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'Homecoming' Reached 1.1M US Viewers in Its First Day

May 15, 2019

Netflix’s critically-acclaimed concert special Homecoming: A Film By Beyoncé reached 1.1 million U.S. viewers on its April 17 premiere date, according to data newly provided by Nielsen via its SVOD Content Ratings system.

Introduced in October 2017, SVOD Content Ratings measures the viewership of subscription video on demand (SVOD) services via audio recognition software installed in 44,000 U.S. homes that contain Nielsen's TV set meters. While the highly-secretive Netflix has stated in the past that Nielsen's ratings are “not even close” to being accurate, it is the most reliable measure yet of SVOD viewership data.

According to the numbers compiled by Nielsen, the audience for Homecoming was 63% African American on the day of its premiere and 55% over its first seven days, more than any other Netflix original film or series analyzed to date (the closest was Bird Box with 24%). Hispanics, meanwhile, made up 15% of viewers, while Asians comprised 5%.

'Before I Let Go' Becomes Beyonce's 60th Hit on Billboard Hot 100

May 5, 2019

Beyoncé makes her 60th appearance on the Billboard Hot 100 chart as "Before I Let Go (Homecoming Live)" debuts at No. 75 (on the list dated May 4). The single, released April 17 as a bonus track on her Homecoming: The Live Album, bows after its first full week of tracking.

The cover of the 1981 hit by Maze featuring Frankie Beverly, which reached No. 13 on the Hot Soul Singles chart (now Hot R&B/Hip-Hop Songs) enters with 6.9 million U.S. streams in the week ending April 25, according to Nielsen Music. It also starts at No. 28 on Digital Song Sales with 6,000 downloads purchased in the same window.

Though "Go" doesn't yet make the all-genre Radio Songs chart, the single has claimed a fast start at R&B/hip-hop radio, bursting 45-27 on R&B/Hip-Hop Airplay with 7.2 million in audience in the week ending April 28.

In addition to its Hot 100 start, "Go" also opens at No. 45 on Hot R&B/Hip-Hop Songs (which, like the Hot 100, blends streaming, sales and airplay data). Homecoming, meanwhile, ascends 7-4 on the all-genre Billboard 200 and 4-2 on the Top R&B/Hip-Hop Albums charts following its first full tracking week.

'Lemonade' Returns to Top 10 on Billboard 200

April 29, 2019

It’s a big week for Beyoncé on the Billboard 200 albums chart, as the diva claims a pair of concurrent top 10 albums for the first time.

Her 2016 album Lemonade re-enters the list at No. 9 following its wide streaming release, and Homecoming: The Live Album jumps 7-4 after its first full chart tracking week of activity. Further, two more Beyoncé albums dot the list, as both I Am… Sasha Fierce and her self-titled set re-enter the tally.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units are comprised of traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). The new May 4-dated chart, where Lemonade re-enters at No. 9, will be posted in full on Billboard's websites on April 30.

Homecoming: The Live Album rises 7-4 after its first full chart tracking week of activity, earning 57,000 equivalent album units (up 47%) in the week ending April 25. The album gains in both SEA and TEA units, but declines in album sales (8,000; down 43%). On the April 26-dated chart (reflecting the tracking week ending April 18), the album debuted on the list from just two days of activity, as it was released on April 17.

Beyonce's 'Homecoming' Album Debuts in Top 10 on Billboard 200

April 23, 2019

Beyoncé’s surprise-released Homecoming: The Live Album debuts at No. 7 on the Billboard 200 chart with 38,000 units earned from just two days of tracking activity (with 14,000 of that sum in album sales). The album dropped with no warning in the very early hours of Wednesday, April 17, and the tracking week for the chart ended on April 18. (Billboard’s album charts’ tracking week runs Friday through Thursday.)

Homecoming: The Live Album was released to digital retail and streaming services shortly after the premiere of Beyoncé’s Homecoming film on Netflix at 12:01 a.m. on April 17. Both projects chronicle Beyoncé’s headlining performances at the 2018 Coachella Valley Music and Arts Festival.

Homecoming: The Live Album is Beyoncé’s eighth top 10 album as a soloist. She also recently visited the top 10 as one-half of The Carters (alongside husband Jay-Z) with 2018’s No. 2-peaking Everything Is Love.

It’s possible that Homecoming: The Live Album could rise higher on next week’s Billboard 200 chart (dated May 4), after its first full tracking week of activity.

On the Run II Tour Finishes with More Than $250 Million

October 24, 2018

They say it’s a marathon, not a sprint. But for Beyoncé and JAY-Z, it was both. Their sprawling On the Run II Tour finished with $253.5 million in the bank, according to figures reported to Billboard Boxscore.

The trek wrapped Oct. 4 at Seattle’s CenturyLink Field, the last of the 48 stadium dates they played, after beginning June 6 at the Principality Stadium in Cardiff, Wales. From there, the dynamic duo played 18 shows throughout Europe, peaking at London Stadium’s two-night engagement with $11 million grossed and more than 125,000 tickets sold. After a few final shows in France, including their debut performance of “APESHIT” in Paris, they crossed the pond for 30 North American shows, with doubles in Landover, Md.; East Rutherford, N.J.; Chicago; Atlanta; Houston; and Pasadena, Calif. The biggest earner of the tour was the Aug. 25-26 engagement at Atlanta’s Mercedes-Benz Stadium, grossing $14.1 million.

On the Run II is the sequel to 2014’s On the Run Tour, a massive success in its own right. Billboard named it the Top R&B/Hip-Hop tour of the year, coming in at No. 8 on 2014's overall Top Tours list, with three appearances on the year-end Top Boxscores ranking. The original trek grossed $109.6 million from 980,000 tickets sold.

