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On the Run II Tour Finishes with More Than $250 Million

October 24, 2018

They say it’s a marathon, not a sprint. But for Beyoncé and JAY-Z, it was both. Their sprawling On the Run II Tour finished with $253.5 million in the bank, according to figures reported to Billboard Boxscore.

The trek wrapped Oct. 4 at Seattle’s CenturyLink Field, the last of the 48 stadium dates they played, after beginning June 6 at the Principality Stadium in Cardiff, Wales. From there, the dynamic duo played 18 shows throughout Europe, peaking at London Stadium’s two-night engagement with $11 million grossed and more than 125,000 tickets sold. After a few final shows in France, including their debut performance of “APESHIT” in Paris, they crossed the pond for 30 North American shows, with doubles in Landover, Md.; East Rutherford, N.J.; Chicago; Atlanta; Houston; and Pasadena, Calif. The biggest earner of the tour was the Aug. 25-26 engagement at Atlanta’s Mercedes-Benz Stadium, grossing $14.1 million.

On the Run II is the sequel to 2014’s On the Run Tour, a massive success in its own right. Billboard named it the Top R&B/Hip-Hop tour of the year, coming in at No. 8 on 2014's overall Top Tours list, with three appearances on the year-end Top Boxscores ranking. The original trek grossed $109.6 million from 980,000 tickets sold.

But despite the high bar set four years ago, On the Run II expanded The Carters’ worldwide reach. The $253.5 million haul of this year’s run represents a 132 percent increase over the original’s gross. While one might worry that expanding from 21 sold-out stadium dates to 48 would be spreading oneself thin, Beyoncé and JAY-Z were still able to increase their average per-show gross, maintaining a pace of $5.28 million each night.

Beyoncé & JAY-Z's On the Run II Tour Surpasses $150 Million Earned

August 25, 2018

Beyoncé and JAY-Z’s On the Run II Tour tops the Hot Tours list dated Aug. 25, thanks to the latest batch of earnings reported to Billboard Boxscore for the couple's successful trek. Their placement is fueled by recent engagements in Minneapolis, Detroit, and two sold-out shows for 86,000 fans at Chicago’s Soldier Field, which totaled $21.2 million in grosses.

With the addition of these four dates, Beyoncé and JAY-Z’s co-headline trek exceeds $150 million grossed, rising to a total of $150.7 million. Across 29 shows in Europe and the U.S., total attendance has reached 1.4 million. There are 19 dates left to report to Boxscore before the tour closes on Oct. 4 at Seattle’s CenturyLink Field.

With another month and a half of dates still ahead for Beyoncé and JAY-Z, their tour is trending toward the $250 million mark. As implied by the tour’s name, it is the sequel to their original 2014 On the Run stint. The 2018 installment has already blown past its predecessor, which brought in $109.6 million.

The couple’s massive summer tour caps off a particularly fertile few years of their storied careers. They released a pair of complimentary albums, Beyoncé’s Lemonade in 2016 and JAY-Z’s 4:44 the following year. Combined, these two efforts yielded 21 entries on the Hot 100 and earned 3.5 million equivalent album units according to Nielsen Music. Together, they completed the trilogy with 2018’s Everything is Love, billed to The Carters. The joint album, released in the middle of their European leg, topped five Billboard charts dated June 30, 2018, including Top R&B/Hip Hop Albums, Top Rap Albums, and Digital Albums.

On The Run II Tour European Leg Grosses $87.6M

July 31, 2018

With the combined star power of Beyoncé and Jay-Z, it comes as no surprise that the first leg of the couple’s “OTR II Tour” was a wild success. Pollstar’s Boxoffice has received reports for the entire 18-night European excursion – and every single show sold out.

Presented by Live Nation Global Touring in association with Beyoncé’s Parkwood Entertainment and Jay-Z’s Roc Nation, the stadium outing kicked off June 6 at Principality Stadium in Cardiff, Wales. That gig sold 39,731 tickets and grossed nearly $4.2 million (£3.1 million).

The European run racked up a total of 871,012 tickets sold and grossed more than $87.6 million. The average show sold 58,067 tickets and grossed more than $5.8 million, with tickets ranging in price from as low as €10 ($11.69) in Rome and Milan, Italy, to as high as €175 ($204.44) in Barcelona. The average ticket price was $100.57, which would seem a bargain to catch two of the biggest artists around.

