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The 2018 Latin American Music Awards are coming back in October to celebrate the best of Latin music. Beyoncé's collaboration with J Balvin & Willy William "Mi Gente" is up for two awards! The show is slated to air live Oct. 25 on Telemundo from The Dolby Theater in Hollywood, Ca.
Song of the Year
Becky G feat. Bad Bunny - “Mayores”
Daddy Yankee - “Dura” J Balvin & Willy William feat. Beyoncé - “Mi Gente”
Luis Fonsi & Demi Lovato - “Échame La Culpa”
Maluma & Nego do Borel - “Corazón”
Nicky Jam & J Balvin - “X”
Wisin feat. Ozuna - “Escápate Conmigo”
Favorite Song - Urban
Becky G feat. Bad Bunny - “Mayores”
Daddy Yankee - “Dura” J Balvin & Willy William feat. Beyoncé - “Mi Gente”
Nicky Jam & J Balvin - “X”
Wisin feat. Ozuna - “Escápate Conmigo”
Beyonce and Jay-Z have been nominated in 3 categories at the 2018 BET Hip-Hop Awards. The ceremony will take place at The Fillmore Miami Beach at Jackie Gleason Theater on October 6, and BET Networks will premiere the annual telecast on October 16.
Album of the Year
Cardi B - Invasion of Privacy
Drake - Scorpion
J. Cole - KOD
Migos - Culture II The Carters - Everything Is Love
Best Collabo, Duo or Group
21 Savage & Offset & Metro Boomin - Ric Flair Drip
Blocboy JB - Look Alive feat. Drake
Cardi B - I Like It feat. Bad Bunny & J Balvin
Post Malone – Rockstar feat. 21 Savage The Carters – Apes**t
Single of the Year Apesh*t - Produced by Pharrell (The Carters)
God's Plan - Produced by Cardo, Young Exclusive and Boi-1da (Drake)
I Like It - Produced by Craig Kallman, JWhiteDidIt and Tainy (Cardi B Feat. Bad Bunny & J Balvin)
Nice for What - Produced by Murda Beatz (Drake)
This Is America - Produced by Donald Glover and Ludwig Goransson (Childish Gambino)
Nominations for the 2018 People's Choice Awards have been announced and Beyonce is up for 5 awards! The show will be broadcast live from Santa Monica on Nov. 11 at 9 p.m. ET. Voting is open now at pca.eonline.com.
THE FEMALE ARTIST OF 2018
Ariana Grande Beyoncé
Music stars gathered at New York's Radio City Hall on Monday for the 2018 MTV Video Music Awards. The Carters were not present at the ceremony but won in two categories. Congrats!
Alessia Cara – “Growing Pains” – Def Jam Recordings – Cinematography by Pau Castejón
Ariana Grande – “No Tears Left to Cry” – Republic Records – Cinematography by Scott Cunningham The Carters – “APES**T” – Roc Nation/Parkwood Entertainment – Cinematography by Benoit Debie (WINNER)
Childish Gambino – “This Is America” – mcDJ / RCA Records – Cinematography by Larkin Seiple
Eminem ft. Ed Sheeran – “River” – Shady/Aftermath/Interscope Records – Cinematography by Frank Mobilio & Patrick Meller
Shawn Mendes – “In My Blood” – Island Records – Cinematography by Jonathan Sela
Best art direction The Carters – “APES**T” – Roc Nation/Parkwood Entertainment – Art Direction by Jan Houlevigue (WINNER)
Childish Gambino – “This Is America” – mcDJ / RCA Records – Art Direction by Jason Kisvarday
J. Cole – “ATM” – Dreamville/Roc Nation/Interscope Records – Art Direction by Miles Mullin
Janelle Monáe – “Make Me Feel” – Bad Boy Records/Atlantic Records – Art Direction by Pepper Nguyen
SZA – “The Weekend” – TDE/RCA Records – Art Direction by SZA and Solange
Taylor Swift – “Look What You Made Me Do” – Big Machine Records – Art Direction by Brett Hess
Nominations for the 2018 iHeartRadio Much Music Video Awards were announced on Wednesday morning and The Carters are nominated in three categories! You can vote for Fan Fave Video here.
