years. OG Juan introduced me to Jay shortly after "Hate It or Love It" was ringing off. He told me back in the day: "'Hate It or Love It,' I get it, I gotta let that go. But 'New York,' you were supposed to hand deliver that to me. You gotta find a way to get to me." We've always had a cordial relationship with him. We never had the opportunity to get on one of his albums. You have to be right beside him. Jay has a thing, he'll text or email: "Stay close." That's advice you have to take literally. He'll record in two weeks and the album is done.
Beyoncé and Jay-Z have added their brand new collaborative album to major streaming services and iTunes.
Originally a timed exclusive to TIDAL, Everything Is Love, featuring the new single APES**T, is now available across Spotify, Apple Music and Deezer, while it is now available to download for the first time on iTunes and Amazon.
Everything Is Love was revealed following The Carters' final On The Run II UK tour performance at London Stadium, London. The video to APES**T was played to the audience in full to close the show.
Everything Is Love is nine tracks long, and features uncredited vocals from Pharrell, Ty Dolla $ign, plus Quavo and Offset of Migos. One more track Salud! - billed as a non-album promotional song - remains exclusive to TIDAL.
A joint Beyoncé-Jay-Z album has finally dropped after years of rumors. Titled "Everything Is Love," the announcement was made by Tidal, the streaming company owned by Jay-Z. It features nine tracks, each credited to Beyoncé and Jay-Z — or The Carters — and clocks in at just under 40 minutes.
The album, unusually brief for both artists, sent fans scrambling to sign up for Tidal, a subscription-based music streaming service started by Jay-Z and other artists. That's where they could find the bonus track called "Salud" that the duo presumably felt didn't fit with the album's sequence.
According to unofficial credits, the album features production from Pharrell Williams (two tracks, "Nice" and "Apes---"), Cool & Dre, Boi-1Da, Vory, Jahaan Sweet and Sevn Thomas, and guest spots from Migos ("Apes---") and Pharrell.
The nominations for this year's BET Awards were announced Tuesday night and Beyonce is up for two awards:
Best Female R&B / Pop Artist Beyonce
Bruno Mars feat. Cardi B - Finesse (Remix)
DJ Khaled feat. Rihanna & Bryson Tiller - Wild Thoughts DJ Khaled feat. Jay-Z, Future & Beyonce - Top Off
Cardi B feat. 21 Savage - Bartier Cardi
French Montana feat. Swae Lee - Unforgettable
Kendrick Lamar feat. Rihanna - LOYALTY.
BET's annual telecast celebrates black excellence in music, film, TV, sports and philanthropy and will air live June 24 from the Microsoft Theater at 8 p.m. Eastern time.
Michelle Williams knows how to keep a secret. “We’re the secret queens,” the singer tells Billboard in the wake of performing two consecutive weekends at Coachella with headliner Beyoncé and Kelly Rowland. The trio, who rose to commercial acclaim in the late ‘90s and early aughts as Destiny’s Child, had been keeping the surprise under wraps since February, when Bey reached out to her former band members and asked them to join her for a medley of their mega-hits including “Say My Name,” “Lose My Breath” and “Soldier.”
“It’s just like old girlfriends coming together,” explains the 37-year-old, who last reunited as Destiny’s Child at the 2015 Stellar Awards where they performed her upbeat gospel single “Say Yes.” “It’s something that when the three of us come together, we all know we feel safe within each other. Like I got your back. We’re good. I really love that about us.”
Since Destiny’s Child went on hiatus in the wake of their last album, 2004’s Destiny Fulfilled, Williams hasn’t slowed. She’s put out four solo full-lengths including her final release, 2014’s Journey to Freedom (which won’t be her last); starred on stage as leads in Chicago and Aida; launched her own furniture and candle line Believe by Michelle; and, more recently, got engaged to pastor Chad Johnson just prior to her Coachella performance. Still teeming with excitement from the pair of shows, Williams explains how it all came together.
There were rumors before Coachella that a Destiny’s Child reunion might happen. How did the conversations begin for this? Did Beyoncé call you and just say, “It’s time?”
Beyoncé’s debut at the Coachella Valley Music and Arts Festival on April 14 powered big gains for her music sales and streams in the U.S. in the week ending April 19, according to Nielsen Music.