The biggest stop of the European leg was the two-night stand at London Stadium, which sold a total of 126,443 tickets and grossed nearly $11.2 million. The London show also happened to be the location for the couple announcing the surprise release of their collaborative Everything Is Love album. The other cities that were treated to two nights of The Carters were Paris and Amsterdam.

5 Songs From 'Everything Is Love' Debut on Billboard Hot 100

June 27, 2018

As Beyoncé and JAY-Z earn their first charted album as a duo, as Everything Is Love, billed as by The Carters, opens at No. 2 on the Billboard 200 with 123,000 equivalent album units, according to Nielsen Music, five tracks from the set debut on the Billboard Hot 100.

"Apes**t" debuts the highest of the bunch on the Hot 100, at No. 13. Sparked by its official video, the song arrives with 24.1 million U.S. streams in the tracking week, as well as 20,000 downloads sold.

The Carters' "Boss" debuts at No. 77 on the Hot 100, followed by "Summer" at No. 84, "Nice" at No. 95 and "Friends" at No. 99.

Beyoncé and JAY-Z have each tallied 59 and 97 solo entries on the Hot 100, respectively. The husband-and-wife luminaries have logged eight shared Hot 100 entries under their usual monikers (Beyoncé and JAY-Z), including the eight-week No. 1 "Crazy in Love" (credited to Beyoncé featuring JAY-Z) in 2003.

Everything Is Love concurrently debuts at No. 1 on the Top R&B/Hip-Hop Albums chart, while "Apes**t" opens at No. 9 on Hot R&B/Hip-Hop Songs.

Beyonce Albums Re-Enter Billboard 200 Chart After Coachella

April 24, 2018

Beyoncé’s debut at the Coachella Valley Music and Arts Festival on April 14 powered big gains for her music sales and streams in the U.S. in the week ending April 19, according to Nielsen Music.

The diva headlined the second night of the festival, which was streamed live on YouTube. Her well-received performance featured her husband JAY-Z, her sister Solange and a Destiny’s Child reunion alongside group members Kelly Rowland and Michelle Williams .

Combined, the album and song catalog of both Beyoncé and Destiny’s Child saw an 83 percent increase in sales in the week ending April 19, as the two acts combined sold 8,000 albums (up 102 percent from 4,000 a week earlier) and 37,000 digital tracks (up 79 percent from 21,000).

The biggest-selling album between the two acts was Beyoncé’s 2016 set Lemonade, which re-enters the April 28-dated Top Album Sales chart at No. 24 with 5,000 sold (up 142 percent) -- its best sales frame since the week ending Dec. 28, 2017.

On the Billboard 200 -- which ranks the most popular albums of the week in the U.S. based on multi-metric consumption -- Lemonade re-enters at No. 91, while her self-titled 2013 album returns at No. 138 and 2008's I Am… Sasha Fierce jumps back onto the tally at No. 160.

Beyoncé & Destiny's Child Sales Soar After Coachella

April 18, 2018

Not only did Beyoncé's Coachella 2018 performance make history and shake pop culture, it also sold a ton of music. In particular, that snazzy Destiny's Child reunion where Kelly Rowland and Michelle Williams harmonized with Bey to sing "Soldier," "Lose My Breath" and "Say My Name," ushered in a major bump in digital sales.

According to Nielsen, after the performance ended, digital song sales for Destiny's Child hits soared some 767% on Sunday, April 15, not even 24 hours after the group collectively wowed the crowd. The trio is marking the 20th anniversary of the chart-topping girl's group, and the sudden uptick in downloads means the ladies have not lost relevancy even though they don't often perform live together. As for Bey, though it's hard to fathom that there are some people out there who don't already own her music, she still managed to sell yet more of it. Digital song sales for Beyoncé's catalog saw a 228% increase compared to a baseline established prior to Coachella.

Beyonce, with 7,000 units sold, overall moved more units because her baseline is larger than that of Destiny's Child, which moved around 1,200 units, according to Nielsen.

Of all that music, the song "Hold Up" was the top-selling track for Beyoncé with a sales spike of 287%.

The singer's most recent album, Lemonade, hit the number 1 spot on the overall worldwide iTunes chart, as well as national charts in Brazil, Denmark and Norway. In the United States, it ascended to the fifth position.