But despite the high bar set four years ago, On the Run II expanded The Carters’ worldwide reach. The $253.5 million haul of this year’s run represents a 132 percent increase over the original’s gross. While one might worry that expanding from 21 sold-out stadium dates to 48 would be spreading oneself thin, Beyoncé and JAY-Z were still able to increase their average per-show gross, maintaining a pace of $5.28 million each night.

Beyoncé & JAY-Z's On the Run II Tour Surpasses $150 Million Earned

August 25, 2018

Beyoncé and JAY-Z’s On the Run II Tour tops the Hot Tours list dated Aug. 25, thanks to the latest batch of earnings reported to Billboard Boxscore for the couple's successful trek. Their placement is fueled by recent engagements in Minneapolis, Detroit, and two sold-out shows for 86,000 fans at Chicago’s Soldier Field, which totaled $21.2 million in grosses.

With the addition of these four dates, Beyoncé and JAY-Z’s co-headline trek exceeds $150 million grossed, rising to a total of $150.7 million. Across 29 shows in Europe and the U.S., total attendance has reached 1.4 million. There are 19 dates left to report to Boxscore before the tour closes on Oct. 4 at Seattle’s CenturyLink Field.

With another month and a half of dates still ahead for Beyoncé and JAY-Z, their tour is trending toward the $250 million mark. As implied by the tour’s name, it is the sequel to their original 2014 On the Run stint. The 2018 installment has already blown past its predecessor, which brought in $109.6 million.

The couple’s massive summer tour caps off a particularly fertile few years of their storied careers. They released a pair of complimentary albums, Beyoncé’s Lemonade in 2016 and JAY-Z’s 4:44 the following year. Combined, these two efforts yielded 21 entries on the Hot 100 and earned 3.5 million equivalent album units according to Nielsen Music. Together, they completed the trilogy with 2018’s Everything is Love, billed to The Carters. The joint album, released in the middle of their European leg, topped five Billboard charts dated June 30, 2018, including Top R&B/Hip Hop Albums, Top Rap Albums, and Digital Albums.

On The Run II Tour European Leg Grosses $87.6M

July 31, 2018

With the combined star power of Beyoncé and Jay-Z, it comes as no surprise that the first leg of the couple’s “OTR II Tour” was a wild success. Pollstar’s Boxoffice has received reports for the entire 18-night European excursion – and every single show sold out.

Presented by Live Nation Global Touring in association with Beyoncé’s Parkwood Entertainment and Jay-Z’s Roc Nation, the stadium outing kicked off June 6 at Principality Stadium in Cardiff, Wales. That gig sold 39,731 tickets and grossed nearly $4.2 million (£3.1 million).

The European run racked up a total of 871,012 tickets sold and grossed more than $87.6 million. The average show sold 58,067 tickets and grossed more than $5.8 million, with tickets ranging in price from as low as €10 ($11.69) in Rome and Milan, Italy, to as high as €175 ($204.44) in Barcelona. The average ticket price was $100.57, which would seem a bargain to catch two of the biggest artists around.

The biggest stop of the European leg was the two-night stand at London Stadium, which sold a total of 126,443 tickets and grossed nearly $11.2 million. The London show also happened to be the location for the couple announcing the surprise release of their collaborative Everything Is Love album. The other cities that were treated to two nights of The Carters were Paris and Amsterdam.

5 Songs From 'Everything Is Love' Debut on Billboard Hot 100

June 27, 2018

As Beyoncé and JAY-Z earn their first charted album as a duo, as Everything Is Love, billed as by The Carters, opens at No. 2 on the Billboard 200 with 123,000 equivalent album units, according to Nielsen Music, five tracks from the set debut on the Billboard Hot 100.

"Apes**t" debuts the highest of the bunch on the Hot 100, at No. 13. Sparked by its official video, the song arrives with 24.1 million U.S. streams in the tracking week, as well as 20,000 downloads sold.

The Carters' "Boss" debuts at No. 77 on the Hot 100, followed by "Summer" at No. 84, "Nice" at No. 95 and "Friends" at No. 99.

Beyoncé and JAY-Z have each tallied 59 and 97 solo entries on the Hot 100, respectively. The husband-and-wife luminaries have logged eight shared Hot 100 entries under their usual monikers (Beyoncé and JAY-Z), including the eight-week No. 1 "Crazy in Love" (credited to Beyoncé featuring JAY-Z) in 2003.

Everything Is Love concurrently debuts at No. 1 on the Top R&B/Hip-Hop Albums chart, while "Apes**t" opens at No. 9 on Hot R&B/Hip-Hop Songs.

Beyonce Albums Re-Enter Billboard 200 Chart After Coachella

April 24, 2018

Beyoncé’s debut at the Coachella Valley Music and Arts Festival on April 14 powered big gains for her music sales and streams in the U.S. in the week ending April 19, according to Nielsen Music.

The diva headlined the second night of the festival, which was streamed live on YouTube. Her well-received performance featured her husband JAY-Z, her sister Solange and a Destiny’s Child reunion alongside group members Kelly Rowland and Michelle Williams .

Combined, the album and song catalog of both Beyoncé and Destiny’s Child saw an 83 percent increase in sales in the week ending April 19, as the two acts combined sold 8,000 albums (up 102 percent from 4,000 a week earlier) and 37,000 digital tracks (up 79 percent from 21,000).

The biggest-selling album between the two acts was Beyoncé’s 2016 set Lemonade, which re-enters the April 28-dated Top Album Sales chart at No. 24 with 5,000 sold (up 142 percent) -- its best sales frame since the week ending Dec. 28, 2017.

On the Billboard 200 -- which ranks the most popular albums of the week in the U.S. based on multi-metric consumption -- Lemonade re-enters at No. 91, while her self-titled 2013 album returns at No. 138 and 2008's I Am… Sasha Fierce jumps back onto the tally at No. 160.

Beyoncé & Destiny's Child Sales Soar After Coachella

April 18, 2018

Not only did Beyoncé's Coachella 2018 performance make history and shake pop culture, it also sold a ton of music. In particular, that snazzy Destiny's Child reunion where Kelly Rowland and Michelle Williams harmonized with Bey to sing "Soldier," "Lose My Breath" and "Say My Name," ushered in a major bump in digital sales.

