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Welcome to Beyoncé Online - your #1 source for everything Beyoncé Knowles. You'll find here a lot of interesting information, one of the biggest photo galleries with over 100.000 pictures, downloads and more! Be sure to check out the latest news about Mrs. Carter and leave your comments. We hope you'll enjoy your stay and come back soon! Have fun!

Latest news

Adidas & Ivy Park Coachella Party

April 21, 2019

Adidas and Ivy Park held a super exclusive party at Coachella last weekend (April 13).



Homecoming: The Live Album Booklet

April 21, 2019

In the gallery you'll find the entire booklet for "Homecoming: The Live Album"!

Delilah restaurant in Los Angeles (April 16)

April 20, 2019

Beyonce attended Lenny S' birthday party at the Delilah restaurant in Los Angeles on Tuesday.

Beyonce's Netflix Deal Worth a Whopping $60 Million

April 20, 2019

Netflix has become a destination for television visionaries like Shonda Rhimes and Ryan Murphy, with deals worth $100 million and $250 million, respectively, and top comedians like Chris Rock and Dave Chappelle ($40 million and $60 million, respectively). The streaming giant, which just announced it’s added nearly 10 million subscribers in Q1, is honing in on music, too, landing a three-project deal with Beyonce worth a whopping $60 million, sources tell Variety.

The first of the three specials is “Homecoming,” the behind-the-scenes documentary chronicling her 2018 Coachella performance — a massive spectacle of dance, visuals and music that reaffirmed Beyonce’s moniker of Queen Bey — which premiered on April 17. The price tag on this installment, for which Beyonce Knowles-Carter is credited as executive producer, writer and director, hovers around $20 million. Beyonce’s rep did not respond to Variety’s requests for comment; Netflix declined comment for this story, although a source at the company disputed the financial terms of the deal.

According to Vulture, HBO was also interested in the project, having had a long relationship with Knowles-Carter (the cable network aired her 2016 “Lemonade” film as well as her 2014 “On the Run Tour” concert special with husband Jay-Z and 2013 doc “Life Is But a Dream”), but backed out when Netflix came in with a richer offer. (HBO has not responded to Variety‘s request for comment.)

Shop Beyonce Homecoming Collection

April 17, 2019

To celebrate the release of the "Homecoming" documentary and live album, Shop Beyonce dropped an entire collection including previously available items, as well as new ones! Shop now.

Beyonce Released 'Homecoming' Live Album Along With Netflix Documentary

April 17, 2019

Beyonce’s history-making 2018 Coachella performance is now available as both a documentary and a live album. Homecoming is the expected Netflix documentary that the singer has been teasing for the past few weeks and also the title of the accompanying live album, which unexpectedly accompanied the arrival of the film. While the trailer for the Homecoming film has been circulating on Youtube for the past week, plans to release the performance as an album were kept mum until Beyonce herself tweeted the link at midnight PST.

With Homecoming the film detailing the creation and performance of the set, Homecoming the album features the full concert, which included Beyonce hits like “7/11,” “Crazy In Love,” “Formation,” “Single Ladies,” and her Coachella rendition of “Lift Every Voice And Sing,” the Black National Anthem. The tracklist also features two bonus tracks: “I Been On,” a tribute to Beyonce’s hometown of Houston, Texas, and a cover of Frankie Beverly And Maze’s “Before I Let Go,” a Black family reunion staple.

Homecoming is out now via Parkwood Entertainment and Columbia Records. Get it here. The Homecoming film is now available on Netflix.

Michelle Obama: I Am Becoming Intro

April 16, 2019

Beyonce is featured in a promotional video for Michelle Obama's book "Becoming". Watch below!

"Homecoming" Advance Screenings

April 13, 2019

Two HBCUs will host advance screenings of Beyonce's Netflix documentary "Homecoming" for their students on April 16!

Texas Southern University will screen the film at House of Blues Houston at 7 p.m. Students can pick up tickets at the Sterling Student Center in room 220 starting April 15 at 10 a.m.