Best Hip-Hop Artist or Group The Carters
Jay Martin (Shawn Mendes – "In My Blood")
Karena Evans (Drake – "God's Plan")
Karena Evans (Drake – "Nice for What")
Hiro Murai (Childish Gambino – "This Is America")
Arturo Perez Jr. (Justin Timberlake – "Say Something") Didier Charette (The Carters – "APESHIT")
This week, Billboard is celebrating the music video with a week's worth of content that looks at the past, present and future of the video, at a time when it seems to be as relevant as ever. Here, we flashback ten years for an extended look at how arguably the most legendary video from the 21st century's greatest music video star came together, and why its legacy endures a decade later.
On the St. Louis stop of the 2016 Formation World Tour, Beyoncé and her dancers -- including her dance captain, Ashley Everett -- were just about to wave their hands through the final bars of “Single Ladies (Put A Ring On It)” when the pop star paused. The buoyant bass continued to blast as she vamped, coyly pacing the stage before she turned on her heel and signaled for a gentleman in a white jacket to join her. John Silver, Everett’s boyfriend, trotted into the spotlight and took the floor, where he presented his dumbstruck love with an engagement ring -- one that got an all-too-appropriate cameo during a sequence as familiar to the crowd as the “Single Ladies” chorus itself. If you like it, then you shoulda put a ring on it: he did, so he did, and Everett flicked her wrist and flashed her newly-minted diamond in the routine she helped create.
That such a life-changing moment went down in the middle of a “Single Ladies” performance is perfect, as the song has proven to be a monumentally transformative force in the lives of Beyoncé and those of her closest collaborators. Everett was at Beyoncé’s side when she filmed the music video for “Single Ladies” and in the three months leading up to the shoot, when they and choreographers Frank Gatson Jr. and JaQuel Knight worked tirelessly to hone every kick, waist-wind, and lift that would go on to define one of the most iconic dances in pop music history.
Apparently shutting down one epicenter of cultural history was not enough for Beyoncé, because she is now reportedly trying to film something at the Colosseum. You know, the ancient Roman landmark where gladiators once dueled to the death some 2,000 years ago? Yep, that Colosseum.
According to Italian newspaper Il Messaggero, Beyoncé has put in a request to film something at the Colosseum (it's not yet clear what). She initially requested to book the amphitheater on July 7 and July 8, when she and Jay-Z were in town for their On the Run II tour, but was reportedly rejected by Italy’s Ministry of Cultural Heritage because Italian scientist Alberto Angela already had it reserved. Il Messaggero also notes her request was too last minute, as the Colosseum is “a very complicated place.” (Closing down the Louvre to shoot "Apes--t," on the other hand? A total breeze.)
But Beyoncé, being Beyoncé, is not ready to throw in the towel, and has reportedly resubmitted her request, which is currently under review.
It's worth mentioning she has filmed at the Colosseum before (remember that Pepsi commercial with Britney Spears and Pink?), so if the timing is right, it seems like things will be a go. Block out your Saturday nights for another surprise!
The 2018 MTV Video Music Awards nominations have been announced today. Cardi B leads the noms with 10, while The Carters follow with eight. Beyonce also scored one nomination for Eminem's "Walk on Water". Beginning today, fans can vote in eight of the categories. Voting concludes Friday, August 10. The VMAs will air live from Radio City Music Hall at 9 PM on Monday, August 20.
VIDEO OF THE YEAR
Ariana Grande – “No Tears Left to Cry”
Bruno Mars ft. Cardi B – “Finesse (Remix)”
Camila Cabello ft. Young Thug – “Havana” The Carters – “APES**T”
Childish Gambino – “This Is America”
Drake – “God's Plan”
Bebe Rexha ft. Florida Georgia Line – “Meant to Be”
Bruno Mars ft. Cardi B – “Finesse (Remix)” The Carters – “APES**T”
Jennifer Lopez ft. DJ Khaled & Cardi B – “Dinero”
Logic ft. Alessia Cara & Khalid – “1-800-273-8255”
N.E.R.D & Rihanna – “Lemon”
It's been a year since Jay Z released his thirteenth studio album, the critically acclaimed 4:44. In honor of its anniversary, producer No I.D., who picked up a producer of the year Grammy nomination for his work on the album, reflected on how it all came together and which beat on the album almost went to Beyoncé.