The diva headlined the second night of the festival, which was streamed live on YouTube. Her well-received performance featured her husband JAY-Z, her sister Solange and a Destiny’s Child reunion alongside group members Kelly Rowland and Michelle Williams .
Combined, the album and song catalog of both Beyoncé and Destiny’s Child saw an 83 percent increase in sales in the week ending April 19, as the two acts combined sold 8,000 albums (up 102 percent from 4,000 a week earlier) and 37,000 digital tracks (up 79 percent from 21,000).
The biggest-selling album between the two acts was Beyoncé’s 2016 set Lemonade, which re-enters the April 28-dated Top Album Sales chart at No. 24 with 5,000 sold (up 142 percent) -- its best sales frame since the week ending Dec. 28, 2017.
On the Billboard 200 -- which ranks the most popular albums of the week in the U.S. based on multi-metric consumption -- Lemonade re-enters at No. 91, while her self-titled 2013 album returns at No. 138 and 2008's I Am… Sasha Fierce jumps back onto the tally at No. 160.
Not only did Beyoncé's Coachella 2018 performance make history and shake pop culture, it also sold a ton of music. In particular, that snazzy Destiny's Child reunion where Kelly Rowland and Michelle Williams harmonized with Bey to sing "Soldier," "Lose My Breath" and "Say My Name," ushered in a major bump in digital sales.
According to Nielsen, after the performance ended, digital song sales for Destiny's Child hits soared some 767% on Sunday, April 15, not even 24 hours after the group collectively wowed the crowd. The trio is marking the 20th anniversary of the chart-topping girl's group, and the sudden uptick in downloads means the ladies have not lost relevancy even though they don't often perform live together. As for Bey, though it's hard to fathom that there are some people out there who don't already own her music, she still managed to sell yet more of it. Digital song sales for Beyoncé's catalog saw a 228% increase compared to a baseline established prior to Coachella.
Beyonce, with 7,000 units sold, overall moved more units because her baseline is larger than that of Destiny's Child, which moved around 1,200 units, according to Nielsen.
Of all that music, the song "Hold Up" was the top-selling track for Beyoncé with a sales spike of 287%.
The singer's most recent album, Lemonade, hit the number 1 spot on the overall worldwide iTunes chart, as well as national charts in Brazil, Denmark and Norway. In the United States, it ascended to the fifth position.
The nominees for the 2018 Billboard Music Awards have been revealed! Beyonce is up for two awards:
Top R&B Female Artist: Beyonce
Top Latin Song: J Balvin & Willy William Ft. Beyonce, “Mi Gente”
Becky G ft. Bad Bunny, ”Mayores”
Luis Fonsi & Daddy Yankee ft. Justin Bieber, “Despacito”
Maluma, “Felices Los 4”
Wisin ft. Ozuna, “Escapate Conmigo”
The 2018 Billboard Music Awards will air on NBC live from the MGM Grand Garden Arena in Las Vegas on Sunday, May 20 at 8 p.m. ET/PT.
Beyonce has been nominated in two categories for the 2016 MOBO Awards. The ceremony will take place in The SSE Hydro, Glasgow on Friday, November 4 and will be broadcast live on ITV2 and repeated on ITV. Make sure to vote and help Beyonce win!
Best International Act Anderson Paak Beyoncé Bryson Tiller Chance The Rapper DJ Khaled Drake Frank Ocean Justin Bieber Kanye West Kaytranada Major Lazer Partynextdoor Rihanna Tory Lanez Travis Scott Read more...
To celebrate the #nationalLEMONADEday on Saturday, Beyonce.com was updated with new stills from "Lemonade," as well as explanations of each chapter title.<br /><br /><p style="text-align:center"><b>PRAY YOU CATCH ME</b><br /><br /><i>Intuition</i><br /><br /><i>noun</i> Read more...
Blame Instagram, if you must. On August 9, Boots, the producer behind Beyoncé‘s 2013 self-titled album, was recording an Instagram video while riding a car around New York City. Playing in the background is an unreleased Beyoncé song, as heard in a four-second snippet. Apparently Boots did this by accident.
“that moment when u didn’t realize Instagram records audio from your phone even though the camera app doesn’t,” he says on Twitter. “accidents in the 21st century.”
Of course Boots didn’t say when this Beyoncé track was recorded, or to which project it belongs, or even whether he is responsible. But he does only have one production credit in Lemonade, for “6 Inch” featuring The Weeknd. Given how close he and Beyoncé are now, it seems possible that he worked on much more than that.