According to Nielsen, after the performance ended, digital song sales for Destiny's Child hits soared some 767% on Sunday, April 15, not even 24 hours after the group collectively wowed the crowd. The trio is marking the 20th anniversary of the chart-topping girl's group, and the sudden uptick in downloads means the ladies have not lost relevancy even though they don't often perform live together. As for Bey, though it's hard to fathom that there are some people out there who don't already own her music, she still managed to sell yet more of it. Digital song sales for Beyoncé's catalog saw a 228% increase compared to a baseline established prior to Coachella.

Beyonce, with 7,000 units sold, overall moved more units because her baseline is larger than that of Destiny's Child, which moved around 1,200 units, according to Nielsen.

Of all that music, the song "Hold Up" was the top-selling track for Beyoncé with a sales spike of 287%.

The singer's most recent album, Lemonade, hit the number 1 spot on the overall worldwide iTunes chart, as well as national charts in Brazil, Denmark and Norway. In the United States, it ascended to the fifth position.

Beyonce's Coachella Performance Broke YouTube Viewing Record

April 18, 2018

As arguably one of the best live shows of recent times, Beyoncé's Coachella performance broke a major viewing record on YouTube during its live stream on Saturday, April 14. According to a press release, this year's Coachella was reportedly the festival's biggest to date, bringing over 41 million live views from fans in 232 countries over the weekend. Beyoncé's Saturday stage show alone garnered 458K simultaneous viewers around the world, making her awe-inspiring presentation the most viewed Coachella performance of all time, as well as the most viewed live music festival ever on YouTube.

Amidst the performance, Beyoncé became the first black woman to ever headline Coachella in its nearly 20-year history, and she absolutely made it a point to use the platform to showcase all of the beauty of her roots throughout the entire history-making night. Making mention of the monumental moment, Beyoncé spoke to the audience, saying, “Thank you Coachella for allowing me to be the first black woman to headline."

'Perfect' No. 1 on Hot 100 for 5th Week

January 9, 2018

Ed Sheeran and Beyoncé's "Perfect" tops the Billboard Hot 100 for a fifth week. The song also takes over as the most-heard hit on U.S. radio, reaching No. 1 on the Radio Songs chart.

"Perfect," released on Atlantic Records -- first as a solo track by Sheeran on his album ÷ (Divide) -- spends a sixth week at No. 1 on the Digital Song Sales chart with 109,000 downloads sold (down 34 percent) in the week ending Jan. 4, according to Nielsen Music.

The song also lifts 2-1 on the Radio Songs tally, up 7 percent to 139 million audience impressions in the week ending Jan. 7 (with radio playing both Sheeran's original solo version and the duet). Sheeran scores his second Radio Songs leader, following ÷ lead single "Shape of You," which reigned for 12 weeks beginning last Feb. 25.

Beyoncé adds her sixth solo Radio Songs No. 1 and first in nearly nine years. Her previous toppers: "Crazy in Love," featuring JAY-Z (eight weeks, 2003); "Baby Boy," featuring Sean Paul (nine, 2003); "Check on It," featuring Slim Thug (three, 2006); "Irreplaceable" (11, 2006-97); and "Single Ladies (Put a Ring on It)" (five, 2009). Beyoncé first ruled Radio Songs as a member of Destiny's Child with four singles (consecutively) in 2000-01: "Say My Name," "Jumpin', Jumpin'," "Independent Women Part 1" and "Survivor."

On Streaming Songs, which "Perfect" led for a week, the song slips 2-4 with 36.4 million U.S. streams (down 4 percent) in the week ending Jan. 4.

Ed Sheeran & Beyonce's "Perfect" Spends 4th Week At #1

January 3, 2018

It’s a New Year, but Ed Sheeran’s “Perfect (duet with Beyonce)” is still the hottest song in America.

The smash tops a fourth consecutive edition of the Billboard Hot 100 chart.

The ballad managed the feat by accruing the following in the US this tracking week: 163,000 digital downloads, 37 million streams, and a radio audience of 129.6 million.

Can this power pair make it a 5th week at #1? Stay tuned!

'Perfect' Tops Billboard Hot 100 for Third Week

December 27, 2017

Ed Sheeran and Beyoncé's "Perfect" rules the Billboard Hot 100 for a third week, remaining the top-selling song of the week and ranking as the most-streamed title for the first time.

Sheeran and Beyoncé's "Perfect," released through Atlantic Records, and first as a solo song by Sheeran on his album ÷ (Divide), spends a fourth week at No. 1 on the Digital Song Sales chart, up 55 percent to 151,000 downloads sold in the week ending Dec. 21, according to Nielsen Music, good for the Hot 100's top sales gain. Aiding its momentum: its new "Perfect Symphony" version with Andrea Bocelli (which accounts for 32 percent of the song's total sales for the week).

"Perfect" also takes over atop the Streaming Songs chart, gaining by 9 percent to 43.4 million U.S. streams in the week ending Dec. 21. Sheeran scores his second Streaming Songs No. 1, following "Shape of You" (four weeks on top beginning March 25), as does Beyoncé, whose "Drunk in Love," featuring JAY-Z, led for four weeks in 2014.

On Radio Songs, "Perfect" holds at its No. 2 high (125 million in audience, up 6 percent, in the week ending Dec. 24).

"Perfect" Still No. 1 on Billboard Hot 100

December 19, 2017

Sheeran and Beyoncé's "Perfect" (on Atlantic Records) tops the Hot 100 for a second week. First released as a solo song by Sheeran on his album ÷ (Divide), which debuted atop the Billboard 200 dated March 25, the new duet version was released Nov. 30. In its second full tracking week, it sold 98,000 downloads (down 46 percent), as it spends a third week at No. 1 on the Digital Song Sales chart.