“Family Feud” (Featuring Beyoncé)
Scientifically to me, certain vibrational tones create a reaction, a feeling, an emotion, tension, joy or suspense. So that’s what I look for in music. Whether it’s musicians, sampling — whatever. And the The Clark Sisters just had this emotion already going. Just like joyous and pain and spiritual and I know part of Bey’s joy in music stems from that type of emotion.
And when I first did the music, of course I wanted her to be a part of the album and when she first heard the track, she was like, “Oh, no, no! I’m GETTING on that!” So she really kind of jumped in and did her part. And that song came in at the very end. Maybe about a week before the album came out. I didn’t really have to incorporate her. She’s a producer in her own right. She came in and wove herself right into it. Did an amazing job at completing the song to be honest.
Jay-Z and Beyonce released their joint album Everything is Love as a surprise on June 16th on their streaming service TIDAL, which was followed by a wide release two days later on all platforms.
For those looking for the physical edition of the album, here’s some good news: it hits stores July 6th! This edition will feature 9 songs as the 10th track ‘Salud!’ continues to be a non album exclusive on TIDAL.
As Beyoncé and JAY-Z earn their first charted album as a duo, as Everything Is Love, billed as by The Carters, opens at No. 2 on the Billboard 200 with 123,000 equivalent album units, according to Nielsen Music, five tracks from the set debut on the Billboard Hot 100.
"Apes**t" debuts the highest of the bunch on the Hot 100, at No. 13. Sparked by its official video, the song arrives with 24.1 million U.S. streams in the tracking week, as well as 20,000 downloads sold.
The Carters' "Boss" debuts at No. 77 on the Hot 100, followed by "Summer" at No. 84, "Nice" at No. 95 and "Friends" at No. 99.
Beyoncé and JAY-Z have each tallied 59 and 97 solo entries on the Hot 100, respectively. The husband-and-wife luminaries have logged eight shared Hot 100 entries under their usual monikers (Beyoncé and JAY-Z), including the eight-week No. 1 "Crazy in Love" (credited to Beyoncé featuring JAY-Z) in 2003.
Everything Is Love concurrently debuts at No. 1 on the Top R&B/Hip-Hop Albums chart, while "Apes**t" opens at No. 9 on Hot R&B/Hip-Hop Songs.
The names Cool & Dre ring out across the hip-hop landscape for more reasons than one. If you're feeling nostalgic, their work on the Game's "Hate It or Love It" and Ja Rule's "New York" will get your blood flowing. If you're feeling contemporary, look no further than Fat Joe and Remy Ma's anthemic "All the Way Up," which dominated airwaves and peaked at No. 7 on the Billboard Hot 100.
They've been locked into the music game for more than a decade—but it still came as a surprise when credits on JAY-Z and Beyoncé's joint album Everything Is Love revealed the veteran production duo produced three out of nine tracks: "Summer," "713," and "Black Effect." They couldn't sound any more different: "Summer," with its deceptively lazy but thoroughly soulful pace, "713," with driving keys just south of in tune but hard enough that it doesn't matter, and "Black Effect," with its comparatively sparse beat and haunting background vocals. The Carters also released a bonus track, "Salud!" which Cool & Dre produced, and Dre laid down vocals for. As its name suggests, it sounds like a toast to victory.
As expected, Cool & Dre are floating on Cloud Nine now that their contributions to Everything Is Love have officially reached our ears. In an interview with Complex, the pair talked about their favorite moments creating with JAY and Bey, how easy it was to keep the collaboration a secret, and their status after producing for two of the most revered artists on the planet.
Where were you when the joint Beyoncé and JAY-Z album dropped?
Producer duo Cool & Dre won't forget the answer to the question on everybody's minds this weekend anytime soon. After all, they were right alongside the Carters on tour in London, having literally put finishing touches on Everything Is Love just a few hours before it arrived with no warning on Saturday evening (June 17).
But just because the album's release came down to the wire doesn't mean its creation was hasty: Marcello "Cool" Valenzo and Andre "Dre" Lyon describe the work ethic of hip-hop's perfectionist power couple as nothing short of fastidious -- no drum sound, sample or melody was spared their scrutiny. Below, Cool & Dre take Billboard behind the scenes of their Paris stadium sessions, Beyoncé's hands-on role in the writing process and just how much music they have left in the vault.
