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The 2018 Latin American Music Awards are coming back in October to celebrate the best of Latin music. Beyoncé's collaboration with J Balvin & Willy William "Mi Gente" is up for two awards! The show is slated to air live Oct. 25 on Telemundo from The Dolby Theater in Hollywood, Ca.
Song of the Year
Becky G feat. Bad Bunny - “Mayores”
Daddy Yankee - “Dura” J Balvin & Willy William feat. Beyoncé - “Mi Gente”
Luis Fonsi & Demi Lovato - “Échame La Culpa”
Maluma & Nego do Borel - “Corazón”
Nicky Jam & J Balvin - “X”
Wisin feat. Ozuna - “Escápate Conmigo”
Favorite Song - Urban
Becky G feat. Bad Bunny - “Mayores”
Daddy Yankee - “Dura” J Balvin & Willy William feat. Beyoncé - “Mi Gente”
Nicky Jam & J Balvin - “X”
Wisin feat. Ozuna - “Escápate Conmigo”
Beyonce and Jay-Z have been nominated in 3 categories at the 2018 BET Hip-Hop Awards. The ceremony will take place at The Fillmore Miami Beach at Jackie Gleason Theater on October 6, and BET Networks will premiere the annual telecast on October 16.
Album of the Year
Cardi B - Invasion of Privacy
Drake - Scorpion
J. Cole - KOD
Migos - Culture II The Carters - Everything Is Love
Best Collabo, Duo or Group
21 Savage & Offset & Metro Boomin - Ric Flair Drip
Blocboy JB - Look Alive feat. Drake
Cardi B - I Like It feat. Bad Bunny & J Balvin
Post Malone – Rockstar feat. 21 Savage The Carters – Apes**t
Single of the Year Apesh*t - Produced by Pharrell (The Carters)
God's Plan - Produced by Cardo, Young Exclusive and Boi-1da (Drake)
I Like It - Produced by Craig Kallman, JWhiteDidIt and Tainy (Cardi B Feat. Bad Bunny & J Balvin)
Nice for What - Produced by Murda Beatz (Drake)
This Is America - Produced by Donald Glover and Ludwig Goransson (Childish Gambino)
Nominations for the 2018 People's Choice Awards have been announced and Beyonce is up for 5 awards! The show will be broadcast live from Santa Monica on Nov. 11 at 9 p.m. ET. Voting is open now at pca.eonline.com.
THE FEMALE ARTIST OF 2018
Ariana Grande Beyoncé
Music stars gathered at New York's Radio City Hall on Monday for the 2018 MTV Video Music Awards. The Carters were not present at the ceremony but won in two categories. Congrats!
Alessia Cara – “Growing Pains” – Def Jam Recordings – Cinematography by Pau Castejón
Ariana Grande – “No Tears Left to Cry” – Republic Records – Cinematography by Scott Cunningham The Carters – “APES**T” – Roc Nation/Parkwood Entertainment – Cinematography by Benoit Debie (WINNER)
Childish Gambino – “This Is America” – mcDJ / RCA Records – Cinematography by Larkin Seiple
Eminem ft. Ed Sheeran – “River” – Shady/Aftermath/Interscope Records – Cinematography by Frank Mobilio & Patrick Meller
Shawn Mendes – “In My Blood” – Island Records – Cinematography by Jonathan Sela
Best art direction The Carters – “APES**T” – Roc Nation/Parkwood Entertainment – Art Direction by Jan Houlevigue (WINNER)
Childish Gambino – “This Is America” – mcDJ / RCA Records – Art Direction by Jason Kisvarday
J. Cole – “ATM” – Dreamville/Roc Nation/Interscope Records – Art Direction by Miles Mullin
Janelle Monáe – “Make Me Feel” – Bad Boy Records/Atlantic Records – Art Direction by Pepper Nguyen
SZA – “The Weekend” – TDE/RCA Records – Art Direction by SZA and Solange
Taylor Swift – “Look What You Made Me Do” – Big Machine Records – Art Direction by Brett Hess
Nominations for the 2018 iHeartRadio Much Music Video Awards were announced on Wednesday morning and The Carters are nominated in three categories! You can vote for Fan Fave Video here.