Howard University's screening will take place at Cramton Auditorium at 8 p.m. Tickets will be available at the Cramton Box Office on April 15 at 10 a.m.

Beyoncé & JAY-Z Discreetly Attend Nipsey Hussle's Memorial

April 13, 2019

Beyoncé and JAY-Z paid their respects at Nipsey Hussle’s memorial service, but didn’t attract attention to themselves. The power couple was seated right in the middle of the 21,000 mourners at Los Angeles’ Staples Center.

Dressed in all black and seated between 21,000 grievers, Beyoncé, 37, and JAY-Z, 49, were inconspicuous attendees at Nipsey Hussle’s “Celebration Of Life” memorial in Los Angeles on April 11. In the screengrab taken from within Los Angeles’ Staples Center, Beyoncé partially blocks her face in a round brim hat, while her husband wears a formal suit to watch speakers like Snoop Dogg, Lauren London (Nipsey’s girlfriend), and Angelique Smith and Dawit Asghedom (Nipsey’s parents) deliver heartbreaking but empowering tributes.

New Arrivals on Shop Beyonce

April 10, 2019

Three new items are now available on Shop Beyonce!

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May 3, 2018

Beyoncé's Choreographers Talk Coachella

Since November, Chris Grant and JaQuel Knight have been up to their elbows in marching bands, musicians and dancers — dozens of men and women from an array of traditions.

Beyoncé may have been front and center at her spectacular Coachella performances last month. But two of her secret weapons were Mr. Grant and Mr. Knight, the show’s main choreographers.

From the start Beyoncé was clear about what she wanted. “She said, ‘Let’s do a homecoming,’” Mr. Knight said. “Boom. A nice, clear concept that we were all able to snap into and execute.”

In the nearly two-hour performance, references to homecoming at historically black colleges and universities (H.B.C.U.s) — complete with a marching band and a glittering majorette solo — lived alongside dance styles ranging from flexing, a form born on the streets of Brooklyn, to stepping, a percussive form popular in fraternities and sororities.

Beginning in December, Mr. Grant and Mr. Knight worked with Beyoncé’s music team and started their preliminary dance preparations. By January, they started skeleton-crew rehearsals. “We worked with 12 dancers for a month just to start to further develop the ideas that we laid down in December,” Mr. Knight said. “We started to build choreography.”

Gradually, they added more dancers and used them to create the precision movements for the musicians. “When we got to the band we simplified it even more,” Mr. Grant said. “Some of them had their own natural feeling, which we loved.”

But their favorite part of the experience, they said, was working with Beyoncé, who thrives on collaboration. They’ve worked with her for 10 years. (Among other credits, Mr. Knight is known for the “Single Ladies” video; Mr. Grant, Mr. Knight and Dana Foglia for “Formation.”) “She’s all about hearing us out,” Mr. Grant said, “because you may have a perspective on something that can be really cool. No matter who it comes from, if it’s magical, if it’s hot,” she’s interested.

In a telephone interview this week, Mr. Knight, 28, and Mr. Grant, 29, discussed their latest theatrical adventure and their devotion to Beyoncé. As Mr. Grant said: “I feel like I’m living in a generation where she is the new Michael.”

These are edited excerpts from our conversation.

Did Beyoncé talk about the show’s choices in terms of its politics?

JaQUEL KNIGHT We don’t really consider it political. For us, it’s embracing who we are. The show was very black, for a lack of a better word, from all aspects, and we wanted to show love through who we are. This is where we come from and this is how we love and this is how we jam and this is our world. I think the whole H.B.C.U.s and the homecoming experience is a very specific experience. If you’ve never been to a homecoming game, you don’t know.

She wanted to introduce that to the world?

KNIGHT Yeah. That’s something that hasn’t been done before on the stage like this and it feels good. Beyoncé’s all about how can we do things differently, but keep the musicianship and the showmanship and the precision of it all — it just made sense. She’s been adding horns to her songs for the past couple of years and boom: Let’s get a whole band. So much of what we’ve been doing made sense in this world — even with the things we were doing with “Formation.”