Beyonce's Coachella Performance Broke YouTube Viewing Record

April 18, 2018

As arguably one of the best live shows of recent times, Beyoncé's Coachella performance broke a major viewing record on YouTube during its live stream on Saturday, April 14. According to a press release, this year's Coachella was reportedly the festival's biggest to date, bringing over 41 million live views from fans in 232 countries over the weekend. Beyoncé's Saturday stage show alone garnered 458K simultaneous viewers around the world, making her awe-inspiring presentation the most viewed Coachella performance of all time, as well as the most viewed live music festival ever on YouTube.

Amidst the performance, Beyoncé became the first black woman to ever headline Coachella in its nearly 20-year history, and she absolutely made it a point to use the platform to showcase all of the beauty of her roots throughout the entire history-making night. Making mention of the monumental moment, Beyoncé spoke to the audience, saying, “Thank you Coachella for allowing me to be the first black woman to headline."

'Perfect' No. 1 on Hot 100 for 5th Week

January 9, 2018

Ed Sheeran and Beyoncé's "Perfect" tops the Billboard Hot 100 for a fifth week. The song also takes over as the most-heard hit on U.S. radio, reaching No. 1 on the Radio Songs chart.

"Perfect," released on Atlantic Records -- first as a solo track by Sheeran on his album ÷ (Divide) -- spends a sixth week at No. 1 on the Digital Song Sales chart with 109,000 downloads sold (down 34 percent) in the week ending Jan. 4, according to Nielsen Music.

The song also lifts 2-1 on the Radio Songs tally, up 7 percent to 139 million audience impressions in the week ending Jan. 7 (with radio playing both Sheeran's original solo version and the duet). Sheeran scores his second Radio Songs leader, following ÷ lead single "Shape of You," which reigned for 12 weeks beginning last Feb. 25.

Beyoncé adds her sixth solo Radio Songs No. 1 and first in nearly nine years. Her previous toppers: "Crazy in Love," featuring JAY-Z (eight weeks, 2003); "Baby Boy," featuring Sean Paul (nine, 2003); "Check on It," featuring Slim Thug (three, 2006); "Irreplaceable" (11, 2006-97); and "Single Ladies (Put a Ring on It)" (five, 2009). Beyoncé first ruled Radio Songs as a member of Destiny's Child with four singles (consecutively) in 2000-01: "Say My Name," "Jumpin', Jumpin'," "Independent Women Part 1" and "Survivor."

On Streaming Songs, which "Perfect" led for a week, the song slips 2-4 with 36.4 million U.S. streams (down 4 percent) in the week ending Jan. 4.

Ed Sheeran & Beyonce's "Perfect" Spends 4th Week At #1

January 3, 2018

It’s a New Year, but Ed Sheeran’s “Perfect (duet with Beyonce)” is still the hottest song in America.

The smash tops a fourth consecutive edition of the Billboard Hot 100 chart.

The ballad managed the feat by accruing the following in the US this tracking week: 163,000 digital downloads, 37 million streams, and a radio audience of 129.6 million.

Can this power pair make it a 5th week at #1? Stay tuned!

'Perfect' Tops Billboard Hot 100 for Third Week

December 27, 2017

Ed Sheeran and Beyoncé's "Perfect" rules the Billboard Hot 100 for a third week, remaining the top-selling song of the week and ranking as the most-streamed title for the first time.

Sheeran and Beyoncé's "Perfect," released through Atlantic Records, and first as a solo song by Sheeran on his album ÷ (Divide), spends a fourth week at No. 1 on the Digital Song Sales chart, up 55 percent to 151,000 downloads sold in the week ending Dec. 21, according to Nielsen Music, good for the Hot 100's top sales gain. Aiding its momentum: its new "Perfect Symphony" version with Andrea Bocelli (which accounts for 32 percent of the song's total sales for the week).

"Perfect" also takes over atop the Streaming Songs chart, gaining by 9 percent to 43.4 million U.S. streams in the week ending Dec. 21. Sheeran scores his second Streaming Songs No. 1, following "Shape of You" (four weeks on top beginning March 25), as does Beyoncé, whose "Drunk in Love," featuring JAY-Z, led for four weeks in 2014.

On Radio Songs, "Perfect" holds at its No. 2 high (125 million in audience, up 6 percent, in the week ending Dec. 24).