"Perfect" pushes 3-2 on Radio Songs (117 million in audience, up 13 percent, good for the Hot 100's top gain in airplay) and bullets at No. 3 on Streaming Songs (39.7 million U.S. streams, up 14 percent).

Ed Sheeran & Beyonce's 'Perfect' Tops Billboard Hot 100

December 12, 2017

Ed Sheeran and Beyoncé's "Perfect" crowns the Billboard Hot 100 (dated Dec. 23), fueled in large part by the first full week of sales for its new duet version.

"Perfect," released on Atlantic Records (and the 1,069th No. 1 in the Hot 100's history, which dates to its Aug. 4, 1958, launch), was first released as a solo song by Sheeran on his album ÷ (Divide), which debuted atop the Billboard 200 dated March 25. On Nov. 30, at 7 p.m. ET, the new duet version was released, hours before the end of the sales and streaming tracking week. In its first full tracking week, ending Dec. 7, the song sold 181,000 downloads, up 202 percent, according to Nielsen Music, as it spends a second week at No. 1 on the Digital Song Sales chart.

Plus, as the duet version accounts for 63 percent of the song's total sales for the week, Beyoncé has been added on the Hot 100 (and related charts) as a co-lead artist on "Perfect." (For chart purposes, both versions of "Perfect" contribute to the song's singular listing on the Hot 100.)

"Perfect" flies 11-3 on the Streaming Songs chart with 34.9 million U.S. streams, up 87 percent, in the tracking week ending Dec. 7, while, on Radio Songs, it pushes 4-3 (102 million in audience, up 14 percent, in the week ending Dec. 10).

'Perfect' Aiming for No. 1 on Billboard Hot 100

December 7, 2017

Ed Sheeran and Beyoncé's "Perfect" could top next week's Billboard Hot 100 (dated Dec. 23), fueled most heavily by a hefty first full week of sales for its new duet version.

On this week's Hot 100 (dated Dec. 16), "Perfect" pushes from No. 5 to a new No. 3 high, aided by a partial first day of impact from the new version. It ranks below Post Malone's "Rockstar," featuring 21 Savage, at No. 1 for an eighth week, and Camila Cabello's "Havana," featuring Young Thug, at its No. 2 peak for a fifth frame.

Highlights of next week's Hot 100, which blends streaming, airplay and sales data, according to Nielsen Music, will post on Billboard.com Monday (Dec. 11).

"Perfect" was first released as a solo song by Sheeran on his album ÷ (Divide), which debuted atop the Billboard 200 dated March 25. Last Thursday, Nov. 30, at 7 p.m. ET, the new duet version was released, hours before the end of the sales and streaming tracking week. In the tracking week ending tonight, Dec. 7, the song should sell 160,000 or more downloads, according to preliminary data. Such a sum could be enough to propel "Perfect" past "Rockstar" and crown the Hot 100.

For chart purposes, both versions of "Perfect" will contribute to the song's singular listing on the Hot 100. Additionally, following the first full week of tracking for the duet version, which could account for two-thirds of the song's sales in the week, Beyoncé will be added on the Hot 100 as a credited artist on "Perfect."

"Perfect" Duet is heading for Number 1 in the UK

December 5, 2017

Ed Sheeran is set to claim his fourth Number 1 on the UK Official Singles Chart as his latest single Perfect - newly re-worked as a duet with Beyonce - leads the way on the Official Chart Update.

Perfect originally entered the chart at Number 4 back in March, when he released his ÷ album. Last week the track matched its original peak after being given an official single release, and is now set to take this week's top spot after putting out a new version of the song with Beyonce.

If Perfect holds at Number 1, it will become Ed’s fourth UK chart topper following Sing, Thinking Out Loud and Shape of You.

Beyoncé Tops Forbes' Highest-Paid Women in Music List

November 20, 2017

Shortly after Adele took home the Grammy award for Album of the Year in February, she broke it in half--with the intention of physically sharing it with Beyoncé, the internet concluded—in recognition of the latter's Lemonade. But Queen Bey won an even more valuable distinction outright: she's this year's highest-paid woman in music, pulling in a whopping $105 million pretax.

Lemonade was a hit with both critics and fans, giving Beyoncé her sixth solo No. 1. The ensuing Formation World Tour, much of it falling into our list's scoring period, grossed a quarter of a billion dollars. Then she took time off as she and husband Jay-Z welcomed twins Rumi and Sir this summer. Adele finished second, earning $69 million, boosted by seven-figure nightly grosses on her first proper tour since 2011.

In order to form our list, we looked at pretax income from June 1, 2016 through June 1, 2017, and did not take out fees charged by agents, managers and lawyers. We gathered data from Nielsen SoundScan, Pollstar, the RIAA and interviews with industry insiders. The two mononymous stars both earned tens of millions more than the rest of the pack, but there are plenty of notable names further down the list.

"Walk on Water" Debuts at No. 7 in the UK

November 18, 2017

Camila Cabello has fought off challenges from Rita Ora and Eminem to score a third week atop the Official UK Singles Chart with Havana.

Thanks to a new remix featuring Daddy Yankee, and the original Young Thug version still proving popular, Havana finishes 8,000 ahead of nearest competitor Rita Ora. Rising to Number 2, Anywhere is Rita’s third Top 10 single this year and her highest chart placing since I Will Never Let You Down topped the Official Singles Chart in May 2014.

Highest new entry this week comes from Eminem and Beyoncé at Number 7. Walk On Water becomes Eminem’s 28th UK Top 10, and Beyonce’s 19th as a credited performer.

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After more than 10 years, Destiny's Child is back at No. 1 on Billboard's Dance Club Songs chart. Meanwhile, Brandy reigns after seven years.