Beyoncé and JAY-Z work in mysterious ways. Were you surprised that the album came out when it did?
Dre: Nah, we knew what was going on. We were in London with them when the album dropped. JAY-Z and Beyonce are Golden State Warriors: they shoot half-court shorts, and it goes in. We spent three weeks in Paris recording, then we went to Cardiff for like a week. We got to London and knocked out two to three tracks 10 days of finishing up the album. An hour and a half before showtime, Bey and Jay were still cutting up vocals. Three hours later it was released to the world. There are no rules when it comes to those two.
When Beyoncé and Jay-Z's album Everything Is Love appeared suddenly on Tidal on Saturday night, a surprising name stood out on the credits list: veteran duo Cool & Dre co-produced three of the nine songs on the album, along with a bonus track. Cool & Dre were ubiquitous on much of the radio in the mid-2000s – see Ja Rule's "New York" and the Game's "Hate It or Love It," for starters – and enjoyed a recent renaissance as the team behind Fat Joe's "All the Way Up." The pair had never worked on a Jay-Z or Beyoncé album before, though. On Everything Is Love, they're responsible for "Summer," the album's soul-sampling opener; the radio-ready, Dr. Dre-interpolating "713"; and a pair of triumphant cuts that appear near the end of the LP, "Black Effect" and "Salud!" Cool & Dre co-produced more tracks than anyone on the album other than Beyoncé and Jay-Z themselves.
"We always joke with Jay: Working with them two is like working with the Golden State Warriors," Dre says. "We can just dribble the ball up the floor and look like geniuses." Rolling Stone spoke with the duo – Dre is by far the chattier of the two – about how they ended up on Everything Is Love, the recording sessions in Paris and Cardiff, and how Jay-Z and Beyoncé's talents pushed them to new creative heights.
How did you get involved in the album?
Dre: We've had a relationship with Jay-Z shit, for 15 years. OG Juan introduced me to Jay shortly after "Hate It or Love It" was ringing off. He told me back in the day: "'Hate It or Love It,' I get it, I gotta let that go. But 'New York,' you were supposed to hand deliver that to me. You gotta find a way to get to me." We've always had a cordial relationship with him. We never had the opportunity to get on one of his albums. You have to be right beside him. Jay has a thing, he'll text or email: "Stay close." That's advice you have to take literally. He'll record in two weeks and the album is done.
Beyoncé and Jay-Z have added their brand new collaborative album to major streaming services and iTunes.
Originally a timed exclusive to TIDAL, Everything Is Love, featuring the new single APES**T, is now available across Spotify, Apple Music and Deezer, while it is now available to download for the first time on iTunes and Amazon.
Everything Is Love was revealed following The Carters' final On The Run II UK tour performance at London Stadium, London. The video to APES**T was played to the audience in full to close the show.
Everything Is Love is nine tracks long, and features uncredited vocals from Pharrell, Ty Dolla $ign, plus Quavo and Offset of Migos. One more track Salud! - billed as a non-album promotional song - remains exclusive to TIDAL.
A joint Beyoncé-Jay-Z album has finally dropped after years of rumors. Titled "Everything Is Love," the announcement was made by Tidal, the streaming company owned by Jay-Z. It features nine tracks, each credited to Beyoncé and Jay-Z — or The Carters — and clocks in at just under 40 minutes.
The album, unusually brief for both artists, sent fans scrambling to sign up for Tidal, a subscription-based music streaming service started by Jay-Z and other artists. That's where they could find the bonus track called "Salud" that the duo presumably felt didn't fit with the album's sequence.
According to unofficial credits, the album features production from Pharrell Williams (two tracks, "Nice" and "Apes---"), Cool & Dre, Boi-1Da, Vory, Jahaan Sweet and Sevn Thomas, and guest spots from Migos ("Apes---") and Pharrell.
The nominations for this year's BET Awards were announced Tuesday night and Beyonce is up for two awards:
Best Female R&B / Pop Artist Beyonce
Bruno Mars feat. Cardi B - Finesse (Remix)
DJ Khaled feat. Rihanna & Bryson Tiller - Wild Thoughts DJ Khaled feat. Jay-Z, Future & Beyonce - Top Off
Cardi B feat. 21 Savage - Bartier Cardi
French Montana feat. Swae Lee - Unforgettable
Kendrick Lamar feat. Rihanna - LOYALTY.