Best Hip-Hop Artist or Group The Carters
Jay Martin (Shawn Mendes – "In My Blood")
Karena Evans (Drake – "God's Plan")
Karena Evans (Drake – "Nice for What")
Hiro Murai (Childish Gambino – "This Is America")
Arturo Perez Jr. (Justin Timberlake – "Say Something") Didier Charette (The Carters – "APESHIT")
This week, Billboard is celebrating the music video with a week's worth of content that looks at the past, present and future of the video, at a time when it seems to be as relevant as ever. Here, we flashback ten years for an extended look at how arguably the most legendary video from the 21st century's greatest music video star came together, and why its legacy endures a decade later.
On the St. Louis stop of the 2016 Formation World Tour, Beyoncé and her dancers -- including her dance captain, Ashley Everett -- were just about to wave their hands through the final bars of “Single Ladies (Put A Ring On It)” when the pop star paused. The buoyant bass continued to blast as she vamped, coyly pacing the stage before she turned on her heel and signaled for a gentleman in a white jacket to join her. John Silver, Everett’s boyfriend, trotted into the spotlight and took the floor, where he presented his dumbstruck love with an engagement ring -- one that got an all-too-appropriate cameo during a sequence as familiar to the crowd as the “Single Ladies” chorus itself. If you like it, then you shoulda put a ring on it: he did, so he did, and Everett flicked her wrist and flashed her newly-minted diamond in the routine she helped create.
That such a life-changing moment went down in the middle of a “Single Ladies” performance is perfect, as the song has proven to be a monumentally transformative force in the lives of Beyoncé and those of her closest collaborators. Everett was at Beyoncé’s side when she filmed the music video for “Single Ladies” and in the three months leading up to the shoot, when they and choreographers Frank Gatson Jr. and JaQuel Knight worked tirelessly to hone every kick, waist-wind, and lift that would go on to define one of the most iconic dances in pop music history.
Apparently shutting down one epicenter of cultural history was not enough for Beyoncé, because she is now reportedly trying to film something at the Colosseum. You know, the ancient Roman landmark where gladiators once dueled to the death some 2,000 years ago? Yep, that Colosseum.
According to Italian newspaper Il Messaggero, Beyoncé has put in a request to film something at the Colosseum (it's not yet clear what). She initially requested to book the amphitheater on July 7 and July 8, when she and Jay-Z were in town for their On the Run II tour, but was reportedly rejected by Italy’s Ministry of Cultural Heritage because Italian scientist Alberto Angela already had it reserved. Il Messaggero also notes her request was too last minute, as the Colosseum is “a very complicated place.” (Closing down the Louvre to shoot "Apes--t," on the other hand? A total breeze.)
But Beyoncé, being Beyoncé, is not ready to throw in the towel, and has reportedly resubmitted her request, which is currently under review.
It's worth mentioning she has filmed at the Colosseum before (remember that Pepsi commercial with Britney Spears and Pink?), so if the timing is right, it seems like things will be a go. Block out your Saturday nights for another surprise!
The 2018 MTV Video Music Awards nominations have been announced today. Cardi B leads the noms with 10, while The Carters follow with eight. Beyonce also scored one nomination for Eminem's "Walk on Water". Beginning today, fans can vote in eight of the categories. Voting concludes Friday, August 10. The VMAs will air live from Radio City Music Hall at 9 PM on Monday, August 20.
VIDEO OF THE YEAR
Ariana Grande – “No Tears Left to Cry”
Bruno Mars ft. Cardi B – “Finesse (Remix)”
Camila Cabello ft. Young Thug – “Havana” The Carters – “APES**T”
Childish Gambino – “This Is America”
Drake – “God's Plan”
Bebe Rexha ft. Florida Georgia Line – “Meant to Be”
Bruno Mars ft. Cardi B – “Finesse (Remix)” The Carters – “APES**T”
Jennifer Lopez ft. DJ Khaled & Cardi B – “Dinero”
Logic ft. Alessia Cara & Khalid – “1-800-273-8255”
N.E.R.D & Rihanna – “Lemon”
It's been a year since Jay Z released his thirteenth studio album, the critically acclaimed 4:44. In honor of its anniversary, producer No I.D., who picked up a producer of the year Grammy nomination for his work on the album, reflected on how it all came together and which beat on the album almost went to Beyoncé.