"The Girl Is Mine," by 99 Souls featuring Destiny's Child and Brandy, rises 2-1 on the chart (dated March 5). The track is a mash-up of Destiny's Child's "Girl," a No. 5 Dance Club Songs, and No. 23 Billboard Hot 100, hit in 2005, and Brandy and Monica's "The Boy Is Mine," which led the Hot 100 for 13 weeks in 1998.

Destiny's Child scores its fourth Dance Club Songs topper, Brandy her third and British house duo 99 Souls its first. Destiny's Child had last led with "Soldier" (featuring T.I. and Lil Wayne) in February 2005. Brandy had last topped the chart with "Long Distance" in March 2009. Notably, the three principal Destiny's Child members have all hit the summit as soloists: Beyonce (22 No. 1s), Kelly Rowland (three) and Michelle Williams (one).

Remixes from Chris Lorenzo, Crookers, and Danny Howard, among others, helped "Girl" grab the No. 1 spot.

Following her appearance at last week's Super Bowl 50, BEYONCÉ surprised fans around the world with the announcement of THE FORMATION WORLD TOUR. The highly-anticipated tour, promoted by Live Nation, presented by American Express and produced by Parkwood Entertainment sold nearly 1 million tickets over the weekend and today confirmed that the concerts in London, Sunderland, Manchester, Amsterdam, Dublin & Stockholm as well as her shows in Miami, Dallas, Toronto, Chicago, Boston, Philadelphia, Baltimore, Los Angeles, and both performances scheduled at Citi Field in New York City are completely sold out.

Due to overwhelming demand, second shows have now been confirmed for May 28 at Soldier Field in Chicago and on July 3 at London's Wembly Stadium. Tickets for the May 28 concert in Chicago will go on sale on Thursday, Feb. 25. Beyhive members will have an opportunity to purchase advance tickets starting Wednesday, Feb. 17 at 10:00 a.m. American Express Card Members can purchase tickets Wed. Feb. 17 at 12:00 p.m. through Sunday, Feb. 21 at 5:00 p.m.

Tickets for London Performance, July 3 at Wembley Stadium will go on sale on Tuesday, Feb. 23 @ 9:00 a.m. Beyhive members will have a second opportunity to purchase advance tickets starting Wednesday, Feb. 17 at 9:00 a.m. GMT. American Express Card Members can purchase tickets starting Wed. Feb. 17 at 12:00 pm through Sunday, Feb. 21 at 5:00 p.m. As previously announced, tickets for the additional concert dates in North America and Europe go on sale Monday, February 22 – complete itinerary follows. Read more...
In only its second week on Hot R&B/Hip-Hop Songs, Beyoncé's "7/11" reaches No. 1, granting the singer her eighth chart-topping title as a solo artist.

Beyoncé is now in a three-way tie with Whitney Houston and Alicia Keys for the fourth-most No. 1s among women in the 56 years since the chart launched as a sales/airplay hybrid tally. Only Aretha Franklin (with 20 No. 1s), Janet Jackson (16), Mariah Carey (10) have more. (Gladys Knight has also accumulated 10 No. 1s, but nine of those came as part of the group Gladys Knight & The Pips.)

Beyoncé also tallied four No. 1s in 1998-2000 as part of the group Destiny's Child before reigning for the first time as a soloist with "Crazy in Love," featuring Jay Z, in 2003.

"7/11" -- one of the new songs on the deluxe reissue of Beyonce's self-titled album -- also earns the week's Streaming Gainer honors. It jumps 52 percent in domestic streams (from 7 to 11 million -- fitting, given its title) in the week ending Dec. 7, according to Nielsen Music. It leaps 12-2 on Streaming Songs, her highest appearance since "Drunk In Love," featuring Jay Z, spent four weeks atop the two-year old chart in February.
Following a deluxe reissue of Beyonce's self-titled 2013 album, its sales soar by 713 percent to 22,000 in the week ending Nov. 30, according to Nielsen Music. It vaults 18-4 on Top R&B/Hip-Hop Albums, with Greatest Gainer honors. It's right behind Beyonce's new Beyonce (More Only) EP, which contains just the new bonus material from the deluxe album. Only opens at No. 3 with 43,000 and also tops R&B Albums. The action surrounding the new releases helps to propel the singer 31-6 on the Billboard Artist 100 chart.

Of the new Beyonce bonus tracks, "7/11" earns the highest debut on Hot R&B/Hip-Hop Songs, starting at No. 3 (her second-best entrance ever, trailing only "Drunk in Love," which bowed at No. 2 in January). Shifting 85,000 downloads in its first week, the track shoots straight to No. 1 on R&B/Hip-Hop Digital Songs, where it's her first No. 1.

The start of "7/11" was also powered by its video, which caught fire with viewers on YouTube following its premiere on Nov. 21. A stark contrast to the slick production of the clips from Beyonce, the irrefutably fun, and seemingly homemade, video for "7/11" has amassed 39 million global views (as of Dec. 4).

Beyonce debuts three other songs on Hot R&B/Hip-Hop Songs from the reissue: new track "Ring Off" enters at No. 31; "Standing on the Sun (Remix)," featuring Mr. Vegas, starts at No. 45; and original album track "Blow" begins at No. 48, aided by a new remix featuring Pharrell Williams.

Meanwhile, "***Flawless" leaps 34-12 on Hot R&B/Hip-Hop Songs with Digital Gainer honors. Of its 67,000 downloads sold, 91 percent stem from a newly-released remix featuring Nicki Minaj.
The Billboard 200, which has long been a chart that ranked the most popular albums of the week based on pure album sales, now shifts its methodology to a multi-metric consumption model. The ranking includes on-demand streaming and digital track sales, in addition to traditional album sales, all measured by Nielsen.

This is the most substantial update to the chart's methodology since May of 1991, when Billboard first used Nielsen's point-of-sale data — SoundScan — to measure album sales.

As previously reported, the new Billboard 200 chart uses accepted industry benchmarks for digital and streaming data, where 10 digital track sales from an album is equivalent to one album sale, and 1,500 song streams from an album equates to one album sale. All of the major on-demand audio subscription services are considered, including Spotify, Beats Music, Google Play and Xbox Music.