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They say it’s a marathon, not a sprint. But for Beyoncé and JAY-Z, it was both. Their sprawling On the Run II Tour finished with $253.5 million in the bank, according to figures reported to Billboard Boxscore.

The trek wrapped Oct. 4 at Seattle’s CenturyLink Field, the last of the 48 stadium dates they played, after beginning June 6 at the Principality Stadium in Cardiff, Wales. From there, the dynamic duo played 18 shows throughout Europe, peaking at London Stadium’s two-night engagement with $11 million grossed and more than 125,000 tickets sold. After a few final shows in France, including their debut performance of “APESHIT” in Paris, they crossed the pond for 30 North American shows, with doubles in Landover, Md.; East Rutherford, N.J.; Chicago; Atlanta; Houston; and Pasadena, Calif. The biggest earner of the tour was the Aug. 25-26 engagement at Atlanta’s Mercedes-Benz Stadium, grossing $14.1 million.

On the Run II is the sequel to 2014’s On the Run Tour, a massive success in its own right. Billboard named it the Top R&B/Hip-Hop tour of the year, coming in at No. 8 on 2014's overall Top Tours list, with three appearances on the year-end Top Boxscores ranking. The original trek grossed $109.6 million from 980,000 tickets sold.

But despite the high bar set four years ago, On the Run II expanded The Carters’ worldwide reach. The $253.5 million haul of this year’s run represents a 132 percent increase over the original’s gross. While one might worry that expanding from 21 sold-out stadium dates to 48 would be spreading oneself thin, Beyoncé and JAY-Z were still able to increase their average per-show gross, maintaining a pace of $5.28 million each night. Read more...
Beyoncé and JAY-Z’s On the Run II Tour tops the Hot Tours list dated Aug. 25, thanks to the latest batch of earnings reported to Billboard Boxscore for the couple's successful trek. Their placement is fueled by recent engagements in Minneapolis, Detroit, and two sold-out shows for 86,000 fans at Chicago’s Soldier Field, which totaled $21.2 million in grosses.

With the addition of these four dates, Beyoncé and JAY-Z’s co-headline trek exceeds $150 million grossed, rising to a total of $150.7 million. Across 29 shows in Europe and the U.S., total attendance has reached 1.4 million. There are 19 dates left to report to Boxscore before the tour closes on Oct. 4 at Seattle’s CenturyLink Field.

With another month and a half of dates still ahead for Beyoncé and JAY-Z, their tour is trending toward the $250 million mark. As implied by the tour’s name, it is the sequel to their original 2014 On the Run stint. The 2018 installment has already blown past its predecessor, which brought in $109.6 million.

The couple’s massive summer tour caps off a particularly fertile few years of their storied careers. They released a pair of complimentary albums, Beyoncé’s Lemonade in 2016 and JAY-Z’s 4:44 the following year. Combined, these two efforts yielded 21 entries on the Hot 100 and earned 3.5 million equivalent album units according to Nielsen Music. Together, they completed the trilogy with 2018’s Everything is Love, billed to The Carters. The joint album, released in the middle of their European leg, topped five Billboard charts dated June 30, 2018, including Top R&B/Hip Hop Albums, Top Rap Albums, and Digital Albums.
With the combined star power of Beyoncé and Jay-Z, it comes as no surprise that the first leg of the couple’s “OTR II Tour” was a wild success. Pollstar’s Boxoffice has received reports for the entire 18-night European excursion – and every single show sold out.

Presented by Live Nation Global Touring in association with Beyoncé’s Parkwood Entertainment and Jay-Z’s Roc Nation, the stadium outing kicked off June 6 at Principality Stadium in Cardiff, Wales. That gig sold 39,731 tickets and grossed nearly $4.2 million (£3.1 million).

The European run racked up a total of 871,012 tickets sold and grossed more than $87.6 million. The average show sold 58,067 tickets and grossed more than $5.8 million, with tickets ranging in price from as low as €10 ($11.69) in Rome and Milan, Italy, to as high as €175 ($204.44) in Barcelona. The average ticket price was $100.57, which would seem a bargain to catch two of the biggest artists around.

The biggest stop of the European leg was the two-night stand at London Stadium, which sold a total of 126,443 tickets and grossed nearly $11.2 million. The London show also happened to be the location for the couple announcing the surprise release of their collaborative Everything Is Love album. The other cities that were treated to two nights of The Carters were Paris and Amsterdam. Read more...
As Beyoncé and JAY-Z earn their first charted album as a duo, as Everything Is Love, billed as by The Carters, opens at No. 2 on the Billboard 200 with 123,000 equivalent album units, according to Nielsen Music, five tracks from the set debut on the Billboard Hot 100.