“That’s one of the most rewarding friendships and work relationships of my life,” Boots said of Beyoncé in a Facebook Q&A. Hear the snippet of the unreleased track below.
With Beyonce’s “Sorry” fading at rhythmic radio, Columbia Records is beginning to shift focus to the follow-up single.
“Hold Up,” said follow-up, was recently made available to rhythmic radio programmers. It will officially impact in conjunction with the August 16 add board.
Radio has already shown some interest in the song. In the days following the release of “Lemonade” — prior to Columbia’s confirmation that “Sorry” would be the official radio single — “Hold Up” registered as one of the album’s most played tracks.
“Sorry,” which is still gaining in airplay (though not necessarily moving to a higher position) at the urban format, peaked at #6 on the Mediabase rhythmic chart.
Down 23.2% in airplay versus the same time last week, it is #8 on the building chart for the current tracking period.
Beyoncé is the leading nominee for the 2016 MTV Video Music Awards, with a career high 11 noms for her visual album Lemonade. Make sure to vote and help her win!
Video of the Year: Adele – “Hello” Beyoncé – “Formation” Drake – “Hotline Bling” Justin Bieber – “Sorry” Kanye West – “Famous”
Best Female Video: Adele – “Hello” Beyoncé – “Hold Up” Sia – “Cheap Thrills” Ariana Grande – “Into You” Rihanna ft. Drake – “Work” (short version)
Best Collaboration: Beyoncé ft. Kendrick Lamar – “Freedom” Fifth Harmony ft. Ty Dolla $ign – “Work From Home” Ariana Grande ft. Lil Wayne – “Let Me Love You” Calvin Harris ft. Rihanna – “This Is What You Came For” Rihanna ft. Drake – “Work” (short version) Read more...
Beyonce can now add the Cannes Lions’ most prestigious honor to her awards shelf: her music video for “Formation,” surprise-released in February, took home one of two Grand Prix Lion Awards at the inaugural Cannes Lions Entertainment for Music, awarded Friday night (June 24.)
“Formation” was the top winner in the highly competitive Excellence In Music Video category, which shortlisted 13 music videos on Thursday and awarded eight with prizes on Friday. Other honorees included Silver Lion winners “Voodoo In My Blood,” by Massive Attack feat. Young Fathers; “Luminous Freedom” by New Build and “Blackstar” by David Bowie; as well as Bronze Lion winners “Hello” by Adele; “Runnin” by Naughty Boy featuring Beyonce & Arrow Benjamin and “Wide Open” by the Chemical Brothers featuring Beck.
Beyonce isn’t the only member of the Carter family with a Cannes Lions Grand Prix under their belt: in 2011, Jay Z took home two -- from the Integrated and Outdoor Lions -- for Droga5 and Bing’s “Decoded” campaign, which hid all 320 pages of Jay Z’s autobiography in 13 cities across the globe.
Though “Formation” doesn’t represent the typical Grand Prix-winning campaign in that no corporate brand was attached, Grey Group’s evp-director of music Josh Rabinowitz, jury president of Lions Entertainment for Music, argued that the video’s re-positioning of Beyonce’s personal brand was just as powerful. “ the biggest artist on the planet taking serious risks,” Rabinowitz said in a press conference earlier in the day, announcing the winners. “This is a mainstream pop artist pushing the limits on the way we perceive things of race in culture, and the perception of women in culture.”
Beyonce’s 4, her straightforwardly-titled fourth studio album, was unleashed for the world to hear on June 24, 2011. As her first solo album independent from her former manager and father Matthew, Beyonce experimented with more intimate themes and eclectic sound stylings, setting the album apart from her first three LP’s. 4 seemingly serves as the catalyst for her musical journey of deeper, more personal themes displayed in her self-titled fifth album and her recent sixth opus, Lemonade.
However, we know a ship needs a strong crew behind it to keep it afloat. Beyonce meticulously chooses to work with a select team of creatives who she believes will give her work that certain je ne sais quoi, and develops professional relationships with those who focus on the art as a whole. We thought it would be interesting to get a behind-the-scenes look at the album from some of the people who were immersed in its development. Read on to see what it was like to work with Bey both in the booth and in the dance studio from colleagues who aided in the sonic and visual success of this project.