“Family Feud” (Featuring Beyoncé)
Scientifically to me, certain vibrational tones create a reaction, a feeling, an emotion, tension, joy or suspense. So that’s what I look for in music. Whether it’s musicians, sampling — whatever. And the The Clark Sisters just had this emotion already going. Just like joyous and pain and spiritual and I know part of Bey’s joy in music stems from that type of emotion.
And when I first did the music, of course I wanted her to be a part of the album and when she first heard the track, she was like, “Oh, no, no! I’m GETTING on that!” So she really kind of jumped in and did her part. And that song came in at the very end. Maybe about a week before the album came out. I didn’t really have to incorporate her. She’s a producer in her own right. She came in and wove herself right into it. Did an amazing job at completing the song to be honest.
Jay-Z and Beyonce released their joint album Everything is Love as a surprise on June 16th on their streaming service TIDAL, which was followed by a wide release two days later on all platforms.
For those looking for the physical edition of the album, here’s some good news: it hits stores July 6th! This edition will feature 9 songs as the 10th track ‘Salud!’ continues to be a non album exclusive on TIDAL.
As Beyoncé and JAY-Z earn their first charted album as a duo, as Everything Is Love, billed as by The Carters, opens at No. 2 on the Billboard 200 with 123,000 equivalent album units, according to Nielsen Music, five tracks from the set debut on the Billboard Hot 100.
"Apes**t" debuts the highest of the bunch on the Hot 100, at No. 13. Sparked by its official video, the song arrives with 24.1 million U.S. streams in the tracking week, as well as 20,000 downloads sold.
The Carters' "Boss" debuts at No. 77 on the Hot 100, followed by "Summer" at No. 84, "Nice" at No. 95 and "Friends" at No. 99.
Beyoncé and JAY-Z have each tallied 59 and 97 solo entries on the Hot 100, respectively. The husband-and-wife luminaries have logged eight shared Hot 100 entries under their usual monikers (Beyoncé and JAY-Z), including the eight-week No. 1 "Crazy in Love" (credited to Beyoncé featuring JAY-Z) in 2003.
Everything Is Love concurrently debuts at No. 1 on the Top R&B/Hip-Hop Albums chart, while "Apes**t" opens at No. 9 on Hot R&B/Hip-Hop Songs.
The names Cool & Dre ring out across the hip-hop landscape for more reasons than one. If you're feeling nostalgic, their work on the Game's "Hate It or Love It" and Ja Rule's "New York" will get your blood flowing. If you're feeling contemporary, look no further than Fat Joe and Remy Ma's anthemic "All the Way Up," which dominated airwaves and peaked at No. 7 on the Billboard Hot 100.
They've been locked into the music game for more than a decade—but it still came as a surprise when credits on JAY-Z and Beyoncé's joint album Everything Is Love revealed the veteran production duo produced three out of nine tracks: "Summer," "713," and "Black Effect." They couldn't sound any more different: "Summer," with its deceptively lazy but thoroughly soulful pace, "713," with driving keys just south of in tune but hard enough that it doesn't matter, and "Black Effect," with its comparatively sparse beat and haunting background vocals. The Carters also released a bonus track, "Salud!" which Cool & Dre produced, and Dre laid down vocals for. As its name suggests, it sounds like a toast to victory.
As expected, Cool & Dre are floating on Cloud Nine now that their contributions to Everything Is Love have officially reached our ears. In an interview with Complex, the pair talked about their favorite moments creating with JAY and Bey, how easy it was to keep the collaboration a secret, and their status after producing for two of the most revered artists on the planet.
Where were you when the joint Beyoncé and JAY-Z album dropped?