Beyonce's new Beyonce: More Only (EP) struts in at No. 8 on the Billboard 200 with 71,000 units. The digital set includes only the new bonus material (new songs, remixes and videos) that was added to the deluxe reissue of her self-titled album. The new EP sold 43,000 albums, but also garnered 25,000 in TEA and another 3,000 in SEA.

On the Top Album Sales chart, the Beyonce: More Only (EP) launches at No. 17.

The diva's self-titled album also scoots up both lists, thanks to its expanded reissue. On the Billboard 200, Beyonce rises 199-39 (25,000 units), while on the Top Album Sales chart, it vaults 199-37 (22,000 album sales; up 713 percent).

In other chart news, Beyonce's latest single "7/11" debuts on the Billboard Hot 100 at No. 18.
Beyonce's latest offering, 7/11, has debuted on the coveted Billboard charts.

Fresh off the release of "Beyonce" (the Platinum edition) and the release of its well received music video, "7/11" debuts at no.42 on the Billboard R&B/Hip-Hop Airplay chart this week.

Also deemed the greatest gainer, the song's chart position is sure to soar on next week's tally considering the reception of the video, which has been watched by over 23 million viewers (on YouTube alone).
Beyonce is the highest paid woman in music in 2014, with estimated earnings of $115 million, more than double what she pulled in last year, Forbes magazine said on Tuesday.

The huge sum, most of which was from her world tour, propelled Beyonce, 33, from fourth place last year and put her firmly ahead of pop star Taylor Swift, 24, with $64 million, who jumped up one spot from last year to No. 2.

"Beyonce played 95 shows during our scoring period, bringing in an average of $2.4 million per city," said Forbes, citing data from the Pollstar trade magazine.

The R&B singer's self-titled album released last December and endorsement deals pushed her earnings up further assuring her the top spot.

Forbes compiled the list after estimating pre-tax income calculated for the 12 months from June 2013 to 2014 based on record sales, concert tickets, touring information merchandise sales and interviews with concert promoters, lawyers and managers.

It also looked at data from the Pollstar, the RIAA (Recording Industry Association of America) and tracking firm Nielsen SoundScan.
Beyonce and Jay Z land atop the Billboard Hot Tours chart, having wrapped the North American leg of their On the Run tour that played stadiums in 16 markets during a six-week span in the summer. Box office grosses totaled $96 million from ticket sales reported by tour promoter Live Nation for 19 sold-out performances during the summertime trek that kicked off June 25 in Florida and wrapped Aug. 6 in California.

The co-headlining couple booked two-show engagements in three markets on the schedule: New York, Los Angeles and San Francisco. The New York/New Jersey metropolitan area hosted the tour on July 11 and 12 with an attendance count of 89,165 at MetLife Stadium in East Rutherford, N.J. With ticket sales totaling $11.5 million, the New Jersey venue was the top-grossing stadium during the tour's U.S. and Canadian run. Los Angeles-area fans saw the tour at the Rose Bowl in Pasadena with performances on Aug. 2 and 3. Jay Z and Beyoncé performed for 96,994 fans at the historic Southern California football venue, grossing $10.9 million. The final stadium during the summer run was AT&T Park, home of Major League Baseball's San Francisco Giants. The Bay Area generated $8.8 million in ticket sales from 73,020 seats for sellouts on Aug. 5 and 6. Jay and Bey will cross the pond for the tour's final engagement, a two-night stand in Paris on Sept. 12 and 13. The two concerts will occur at Stade de France and will be taped by HBO for broadcast on Sept. 20. Read more...
As the post-MTV VMA numbers show, performing on a big award show is not just fun and exciting, it usually means big bucks for artists. Every single one of the artists that took to the stage saw their songs and albums work their way up the iTunes charts immediately following the show, some with numbers so high it’s hard to believe there was that much more room to grow.

It goes without question that Beyoncé stole the show, as she typically does. The singer performed a medley of songs from her self-titled album that she dropped without advance warning this past December. Once she finished, husband Jay-Z and daughter Blue Ivy (who had possibly the second biggest moment of the show when she adorably congratulated her mother) presented her with the Michael Jackson Video Vanguard Award, the highest honor the VMA can bestow.

Having not only the most screen time but perhaps the best performance, Beyoncé saw some of the biggest gains in sales after the show. Her Beyoncé album rose from #40 to #7 on iTunes, increasing in sales by more than 1,400%. It is worth noting that the album was released in December, where it immediately went to number one, and has continued to sell ever since, so rising in sales over 1,000% is a feat not to be underestimated.

On top of that, every song she performed—if only for one verse or for less than a minute—also saw impressive gains. In order of how much each track grew in sales, here are her tracks: “XO” (up 1,648%), “Flawless” (up 1,237%), “Rocket” (up 584%), “Partition” (up 390%), “Pretty Hurts” (up 332%), and “Drunk In Love” (up 324%).
Jay Z and Beyonce's On The Run tour wraps in North America with two nights at AT&T Park in San Francisco, both tonight (August 5) and tomorrow night (August 6). The pair's 19 North American shows will gross over $100 million in ticket sales and has sold at more than 90 percent capacity, according to Omar Al-Joulani, vp of North American touring for Live Nation, the promoter/producer of the tour. Attendance will top out at more than 850,000.

Al-Joulani declined to comment on press reports of rancor between the couple, adding that he hadn’t read it. Regarding such reports, and speculation that Live Nation might be losing money on the tour, Al-Joulani would only say, “everybody’s winning.” And regarding reports that the plug might be pulled on the tour, the promoter adds, “Production is loading-in in San Francisco as we speak.”