BET's annual telecast celebrates black excellence in music, film, TV, sports and philanthropy and will air live June 24 from the Microsoft Theater at 8 p.m. Eastern time.
The road to Cardi B's debut album has been smeared with setbacks, as well as huge feats for the rising star, and she might have another accomplishment to add to her already growing resume: a Beyonce feature. According to a snapshot of Michael Ashby's -- Cardi's engineer -- Instagram story, the two artists may have a collaboration in the works.
Ashby, the engineer behind Cardi's hit "Bodak Yellow," shared a photo of a mix titled "Cardi B & Beyonce" and wrote 'Wow this feature is big" over the image. Ashby didn't reveal whether the track is a loosie, or might possibly land on the Bronx rapper's forthcoming album.
Cardi and Beyonce previously met at Made in America festival earlier in September. After meeting Beyonce, Cardi said that she was surprised the "Formation" singer liked her music, and was speechless when they officially met. Miss Tina Lawson, Beyonce's mother, also greeted Cardi backstage at the festival. Billboard reached out to Atlantic Records and Beyonce's reps for comment.
Naughty Boy’s “Runnin’ (Lose It All),” featuring Beyoncé and Arrow Benjamin, tops Billboard & Clio’s Top TV Commercials chart, powered by Shazam, for September, thanks to the song’s appearance in Chanel’s “Film” ad.
Using tagging data from Shazam, as well as sales and streaming information tracked by Nielsen Music, Billboard partners with Clio Music each month to present a chart ranking the top songs in commercials. Rankings exclude any song that has recently charted within the top 40 of the Billboard Hot 100 or top 10 on a genre chart.
“Runnin’,” which debuted and peaked at No. 90 on the Billboard Hot 100 in December 2015, leads all songs with 70,000 Shazam tags, 6,000 downloads sold and 2 million U.S. streams during the month of September, according to Nielsen Music.
The song is the first No. 1 on the chart for Naughty Boy, Beyonce, and Arrow Benjamin. Beyonce’s previous peak on the chart was at No. 2 on the April 2017-dated list, with “Freedom,” featuring Kendrick Lamar, which appeared in Apple Watch’s “Live Bright” commercial. Read more...
Nominations for the 45th annual American Music Awards are here.
Beyonce is up for one award at this year's ceremony:
Favorite Female Artist Soul/R&B Beyonce Kehlani Rihanna
You can vote for the AMAs on Billboard.com, and be sure to tune in to the show next month to find out who wins. The 2017 American Music Awards will broadcast live from the Microsoft Theater in Los Angeles on Sunday, Nov. 19 at 8 p.m. EST on ABC.
Cardi B's "Bodak Yellow (Money Moves)" tops the Billboard Hot 100 chart for a third week, marking a new longevity record for a hit by an unaccompanied female rapper. Plus, J Balvin and Willy William's "Mi Gente" blasts from No. 21 to No. 3, sparked by its newly added featured artist, Beyonce; Imagine Dragons' "Thunder" rumbles 17-7; and Demi Lovato hits a new best career rank, as "Sorry Not Sorry" rises 10-8 on the latest chart (dated Oct. 21).
As we do every Monday, let's run down the top 10 of the Hot 100, which blends all-genre streaming, airplay and sales data. All charts will update on Billboard.com tomorrow (Oct. 10).
"Mi Gente" surges from No. 21 to No. 3 on the Hot 100 (after previously reaching No. 19), after the first full week of tracking for its new remix featuring Beyonce, scoring the chart's greatest gains in sales and streaming. It rockets 34-1 on Digital Song Sales (79,000 sold, up 436 percent, with 87 percent of its sales from its new remix) and 14-5 on Streaming Songs (28.7 million, up 50 percent), while also climbing 32-29 on Radio Songs (46 million, up 18 percent).
J Balvin and William each earn their first Hot 100 top 10, while Beyonce banks her 17th (as a soloist, to go along with 10 as a member of Destiny's Child). She had last reached the region with Lemonade track "Formation," which spent a week at No. 10 (upon its debut) in May 2016. She notches her highest rank since "Drunk in Love," featuring JAY-Z, peaked at No. 2 on Feb. 15, 2014. Read more...