Producer duo Cool & Dre won't forget the answer to the question on everybody's minds this weekend anytime soon. After all, they were right alongside the Carters on tour in London, having literally put finishing touches on Everything Is Love just a few hours before it arrived with no warning on Saturday evening (June 17).
But just because the album's release came down to the wire doesn't mean its creation was hasty: Marcello "Cool" Valenzo and Andre "Dre" Lyon describe the work ethic of hip-hop's perfectionist power couple as nothing short of fastidious -- no drum sound, sample or melody was spared their scrutiny. Below, Cool & Dre take Billboard behind the scenes of their Paris stadium sessions, Beyoncé's hands-on role in the writing process and just how much music they have left in the vault.
Beyoncé and JAY-Z work in mysterious ways. Were you surprised that the album came out when it did?
Dre: Nah, we knew what was going on. We were in London with them when the album dropped. JAY-Z and Beyonce are Golden State Warriors: they shoot half-court shorts, and it goes in. We spent three weeks in Paris recording, then we went to Cardiff for like a week. We got to London and knocked out two to three tracks 10 days of finishing up the album. An hour and a half before showtime, Bey and Jay were still cutting up vocals. Three hours later it was released to the world. There are no rules when it comes to those two.
When Beyoncé and Jay-Z's album Everything Is Love appeared suddenly on Tidal on Saturday night, a surprising name stood out on the credits list: veteran duo Cool & Dre co-produced three of the nine songs on the album, along with a bonus track. Cool & Dre were ubiquitous on much of the radio in the mid-2000s – see Ja Rule's "New York" and the Game's "Hate It or Love It," for starters – and enjoyed a recent renaissance as the team behind Fat Joe's "All the Way Up." The pair had never worked on a Jay-Z or Beyoncé album before, though. On Everything Is Love, they're responsible for "Summer," the album's soul-sampling opener; the radio-ready, Dr. Dre-interpolating "713"; and a pair of triumphant cuts that appear near the end of the LP, "Black Effect" and "Salud!" Cool & Dre co-produced more tracks than anyone on the album other than Beyoncé and Jay-Z themselves.
"We always joke with Jay: Working with them two is like working with the Golden State Warriors," Dre says. "We can just dribble the ball up the floor and look like geniuses." Rolling Stone spoke with the duo – Dre is by far the chattier of the two – about how they ended up on Everything Is Love, the recording sessions in Paris and Cardiff, and how Jay-Z and Beyoncé's talents pushed them to new creative heights.
How did you get involved in the album?
Dre: We've had a relationship with Jay-Z shit, for 15 years. OG Juan introduced me to Jay shortly after "Hate It or Love It" was ringing off. He told me back in the day: "'Hate It or Love It,' I get it, I gotta let that go. But 'New York,' you were supposed to hand deliver that to me. You gotta find a way to get to me." We've always had a cordial relationship with him. We never had the opportunity to get on one of his albums. You have to be right beside him. Jay has a thing, he'll text or email: "Stay close." That's advice you have to take literally. He'll record in two weeks and the album is done.
Beyoncé and Jay-Z have added their brand new collaborative album to major streaming services and iTunes.
Originally a timed exclusive to TIDAL, Everything Is Love, featuring the new single APES**T, is now available across Spotify, Apple Music and Deezer, while it is now available to download for the first time on iTunes and Amazon.
Everything Is Love was revealed following The Carters' final On The Run II UK tour performance at London Stadium, London. The video to APES**T was played to the audience in full to close the show.
Everything Is Love is nine tracks long, and features uncredited vocals from Pharrell, Ty Dolla $ign, plus Quavo and Offset of Migos. One more track Salud! - billed as a non-album promotional song - remains exclusive to TIDAL.
A joint Beyoncé-Jay-Z album has finally dropped after years of rumors. Titled "Everything Is Love," the announcement was made by Tidal, the streaming company owned by Jay-Z. It features nine tracks, each credited to Beyoncé and Jay-Z — or The Carters — and clocks in at just under 40 minutes.
The album, unusually brief for both artists, sent fans scrambling to sign up for Tidal, a subscription-based music streaming service started by Jay-Z and other artists. That's where they could find the bonus track called "Salud" that the duo presumably felt didn't fit with the album's sequence.