"Apes**t" debuts the highest of the bunch on the Hot 100, at No. 13. Sparked by its official video, the song arrives with 24.1 million U.S. streams in the tracking week, as well as 20,000 downloads sold.

The Carters' "Boss" debuts at No. 77 on the Hot 100, followed by "Summer" at No. 84, "Nice" at No. 95 and "Friends" at No. 99.

Beyoncé and JAY-Z have each tallied 59 and 97 solo entries on the Hot 100, respectively. The husband-and-wife luminaries have logged eight shared Hot 100 entries under their usual monikers (Beyoncé and JAY-Z), including the eight-week No. 1 "Crazy in Love" (credited to Beyoncé featuring JAY-Z) in 2003.

Everything Is Love concurrently debuts at No. 1 on the Top R&B/Hip-Hop Albums chart, while "Apes**t" opens at No. 9 on Hot R&B/Hip-Hop Songs.
Beyoncé’s debut at the Coachella Valley Music and Arts Festival on April 14 powered big gains for her music sales and streams in the U.S. in the week ending April 19, according to Nielsen Music.

The diva headlined the second night of the festival, which was streamed live on YouTube. Her well-received performance featured her husband JAY-Z, her sister Solange and a Destiny’s Child reunion alongside group members Kelly Rowland and Michelle Williams .

Combined, the album and song catalog of both Beyoncé and Destiny’s Child saw an 83 percent increase in sales in the week ending April 19, as the two acts combined sold 8,000 albums (up 102 percent from 4,000 a week earlier) and 37,000 digital tracks (up 79 percent from 21,000).

The biggest-selling album between the two acts was Beyoncé’s 2016 set Lemonade, which re-enters the April 28-dated Top Album Sales chart at No. 24 with 5,000 sold (up 142 percent) -- its best sales frame since the week ending Dec. 28, 2017.

On the Billboard 200 -- which ranks the most popular albums of the week in the U.S. based on multi-metric consumption -- Lemonade re-enters at No. 91, while her self-titled 2013 album returns at No. 138 and 2008's I Am… Sasha Fierce jumps back onto the tally at No. 160. Read more...
Not only did Beyoncé's Coachella 2018 performance make history and shake pop culture, it also sold a ton of music. In particular, that snazzy Destiny's Child reunion where Kelly Rowland and Michelle Williams harmonized with Bey to sing "Soldier," "Lose My Breath" and "Say My Name," ushered in a major bump in digital sales.

According to Nielsen, after the performance ended, digital song sales for Destiny's Child hits soared some 767% on Sunday, April 15, not even 24 hours after the group collectively wowed the crowd. The trio is marking the 20th anniversary of the chart-topping girl's group, and the sudden uptick in downloads means the ladies have not lost relevancy even though they don't often perform live together. As for Bey, though it's hard to fathom that there are some people out there who don't already own her music, she still managed to sell yet more of it. Digital song sales for Beyoncé's catalog saw a 228% increase compared to a baseline established prior to Coachella.

Beyonce, with 7,000 units sold, overall moved more units because her baseline is larger than that of Destiny's Child, which moved around 1,200 units, according to Nielsen.

Of all that music, the song "Hold Up" was the top-selling track for Beyoncé with a sales spike of 287%.

The singer's most recent album, Lemonade, hit the number 1 spot on the overall worldwide iTunes chart, as well as national charts in Brazil, Denmark and Norway. In the United States, it ascended to the fifth position.
As arguably one of the best live shows of recent times, Beyoncé's Coachella performance broke a major viewing record on YouTube during its live stream on Saturday, April 14. According to a press release, this year's Coachella was reportedly the festival's biggest to date, bringing over 41 million live views from fans in 232 countries over the weekend. Beyoncé's Saturday stage show alone garnered 458K simultaneous viewers around the world, making her awe-inspiring presentation the most viewed Coachella performance of all time, as well as the most viewed live music festival ever on YouTube.