Last week, Beyoncé hopped onto the remix of J Balvin’s ubiquitous banger “Mi Gente,” no doubt breaking the internet in the process. Even better than her admirable accent was the fact that the collaboration is a benefit for disaster relief organizations in Mexico and the Caribbean.
Truth be told, this was far from Beyoncé’s first en español moment. It’s clear that Queen B understands the value of the Spanish-language market — but that doesn’t mean she can roll her r’s perfectly just yet. Enter Jean Rodríguez, the Puerto Rican vocal producer who worked with Bey on the “Mi Gente” redux.
Rodríguez is a pro at coaching stars who want to try their hand at bilingual tracks. The Puerto Rican vocal producer (who’s also part of the duo COASTCITY and just so happens to be Luis Fonsi’s brother) battled with Trey Songz about working harder on his accent for the Spanish version of “Can’t Help But Wait,” an insistence that Rodríguez says led to “friction” in the studio. (You be the judge on how Songz’s linguistic experimentation wound up.) He’s aided Juanes, Alejandro Sanz, and Prince Royce on English-language tracks, and is no stranger to hip-hop, reggaeton, and other urbano genres. When Wisin & Yandel wanted an English hook for their EDM flex “Algo Que Me Gusta De Ti” with T-Pain and Chris Brown, Rodríguez was there.
His studio time with B took place in The Hamptons, where she and Jay-Z have recently been making some real estate moves. Rodríguez had little time to prepare for his royal appointment; he didn’t know which star he’d be coaching on the “Mi Gente” remix until the day of the session. Read more...
On Thursday evening, Beyonce shared a 20 second video on Instagram announcing she had joined a remix of J Balvin and Willy William's hit "Mi Gente" and would donate all her proceeds to disaster relief charities for Puerto Rico, Mexico and the other recently affected Caribbean islands.
Following in the footsteps of Luis Fonsi and Daddy Yankee's record-breaking success with the Justin Bieber-featuring "Despacito" remix, Beyonce's good news with a good cause marked a big moment for Latin music in the mainstream. With Queen Bey singing in both Spanish and English on the track, it and its star-studded music video racked up millions of streams in its first 24 hours, topping iTunes' sales charts in 30 countries and YouTube's trend ranking, and looks prime to hit the Hot 100 top 10.
Here's how the collaboration came to be:
A remake of an original song by French DJ Willy Williams, "Mi Gente" had the makings of a global hit when it was first released in April and immediately sparked talk of a general market remix. "But we wanted it to live for a while and get as big as it could on a global scale in Spanish," says Rebeca Leon, who co-manages Balvin with Balvin's label, Universal Music Latin Entertainment (UMLE).
The "lofty goal," says UMLE president Victor Gonzalez, "was to make it No. 1 on Spotify at a global level." Read more...
Beyoncé is fundraising for hurricane victims in the Caribbean in the most Beyoncé way ever: by dropping a surprise song.
The singer released a new remix Thursday to the reggaeton hit “Mi Gente” by Willy Williams and J Balvin. The remixed single features Beyoncé spitting a little bit of Spanish and dropping in a whole verse.
“I am donating my proceeds from this song to hurricane relief charities for Puerto Rico, Mexico and the other affected Caribbean islands,” she wrote.
She also linked back to the hurricane relief page of her website, which includes various ways people can donate to victims of hurricanes Irma and Maria.
Watch the video below, buy the song on iTunes and read the lyrics under the cut!
Michel Gondry, the independent French filmmaker who perhaps most famously directed Eternal Sunshine of the Spotless Mind, says he has an unfinished Beyoncé collaboration waiting in the wings.
During an interview with Canadian publication La Presse, Gondry spoke of his future plans, saying, "I have two projects: a rather personal film about my creative wanderings while shooting a movie, with rather extreme and illogical things, and a TV series for an American channel."
He then added that he had worked with Bey on a mysterious project that was put on hold when she got pregnant last year. "Unfortunately, it's not out yet because she twins," he said. "But it's a finished clip very, very well, I think."
Aside from the many feature films he's made, Gondry also has extensive experience making critically acclaimed music videos for artists including Daft Punk, The White Stripes, and Björk.
Whatever it is, we can't wait to see it! Truly a dream collaboration.