According to unofficial credits, the album features production from Pharrell Williams (two tracks, "Nice" and "Apes---"), Cool & Dre, Boi-1Da, Vory, Jahaan Sweet and Sevn Thomas, and guest spots from Migos ("Apes---") and Pharrell.
The nominations for this year's BET Awards were announced Tuesday night and Beyonce is up for two awards:
Best Female R&B / Pop Artist Beyonce
Bruno Mars feat. Cardi B - Finesse (Remix)
DJ Khaled feat. Rihanna & Bryson Tiller - Wild Thoughts DJ Khaled feat. Jay-Z, Future & Beyonce - Top Off
Cardi B feat. 21 Savage - Bartier Cardi
French Montana feat. Swae Lee - Unforgettable
Kendrick Lamar feat. Rihanna - LOYALTY.
BET's annual telecast celebrates black excellence in music, film, TV, sports and philanthropy and will air live June 24 from the Microsoft Theater at 8 p.m. Eastern time.
Ed Sheeran and Beyoncé's "Perfect" rules the Billboard Hot 100 for a third week, remaining the top-selling song of the week and ranking as the most-streamed title for the first time.
Sheeran and Beyoncé's "Perfect," released through Atlantic Records, and first as a solo song by Sheeran on his album ÷ (Divide), spends a fourth week at No. 1 on the Digital Song Sales chart, up 55 percent to 151,000 downloads sold in the week ending Dec. 21, according to Nielsen Music, good for the Hot 100's top sales gain. Aiding its momentum: its new "Perfect Symphony" version with Andrea Bocelli (which accounts for 32 percent of the song's total sales for the week).
"Perfect" also takes over atop the Streaming Songs chart, gaining by 9 percent to 43.4 million U.S. streams in the week ending Dec. 21. Sheeran scores his second Streaming Songs No. 1, following "Shape of You" (four weeks on top beginning March 25), as does Beyoncé, whose "Drunk in Love," featuring JAY-Z, led for four weeks in 2014.
On Radio Songs, "Perfect" holds at its No. 2 high (125 million in audience, up 6 percent, in the week ending Dec. 24).
Well here it is, the first video off Revival has arrived. A couple days ago, Eminem took to his social media to tease the upcoming video for “Walk On Water” featuring Beyonce, and now to kick off the Holiday weekend he’s decided to go ahead and liberate the full thing exclusively on Apple Music however.
The 5-minute video finds Em performing in a dark room with a mic stand, before taking a seat in a classroom set up, along with a ton of other Eminem clones, typing on an old school typer writer. The scene looks to be an re-enactment of French mathematician Émile Borel’s famous “infinite monkey theorem,” thanks to the homework of HHNM.
Unfortunately, Beyonce doesn’t make an appearance in the video, but after all she wasn’t even supposed to be featured on this song anyways. It was recently revealed that Adele was originally planned for the feature, but it didn’t work out due to her damaging her vocals chords earlier this year.
Check out the new video RIGHT HERE and peep a snippet below.
Sheeran and Beyoncé's "Perfect" (on Atlantic Records) tops the Hot 100 for a second week. First released as a solo song by Sheeran on his album ÷ (Divide), which debuted atop the Billboard 200 dated March 25, the new duet version was released Nov. 30. In its second full tracking week, it sold 98,000 downloads (down 46 percent), as it spends a third week at No. 1 on the Digital Song Sales chart.
"Perfect" pushes 3-2 on Radio Songs (117 million in audience, up 13 percent, good for the Hot 100's top gain in airplay) and bullets at No. 3 on Streaming Songs (39.7 million U.S. streams, up 14 percent).
Ed Sheeran and Beyoncé's "Perfect" crowns the Billboard Hot 100 (dated Dec. 23), fueled in large part by the first full week of sales for its new duet version.