Symbolyc One (S1) was a co-producer on “Best Thing I Never Had.” A Very GOOD Beats signee, S1 has produced for Kanye West (“Power”), Eminem (“Bad Guy” from the Marshall Mathers LP 2”) and The Throne (“Murder To Excellence”).
VIBE: Before you worked on 4, have you ever worked with Beyonce before? And if not, how did she initially get a hold of you? S1: So, this was actually my first time working with Beyonce, on the 4 album. The way I began a working relationship with her was that I worked with Kanye on the My Beautiful Dark Twisted Fantasy album, and I had the honor of going to London and Australia to work with him and Jay Z on Watch The Throne. So, while we working on the Watch The Throne album, Beyonce was out there of course, so that’s when I really started to build a relationship with her. On our second trip—we went to London first—so on our second trip to Australia, we really started to build a working relationship. We were in this mansion together that they built that had these three studios, and they built a studio for Beyonce on the third floor. She invited me up to her floor to listen to some songs that she was working on for 4, so I went up, listened to some songs and gave my critique on some of them. Read more...
After a recent Beyonce' concert in her native city of Houston, her dad Mathew Knowles was photographed in a fun-loving group hug with her and Blue Ivy. It is one of many such moments, where the two have enjoyed time spent since his granddaughter's arrival. With Father's Day fast approaching, Knowles is asked to reflect on such moments with his daughter and granddaughter, and how he sees his role as a famous dad.
"That pictures shows three generations of my bloodline captured together. I have a lot of these and while it is easy to look at your kin and feel pride, what's even stronger than that feeling is love. Nowadays change is both fast and constant and divisiveness is taking center stage everywhere. I ask myself what stays and what heals? What forgives and brings us all together when everything else falls apart? It's love. As far as being a famous father, it doesn't matter if fame lasts 15 minutes or 50 years... families are forever and blood is thicker than everything," Knowles remarked.
The first nominees for the 2016 Teen Choice Awards have been unveiled. So far, Beyonce has recieved two nominations. More nominees, as well as host and performers, will be announced in the coming weeks. Fans can now vote for their favorites in music, movie, TV and other categories on the TCA website. The winners will be revealed during a two-hour ceremony that's scheduled to air July 31 on FOX.
Choice Female Artist Ariana Grande Beyonce Knowles Demi Lovato Rihanna Selena Gomez Taylor Swift
Choice R&B/Hip-Hop Artist Beyonce Knowles Drake Iggy Azalea Jason Derulo Nicki Minaj The Weeknd
The 2016 BET Awards nominations are here and Beyoncé is nominated in five categories! The show takes place on June 26 at the Microsoft Theater in Los Angeles and will be broadcast live on BET’s international network. Make sure to vote for Beyoncé in the Coca-Cola Viewers’ Choice Award category!
Best Female R&B/Pop Artist Adele Andra Day Beyonce K. Michelle Rihanna
Best Collaboration Big Sean Ft. Chris Brown & Ty Dolla $Ign – “Play No Games” Big Sean Ft. Kanye West & John Legend – “One Man Can Change The World” Future Ft. Drake – “Where Ya At” Nicki Minaj Ft. Beyonce – “Feeling Myself” Rihanna Ft. Drake – “Work” Read more...
When Beyonce dropped her latest visual album "Lemonade" two weeks ago, the internet nearly blew up as critics and fans alike tried to decode lyrics and connect dots of rumored infidelity. ABC13 got an exclusive interview with the singer's mother to find out what she thinks of her daughter's latest release.
"People make it all about the cheating and betrayal and, yes, that's a part of it because that is something you have to heal from," Tina Knowles-Lawson said of Beyonce's creation. "If you really listen to the poetry it is one of hope and redemption and hopefully that can be healing for people."
Though the visual album is made up of vignettes covering the hurt, betrayal and depression caused by Jay Z's alleged infidelity, Knowles-Lawson said "Lemonade" comes from a good place in Beyonce's heart and is intended to help others through the pain of relationships soured.
"It could be about anyone's marriage," said Knowles Lawson. "I think that everybody at one time or another has been betrayed and lied to and it's about the pain--and it's about the healing process--and it's about how do you get past that and move on."
Knowles-Lawson is no stranger to the pain of infidelity either. Her marriage to Mathew Knowles, Beyonce's father, ended in 2011 after their relationship deteriorated years earlier. She says it was her children who helped to build her up again after the divorce. Read more...