A film’s production designer “notices the canvas on which the story is being told.” That’s how Hannah Beachler, 47, describes her job to me when we speak over the phone from New Orleans, where she lives with her son. Put another way: in collaboration with a director, through meticulous research and in co-ordination with various departments, she helps define a film’s visual mood and storytelling, right down to props that never get shown on camera. Beachler’s career changed forever when signed up on Ryan Coogler’s 2013 film Fruitvale Station, which led to a string of highly-successful projects: 2015's Creed (also with Coogler), Moonlight from director Barry Jenkins, Beyoncé and Khalil Joseph’s Lemonade, and Coogler’s upcoming Marvel epic Black Panther.
The FADER spoke to Beachler about her methods, motives, and the unique art of production design. Read the part where she talks about Lemonade below.
What were your most memorable experiences during the productions of Lemonade and Moonlight?
With Lemonade, I didn’t have any time to prep. So I did a lot of what I felt: How do I make this look like not just a regular plantation? How do I make this feel like a very beautiful place and we're on a dirt floor surrounded by bricks and an old fort? It hits these ambiguous points and abstractness is what we were going for. Read more...
The second round of nominations for the 2017 Teen Choice Awards has arrived, and Beyonce is up for two awards in total.
Fans can vote up to 10 times per day in each category until Wednesday, July 19. Voting is open on TeenChoice.com, or teens can vote by tweeting the category hashtag along with a nominee's name. The Teen Choice Awards will air live Sunday, Aug. 13, on Fox.
Check out both of Beyonce's nominations below.
Choice Instagrammer (#ChoiceInstagrammer) Beyoncé Justin Bieber Kendall Jenner Kylie Jenner Selena Gomez Taylor Swift
Choice R&B/Hip-Hop Artist (#ChoiceRBHipHopArtist) Beyoncé Chance the Rapper Drake Kendrick Lamar Nicki Minaj Rihanna
With Jay-Z aging gracefully on his newest album, 4:44, listeners might’ve been surprised (or not) to learn that the rapper directly addressed Beyoncé’s Lemonade numerous times, confirming that he was, indeed, up to some lying and philandering while married to Bey. What’s perhaps more surprising then is that Beyoncé was heavily involved in crafting 4:44 as we know it, as revealed in a new interview with No I.D., the album’s producer. “I always call Bey our de facto A&R. Pillow talk is the strongest conversation on the planet,” he explained to the New York Times. “Every song has to get past her ears, in my eyes. She came by a lot and played a good part in helping us get over hurdles on certain records. Of course she’s genius-level with that.”
Although Jay-Z didn’t want 4:44 to solely serve as a “response” to Lemonade, No I.D. indirectly encouraged him to reference it at least once. As we know now, Jay-Z ended up referencing it quite a bit, most notably with 4:44’s title track. “We just wanted him to respond and then let it be and still touch on other things. I created that beat to box him into telling that story,” the producer explained. “We never directly spoke about that album. Mainly because if he talks about himself, it’s going to bleed into that regardless. But there’s a difference in talking about it for the sake of response and for the sake of honesty and the truth. The truth needs to explain why you are the way you are, why you did what you did. We know what happened. We got it.” And the rest is Tidal history.
Beyoncé was the big winner Sunday at the 2017 BET Awards, taking a total of five trophies at the music-rich event in Los Angeles. She won for Female R&B/Pop Artist, Album Of The Year for Lemonade, and Viewers Choice, Video Director Of The Year and Video Of The Year for “Sorry,” the latter honor shared with Bruno Mars’ “24K Magic.”
The singer may have skipped the BET Awards, but she still delivered a message to the crowd, as she asked her protégés Chloe x Halle to read her speech after winning the Coca-Cola Viewers’ Choice Award for "Sorry."
"Thank you BET for this award and your tremendous support of Lemonade. This has been a journey of love, of celebrating our culture, honoring the past, and approaching the present and future with hope and resolve," the speech began. "Thank you to my mother Tina Knowles Lawson for being my biggest, biggest teacher and consistent influence. Thank you to my entire family for so much love."
Queen Bey also gave a shout-out to her supportive fans. "My BeyHive, for riding with me. I love and appreciate you," Chloe x Halle said, reading the note. "To everyone at the show tonight, you all look so beautiful and at home, thank you and have a wonderful, wonderful night. From, Beyonce." Read more...