What kind of movement looks good on Beyoncé? What is natural?

CHRIS GRANT She’s really good with her neck. She can really hit and snap at certain moments, but also be cool and chill.

KNIGHT She can do anything. She’s weird. I’ve seen times where she imitates people. When you put somebody magical in the room she will make them do it 10 times, 20 times. She’s pulling and learning from you and toward the end it’s like, “Wow — you are really studying me and you are really getting it.”

One thing about Beyoncé is she pays attention to detail. That’s what I learned from her. You’ve really got to pay attention and then on top of that, add your own sauce.

What kind of stamina does she need to get through a show like this? Do you work with her on cross-training?

KNIGHT She has a trainer and she also comes in and does a full dance warm-up and stretch with us. She just had twins, so we spent a lot of time strengthening her and getting her back into it. Your body goes into shock if you’re not prepared to do a show of this caliber.

Is there a signature style for the female backup dancers?

KNIGHT We have created a language with the choreography that has a street vibe and a great line as well. So the body always looks good. And then it’s a level of personality on top and feeling — things you really can’t teach. It’s a combination of technique, street and personality. And magic.

How did you put together the marching band for the show?

KNIGHT We flew quite a few people in from Atlanta, because it was pretty difficult to cast in L.A. for the specific swag and funk and charisma that we were looking for. We worked with Don Roberts, who was the consultant on “Drumline.” We basically created our own professional level marching band.

How did you focus your time with a show this huge?

KNIGHT No one does one job. There’s no “you’re the music guy, you’re the choreographer, you’re this, you’re that.” It’s creative. allows us all to be open: What are your thoughts on this? Chris is the guy from choreography who also splits his time making sure the music is correct. He’s even built in his own tracks and presents ideas to Beyoncé. She’s all about whatever’s hot is hot.

Does Beyoncé like the rehearsal process?

KNIGHT Beyoncé’s going to rehearse every day. We have rehearsal every day — forever — until the show: “Do it again, do it again. O.K., one more time. O.K., I’m gonna go, maybe y’all can do it once more and send me the tape.” She just wants the show to be tight.

GRANT Everything we do, everything is choreographed — it’s not just movement. It’s never going to be perfect, and that’s the whole point of rehearsing to the last minute. Everything is choreographed to a T.

Do you wish it were looser?

GRANT We’re so crazy like her that we’re just kind of used to it. Anything can happen, but when you’re so well rehearsed you’re also prepared. You can just can hop off and hop right back in like nothing. And to me she’s the queen of it.

Did you get to rehearse in the desert at all?

KNIGHT We had one day in the desert.

GRANT One day.

KNIGHT At Coachella, when it gets windy, you can’t rehearse. It was super windy the day of our rehearsal. They had to bring the lights and the speakers down. They shut us down. So that was our one day spent in the desert: We ran it once in the hot sun with no lights. This goes back to what Chris was saying — we have to be prepared.

Why did you want to incorporate so many kinds of movement?

KNIGHT It keeps everything interesting and it doesn’t allow your power to become stale. The audience can stay on its toes. We like to have technical moments — we have a duet with Jasmine Harper and King Havoc, where they combined their worlds. She comes from a beautiful ballet background and he comes from a beautiful street background. Use the flexers here. Come out and boom — let’s combine a bit of our African training here.

I think for Beyoncé, adding as many different elements of dance as we can is cool. As a pop entertainer, people see her as being one dimensional: coming out, shaking her butt and going to the next song. So we really tried to steer away from that.

Do you think that she knew how historic this show would be?

KNIGHT I don’t think any of us were expecting it to be this big of a thing. It’s still blowing my mind. We even had a quick conversation with Bey as we were rehearsing for Week Two. She was like: “Wow. People really loved the show, huh?”

GRANT She was saying, “I guess we did our job.”
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