Some reports put the couple's performance guarantee at $4 million per show, which is a reasonable figure, considering the tour's nightly take is over $5.2 million from an average attendance of nearly 45,000 per show. As predicted by Billboard back in June -- when inaccurate reports that the tour was struggling began to surface -- sales for the tour finished strong, following a general market trend of tickets selling closer to show date. “These shows sold tremendously well at the end, so we were able to sell-up limited-view and clean up production holds or other holds,” says Al-Joulani. “It was a very successful tour, and we’re pleased to have that big gross number at the end.”

The Jay/Bey tour was conceived and launched fast compared to most stadium tours, which are often planned more than a year in advance. “It came together quite quickly, around mid-March,” says Al-Joulani. “By April, we had everything together, and once the routing was in place we had about three weeks until the tour was announced.” Read more...
Who runs the world? In entertainment, it’s Beyoncé. The singer has climbed to the No. 1 spot on the Forbes Celebrity 100 after an amazing year featuring a massive tour.

Queen B played 95 shows, bringing in an average $2.4 million per stop, according to Pollstar. She also dropped her most innovative album. Titled simply Beyoncé, the album hit iTunes with barely any publicity and was billed as a “visual album” becausejay there was already a music video for each of the 14 songs. The single “Drunk in Love” has gone platinum, selling more than 1 million copies.

But Beyoncé doesn’t stop with music — she’s built a small business empire. She earns millions endorsing companies like H&M and Pepsi. She has a line of fragrances with names like Heat, Rise and Pulse, and then there’s her clothing company House of Dereon, which features jeans, shoes and accessories. All together we estimate that Beyoncé earned $115 million between June 1, 2013 and June 1, 2014.

The singer is embarking on another big year highlighted by her first world tour with her husband, Jay Z. Their On The Run tour, which kicked off June 25 in Miami, will be short (only 20 dates are set) but lucrative for the pair, who can claim the crown as the most powerful celebrity couple in the world.

Jay Z also places high on the Celebrity 100 this year, in sixth place with an estimated $60 million in earnings. That comes from a variety of sources, including his latest album, Magna Carta … Holy Grail; dozens of live shows; his growing Roc Nation empire and business ventures ranging from his 40/40 nightclub chain to his D’Ussé cognac. Read more...
Despite what you've heard, demand appears high for Jay Z and Beyonce's On The Run tour.

Multiple published reports that the upcoming Jay-Z/Beyonce co-headlining stadium tour -- set to begin in Miami on June 25 and wrap in San Francisco Aug. 5 -- is struggling, or that ticket sales are "dismal," are inaccurate, Billboard has learned.

Sources close to the Live Nation-produced tour tell Billboard that, as of June 17, the tour has racked up about $86 million in ticket sales and is on a pace to gross close to $100 million from just 19 shows. The source says attendance is on a pace to top 850,000 tickets sold, and a Live Nation rep confirmed to Billboard last night that the tour is indeed nearing that threshold. That’s a whopping nightly take of $5.2 million, and an average attendance of nearly 45,000 per show -- well more than two sold-out arena shows would generate in any given market. Numerous shows are sold out, and Live Nation cites "unprecedented" VIP and platinum ticket sales.

Two days later, Live Nation offered this statement to Billboard: "The On The Run Tour opens next Wednesday in Miami’s Sun Life Stadium to over 48,000 fans, then rolls to Cincinnati to a sellout crowd of more than 37,000 fans, and on July 1st more than 50,000 fans will pack Boston’s Gillette Stadium. With sellout nights across North America, these first three shows are indicative of the strong demand. Overall, the tour has sold well over 750,000 tickets, grossing more than $90 million, and has unprecedented VIP and Platinum ticket sales."

Those types of numbers would make On The Run one of the most successful tours of the year, with quite possibly the highest per-show average in terms of gross and attendance of any tour on the road this year. That is not unexpected; while both Beyonce and Jay-Z toured extensively in 2013, their audiences do not completely overlap, and their profile as music’s “power couple” gives the pairing the type of “event” status coveted in the live music industry. Read more...
Forbes has released their "World's 100 Most Powerful Women" list and Beyonce ranks at #17, ahead of many leaders in the business and political worlds, including House of Representative Minority Leader Nancy Pelosi and Vogue Editor-in-Chief Anna Wintour.

The rankings measured 250 potential candidates in three different categories: money (obviously), global media mentions and "spheres of influence," which essentially translates to personal brand power.

#17 Beyonce Knowles
Earnings: $53 Million (As of June 2013)

Beyonce is a woman who's had no shortage of big years, but 2013 was one for the record books. The 32-year-old superstar capped off a banner year that included singing for the president, performing at the Super Bowl, and headlining the most profitable tour of the year by shocking the world with a surprise "visual album" in December. The album is iTunes' fastest-selling album ever, moving 828,773 units in the first three days. She wrapped up the "Mrs. Carter" world tour in the spring, and will hit the road again this summer -- this time joined by Mr. Carter, husband Jay Z. The duo topped Forbes list of the highest-earning celebrity couples last year, with Beyonce out-earning the hip-hop mogul by $11 million. The singer is also embracing her role as an icon of women's empowerment, declaring that "gender equality is a myth" in an essay for The Shriver Report, throwing her weight behind Sheryl Sandberg's campaign to "Ban Bossy," and sampling author Chimamanda Ngozi Adichie's TED talk, "We should all be feminists," on her new album. Read more...
Beyonce scores her milestone 20th Dance Club Songs No. 1, as "Partition" pounces 2-1. Beyonce is just the third artist to tally at least 20 toppers in the chart's 38-year history: Madonna leads with 43, followed by Rihanna, with 22. Adding to the superstar diva shoutouts, Beyonce passes Janet Jackson, who's notched 19 No. 1s. Next up: Mariah Carey, with 17; her latest, "You're Mine (Eternal)" vacates the top spot (1-7) after crowning the chart last week.
Beyoncé heads up Billboard’s weekly slate of top-grossing tours with sales reported from the final leg of her Mrs. Carter Show world tour that wrapped at the end of March. The pop diva was on the road for the bulk of 2013, performing in 23 countries on four continents through the end of the year. The final 2014 leg of the tour kicked off in Scotland on Feb. 20, marking her third jaunt through Europe since last year’s mid-April launch. This last string of shows began in the U.K., but dates followed in Ireland, Germany, Netherlands, Belgium and Spain before wrapping in Portugal on March 27. Multiple performances at arenas in London and Dublin were reported during a previous week, so after adding revenue from those markets to the $24.1 million included in this tally, her final European leg grossed more than $41.1 million from 25 sold out shows. The Mrs. Carter Show ended its yearlong run with overall revenue totaling $212 million from more than 1.8 million sold tickets at 126 concerts.
Beyonce is currently enjoying her biggest hit in five years with Jay Z-assisted “Drunk In Love”, which recently hit No. 1 on Rhythmic Songs, but it looks like Mrs. Carter is already thinking about her next single. Yesterday (February 19) a radio edit of bedroom anthem “Partition” surfaced online, which suggests she’s about the make the airwaves a much sexier place in the imminent future.