"Perfect," released on Atlantic Records (and the 1,069th No. 1 in the Hot 100's history, which dates to its Aug. 4, 1958, launch), was first released as a solo song by Sheeran on his album ÷ (Divide), which debuted atop the Billboard 200 dated March 25. On Nov. 30, at 7 p.m. ET, the new duet version was released, hours before the end of the sales and streaming tracking week. In its first full tracking week, ending Dec. 7, the song sold 181,000 downloads, up 202 percent, according to Nielsen Music, as it spends a second week at No. 1 on the Digital Song Sales chart.
Plus, as the duet version accounts for 63 percent of the song's total sales for the week, Beyoncé has been added on the Hot 100 (and related charts) as a co-lead artist on "Perfect." (For chart purposes, both versions of "Perfect" contribute to the song's singular listing on the Hot 100.)
"Perfect" flies 11-3 on the Streaming Songs chart with 34.9 million U.S. streams, up 87 percent, in the tracking week ending Dec. 7, while, on Radio Songs, it pushes 4-3 (102 million in audience, up 14 percent, in the week ending Dec. 10). Read more...
Ed Sheeran and Beyoncé's "Perfect" could top next week's Billboard Hot 100 (dated Dec. 23), fueled most heavily by a hefty first full week of sales for its new duet version.
On this week's Hot 100 (dated Dec. 16), "Perfect" pushes from No. 5 to a new No. 3 high, aided by a partial first day of impact from the new version. It ranks below Post Malone's "Rockstar," featuring 21 Savage, at No. 1 for an eighth week, and Camila Cabello's "Havana," featuring Young Thug, at its No. 2 peak for a fifth frame.
Highlights of next week's Hot 100, which blends streaming, airplay and sales data, according to Nielsen Music, will post on Billboard.com Monday (Dec. 11).
"Perfect" was first released as a solo song by Sheeran on his album ÷ (Divide), which debuted atop the Billboard 200 dated March 25. Last Thursday, Nov. 30, at 7 p.m. ET, the new duet version was released, hours before the end of the sales and streaming tracking week. In the tracking week ending tonight, Dec. 7, the song should sell 160,000 or more downloads, according to preliminary data. Such a sum could be enough to propel "Perfect" past "Rockstar" and crown the Hot 100.
For chart purposes, both versions of "Perfect" will contribute to the song's singular listing on the Hot 100. Additionally, following the first full week of tracking for the duet version, which could account for two-thirds of the song's sales in the week, Beyoncé will be added on the Hot 100 as a credited artist on "Perfect." Read more...
Ed Sheeran is set to claim his fourth Number 1 on the UK Official Singles Chart as his latest single Perfect - newly re-worked as a duet with Beyonce - leads the way on the Official Chart Update.
Perfect originally entered the chart at Number 4 back in March, when he released his ÷ album. Last week the track matched its original peak after being given an official single release, and is now set to take this week's top spot after putting out a new version of the song with Beyonce.
If Perfect holds at Number 1, it will become Ed’s fourth UK chart topper following Sing, Thinking Out Loud and Shape of You.
Getting a hold of Beyonce isn't easy, but Ed Sheeran managed to do it.
ET's Keltie Knight caught up with the 26-year-old singer at KIIS-FM’s iHeartRadio Jingle Ball presented by Capital One at the Forum in Inglewood, California, on Friday, where he revealed how he was able to snag the superstar for a duet.
"I have an email address I email ," Sheeran revealed, adding that the singer's email address "actually changes every week." "So I emailed that and we got on the phone, and it's been in the works since May."
"Obviously she had twins , and we finished in September, so I've been holding onto it since then," he continued of "Perfect," which was released on Thursday.
According to Sheeran, Bey recorded the song in just one take -- and even had input on the track's instrumentals.
"The original version of ‘Perfect’ was just an acoustic guitar and she rung me up and was like, ‘I don’t know how you feel about this but I’ve taken all the instruments off it and it's just gonna be acoustic guitar,’ and I was like, ‘Ah that’s great, because it used to be that!'" he revealed. "Then when we got in together, it wasn’t so much notes, it was very much like a back and forth thing, like, ‘What’d you think of this?' Or 'What do you think of this?’ and probably in the studio for four hours."
"She was just like, 'Right!' Went in, one take, came out, like, 'Yeah, that sounds alright!'" he confessed.
