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March 16, 2019
It wasn’t until the third time that I met Beyoncé that she showed me her superpower.
The first two times, in the late nineties, I just said hello at record industry meet and greets, where Destiny’s Child was working hard to get fans to say their names. The third and fourth times were a decade later, in 2008 and 2011, by which time Beyoncé had reached certified solo status, as an artist and in name, and I interviewed her for cover stories for InStyle magazine, where I worked as an editor.
The first time I sat down with her, I was nervous and new to my job, as well as emotionally fragile, having lost my mother a few weeks prior. Beyoncé was my first true superstar inter- view. I remember exactly what I wore because I gave it tons of thought, as you do when you are going to meet an artist you have long admired. But I was also there to get a job done, so I chose a boxy Maria Cornejo black top paired with a black high- waist wool gabardine Stella McCartney skirt, Lucite wedge heels from United Nude, and one of my mom’s chunky necklaces for good luck. My boss told me I looked chic, which was what I was aiming for. Beyoncé complimented my shoes, which is why I’m sitting here now wondering why I ever got rid of them.
March 12, 2019
The Vanguard Award is presented to allies who have made a significant difference in promoting acceptance of LGBTQ people. Previous honorees include Cher, Elizabeth Taylor, Charlize Theron, Jennifer Aniston, Janet Jackson, Jennifer Lopez, Kerry Washington, Patricia Arquette, and last year’s recipient Britney Spears.
“Beyoncé and Jay- Z are global icons and passionate defenders of human rights and acceptance for all people,” said GLAAD President and CEO Sarah Kate Ellis. “When Beyoncé and Jay-Z speak, the world becomes inspired and when it comes to LGBTQ people, their voices of acceptance have been heard loud and clear. We could not be prouder to stand with them to send a message of love during the biggest LGBTQ event in the world and to honor their work to bend the arc of justice forward for LGBTQ people, people of color, and marginalized communities everywhere.”
Beyonce and Jay-Z have been long-time allies to LGBTQ people. Beyonce is a deity to the LGBTQ community and has collaborated with LGBTQ artists including Big Freedia and Frank Ocean. In addition, she has shown her support for marriage equality and has spoken against anti-LGBTQ laws. She also dedicated her performance of “Halo” to the victims and survivors of the Orlando Pulse nightclub shooting during “The Formation World Tour.” Ivy Park, her athleisure clothing line, showcased transgender actress Laverne Cox as one of the featured faces in one of the brand’s promos.
March 8, 2019
March 7, 2019
March 3, 2019
March 1, 2019
The second time I met Noel-Schure was under more carefully planned circumstances, months later in her office, a tiny, candlelit oasis with a diffuser pumping a scent called “Peace” into the air. It is here, inside the Manhattan office building that houses Beyoncé’s Parkwood Entertainment—visitors sign strict N.D.A.s via iPad at the reception desk—where Noel-Schure conducts arguably the most important work in the entertainment business. She is in charge of shaping, managing, and executing the messaging of the world’s biggest modern icon—an artist who handles the work of releasing an album with the secrecy and large-scale tactical precision of a major military operation.
I expect Noel-Schure to work in a high-tech fortress but, instead, her shelves are filled with large binders hand-labeled with the names of Beyoncé’s major tours. Noel-Schure has been representing major pop stars for over three decades and, at 57, her old-school methods still serve her well. “I’m very anal,” she says in her gentle Caribbean accent. “I keep impeccable files of who came to the show. This is just a sampling...I know when the requests came in, I know when I answered them.”
February 25, 2019
The course, AFAM 3600 E: Black Women in Modern America, kicked off this semester and is taking a deep dive into Beyoncé’s groundbreaking sixth studio and visual album “Lemonade.”
The 2016 album captured the pain and triumph of the black female experience to great critical acclaim using stunning visuals, compelling music, and rich storytelling. The work ignited widespread discourse on race, class, and gender, and this VSU course is continuing that conversation by unpacking the many themes found in “Lemonade,” including black identity, feminism, marital infidelity, sisterhood, and faith. The course is also exploring how black women are portrayed in mainstream culture.
The album will serve as a jumping off point to explore such issues through the eyes of numerous other writers, artists, poets, and scholars as the course unfolds. The course was inspired by the “Lemonade Syllabus,” a robust list of resources compiled by writer Candice Marie Benbow that help to unpack all the themes that permeate “Lemonade.”
“If you’re going to have a black feminist theory, then you need to study Beyoncé,” said Caterina Orr, adjunct instructor for African-American Studies. “It’s really just that simple.
February 25, 2019
While some celebrations this weekend included red carpet entrances and camera crews documenting the fun, this A-list couple decided to make things a bit more private.
Fortunately for pop culture fans, E! News is getting exclusive inside details about the star-studded event. Brace yourself: You're going to wish you scored an invite to this celebration.
"The party was completely A-list," a source shared with E! News. "Guests began arriving around midnight and they didn't leave until about 5 a.m. and later. It was the party everyone wanted to be at it seems."
Some of the lucky attendees including Jamie Foxx, Adele, Drake and Rihanna. In addition, Jennifer Lopez and Alex Rodriguez attended together while the newly engaged Katy Perry and Orlando Bloom celebrated as one.
February 25, 2019
February 24, 2019
Speaking to VIBE for our Views From The Studio series, the 20-year-old shared how his single "Good Company" with Swae Lee and Quavo was created with Beyonce and Travis Scott in mind.
"I made the track originally for Travis Scott and Beyonce because somebody told me they were looking for a song but he heard the track and was like, "Let me do something with this."