The problem is that there’s no official confirmation. Bey doesn’t play the press release game anymore and her label probably doesn’t know what she’s up to anyway. The edit certainly sounds slick enough to be authentic but I’d be surprised if she hacks “Partition” down to a measly three minutes. I guess we won’t know for sure until it hits iTunes.

As for the selection of “Partition” as single number three? Well, its highly explicit nature — for non-Hive this is the song in which Beyonce memorably laments “he Monica Lewinsky‘d all on my gown” — makes it an uneasy fit for pop radio but it’s already climbing the Billboard Hot 100 due to streaming and has strong download sales. Listen to the purported radio edit below.

Grammy performer Beyonce breaks into the Billboard Hot 100's top 10 (13-2) with top Streaming Gainer "Drunk in Love," which she performed as the gala's opening song. After a week at No. 2, the track returns to No. 1 on Streaming Songs (9.4 million, up 74%) for a second frame on top. It vaults 8-2 on On-Demand Songs (2.3 million, up 42%) and enters the Digital Songs top 10 (18-7; 151,000, up 94%). It continues scaling Radio Songs, where it lifts 16-14 (68 million, up 15%).

With the song's Hot 100 climb, Beyonce scores her 15th top 10 and first since Lady Gaga's "Telephone," on which she's featured, reached No. 3 in April 2010. "Drunk" marks Beyonce's first top 10 as a lead act since "Sweet Dreams" rose to No. 10 in November 2009. It's also her highest-charting song since "Single Ladies (Put a Ring on It)" spent four weeks at No. 1 beginning the week of Dec. 13, 2008.

With 15 top 10s, Beyonce ties Connie Francis and Olivia Newton-John for seventh-place among women with the most top 10s in the Hot 100's 55-year history. (She passes P!nk, Donna Summer and Taylor Swift, each with 14.) Among female soloists, Madonna leads with 38 top 10s (the best mark of any act), followed by Mariah Carey, Janet Jackson (27 each), Rihanna (25), Whitney Houston (23) and Aretha Franklin (17).

Jay Z, meanwhile, extends his record for the most Hot 100 top 10s among rappers, as he collects his 21st (with 12 in a lead role; Beyonce has sported lead billing on 13 of her 15 top 10s). Among rappers, Lil Wayne and Ludacris share second place with 18 top 10s each, followed by Eminem (17), Diddy and T-Pain (15 apiece).

"Drunk" is Beyonce and Jay Z's fourth shared Hot 100 top 10 (and the third with Beyonce as the lead artist). With Jay Z as the lead, "'03 Bonnie & Clyde" reached No. 4 in December 2002. The couple followed with "Crazy in Love" (eight weeks at No. 1, 2003) and "Déjà Vu" (No. 4, 2006). (With the pair having wed in 2008, "Drunk," thus, marks the Carters' first top 10 as husband-and-wife.)

In addition to its Hot 100 accolades, "Drunk" becomes Beyonce's seventh, and Jay Z's 10th, No. 1 on Hot R&B/Hip-Hop Songs (4-1).

While "Drunk" gains by 62% in overall Hot 100 points, Katy Perry's "Dark Horse" boasts a comfortable 45% points lead over the former atop the tally.
What is power? At its base, it's the ability to reshape the world around you according to your vision. And who in the music industry did so better in the last year than this power couple?

Leveraging their star power to release new albums in unprecedented ways—Jay Z through Samsung and Beyoncé through iTunes—they instantly changed how the industry and fans thought about interacting with music. He gave his album away; she charged a premium price for hers. But they both used the element of surprise to restore the excitement that used to accompany a new release, before that impact was dulled by the endless thunder of carefully plotted promotion.

In short, they proved that content truly is king. Or, in this case, king and queen.

For years, Jay Z has been building the most powerful artist-driven empire in music, ever since he founded Roc-a-Fella Records in 1996 to bypass a music industry uninterested in his debut album, Reasonable Doubt. By 2004, he'd become president/CEO of Roc-a-Fella distributor Def Jam, and his concert stage would feature an Oval Office set (in a few years, his friendship with Barack Obama would get him much closer to the real thing). A major investor in Steve Stoute's Translation Advertising, he left Def Jam and founded the multifaceted entertainment group Roc Nation in 2008, in partnership with Live Nation. The company oversees a varied roster that includes Rihanna, Shakira, Stargate, Calvin Harris, Timbaland and Deadmau5, and, in partnership with Creative Artists Agency, has added sports to its oversight. And though he's cashed out his stake in NBA team the Brooklyn Nets, Jay Z remains an influential presence at Brooklyn's Barclays Center, which he helped open in 2012 with a series of concerts.img src="https://beyonceonline.org/gallery/albums/scans/2014/Billboard%20February/tn01.jpg" alt="" style="float:left;margin-right:10px" Read more...