Jay-Z got real about everything from his marriage to Beyoncé to his mother's sexuality and his relationship with Kanye West in an interview with T Magazine.
Jay opened up about his infidelity, a personal topic he delved into on 4:44.
"The hardest thing is seeing pain on someone’s face that you caused, and then have to deal with yourself," he said during the interview with New York Times executive editor Dean Baquet.
Between 4:44 and Beyonce's Lemonade, "we were using our art almost like a therapy session," he said, revealing he was "really proud of the music she made, and she was really proud of the art I released."
Jay confirmed that he and Bey worked on a joint album together around the time Lemonade dropped and that they "still have a lot of that music" that is unreleased.
He also spoke of weathering storms in their relationship. "You know, most people walk away, and like divorce rate is like 50 percent or something ’cause most people can’t see themselves," he said.
Billy Eichner might want to start practicing his scales because the Billy on the Street star just revealed he's going to sing with Beyoncé in the 2019 remake of The Lion King.
E! News' Jason Kennedy caught up with Eichner at the 2017 American Music Awards and asked him about being cast in the live-action film.
"I was freaking out," Eichner told the E! News host. "I mean, the cast is amazing. Me and Seth Rogen are Timon and Pumbaa, so we do ‘Hakuna Matata' and then we also sing ‘Can You Feel the Love Tonight' with Simba and Nala, who are going to be voiced by Donald Glover and someone who is named Beyoncé."
Even though the comedian and the Lemonade singer will both be featured in the Elton John hit, Eichner wondered if he'll even get to meet the Grammy-winning artist in-person.
"Why would she want to be in the studio with me?" he said.
In addition to Eichner, Beyoncé, Rogen and Glover, the live-action remake will feature James Earl Jones as Mufasa, John Oliver as Zazu and Keegan-Michael Key as Kamari. The film will be directed by Jon Favreau, who also worked on the 2016 remake of The Jungle Book.
The nominees for the 49th NAACP Image Awards were announced today and Beyonce is up for one award:
Outstanding Female Artist Andra Day – “Stand Up For Something” (Warner Bros. Records) Beyoncé – “Die With You” (Columbia Records/Parkwood Entertainment) Ledisi – “Let Love Rule” (Verve Label Group) Mary J. Blige – “Strength of a Woman” (Capitol Records) SZA – “Ctrl” (RCA Records/Top Dawg Entertainment)
Winners will be announced during the two-hour star-studded event hosted by Anthony Anderson, which will be broadcast LIVE on TV One on Monday, January 15, 2018 at 9pm/8c.
The 45th annual American Music Awards were held at the Microsoft Theater in Los Angeles on Sunday, November 19. Beyonce won in the only category that she was nominated in this year, Favorite Female Artist - Soul/R&B. Congrats!
Favorite Female Artist - Soul/R&B Beyonce -- WINNER Kehlani Rihanna
Camila Cabello has fought off challenges from Rita Ora and Eminem to score a third week atop the Official UK Singles Chart with Havana.
Thanks to a new remix featuring Daddy Yankee, and the original Young Thug version still proving popular, Havana finishes 8,000 ahead of nearest competitor Rita Ora. Rising to Number 2, Anywhere is Rita’s third Top 10 single this year and her highest chart placing since I Will Never Let You Down topped the Official Singles Chart in May 2014.
Highest new entry this week comes from Eminem and Beyoncé at Number 7. Walk On Water becomes Eminem’s 28th UK Top 10, and Beyonce’s 19th as a credited performer.
Just two days ago, (Nov. 8) Eminem sent the internet into a frenzy with a speculative social media post on a "Revival" prescription note that read “Walk on Water. Take as needed.” Prescription note-styled advertisements have popped up across the United States over the past few weeks without much clarification from Em’s team.
Friday, (Nov. 10) Slim Shady posted a hoax infomercial directed at sufferers of AR claiming they will be able to “Walk On Water with Revival." Marshall Mathers returns with a Beyonce feature for his first single that will be appearing on the "Lose Yourself' artist's forthcoming project.
Listen to “Walk on Water” below and read the lyrics under the cut!