Amidst the performance, Beyoncé became the first black woman to ever headline Coachella in its nearly 20-year history, and she absolutely made it a point to use the platform to showcase all of the beauty of her roots throughout the entire history-making night. Making mention of the monumental moment, Beyoncé spoke to the audience, saying, “Thank you Coachella for allowing me to be the first black woman to headline."
Ed Sheeran and Beyoncé's "Perfect" tops the Billboard Hot 100 for a fifth week. The song also takes over as the most-heard hit on U.S. radio, reaching No. 1 on the Radio Songs chart.

"Perfect," released on Atlantic Records -- first as a solo track by Sheeran on his album ÷ (Divide) -- spends a sixth week at No. 1 on the Digital Song Sales chart with 109,000 downloads sold (down 34 percent) in the week ending Jan. 4, according to Nielsen Music.

The song also lifts 2-1 on the Radio Songs tally, up 7 percent to 139 million audience impressions in the week ending Jan. 7 (with radio playing both Sheeran's original solo version and the duet). Sheeran scores his second Radio Songs leader, following ÷ lead single "Shape of You," which reigned for 12 weeks beginning last Feb. 25.

Beyoncé adds her sixth solo Radio Songs No. 1 and first in nearly nine years. Her previous toppers: "Crazy in Love," featuring JAY-Z (eight weeks, 2003); "Baby Boy," featuring Sean Paul (nine, 2003); "Check on It," featuring Slim Thug (three, 2006); "Irreplaceable" (11, 2006-97); and "Single Ladies (Put a Ring on It)" (five, 2009). Beyoncé first ruled Radio Songs as a member of Destiny's Child with four singles (consecutively) in 2000-01: "Say My Name," "Jumpin', Jumpin'," "Independent Women Part 1" and "Survivor."

On Streaming Songs, which "Perfect" led for a week, the song slips 2-4 with 36.4 million U.S. streams (down 4 percent) in the week ending Jan. 4.
It’s a New Year, but Ed Sheeran’s “Perfect (duet with Beyonce)” is still the hottest song in America.

The smash tops a fourth consecutive edition of the Billboard Hot 100 chart.

The ballad managed the feat by accruing the following in the US this tracking week: 163,000 digital downloads, 37 million streams, and a radio audience of 129.6 million.

Can this power pair make it a 5th week at #1? Stay tuned!
Ed Sheeran and Beyoncé's "Perfect" rules the Billboard Hot 100 for a third week, remaining the top-selling song of the week and ranking as the most-streamed title for the first time.

Sheeran and Beyoncé's "Perfect," released through Atlantic Records, and first as a solo song by Sheeran on his album ÷ (Divide), spends a fourth week at No. 1 on the Digital Song Sales chart, up 55 percent to 151,000 downloads sold in the week ending Dec. 21, according to Nielsen Music, good for the Hot 100's top sales gain. Aiding its momentum: its new "Perfect Symphony" version with Andrea Bocelli (which accounts for 32 percent of the song's total sales for the week).

"Perfect" also takes over atop the Streaming Songs chart, gaining by 9 percent to 43.4 million U.S. streams in the week ending Dec. 21. Sheeran scores his second Streaming Songs No. 1, following "Shape of You" (four weeks on top beginning March 25), as does Beyoncé, whose "Drunk in Love," featuring JAY-Z, led for four weeks in 2014.

On Radio Songs, "Perfect" holds at its No. 2 high (125 million in audience, up 6 percent, in the week ending Dec. 24).
Sheeran and Beyoncé's "Perfect" (on Atlantic Records) tops the Hot 100 for a second week. First released as a solo song by Sheeran on his album ÷ (Divide), which debuted atop the Billboard 200 dated March 25, the new duet version was released Nov. 30. In its second full tracking week, it sold 98,000 downloads (down 46 percent), as it spends a third week at No. 1 on the Digital Song Sales chart.

"Perfect" pushes 3-2 on Radio Songs (117 million in audience, up 13 percent, good for the Hot 100's top gain in airplay) and bullets at No. 3 on Streaming Songs (39.7 million U.S. streams, up 14 percent).
Ed Sheeran and Beyoncé's "Perfect" crowns the Billboard Hot 100 (dated Dec. 23), fueled in large part by the first full week of sales for its new duet version.

"Perfect," released on Atlantic Records (and the 1,069th No. 1 in the Hot 100's history, which dates to its Aug. 4, 1958, launch), was first released as a solo song by Sheeran on his album ÷ (Divide), which debuted atop the Billboard 200 dated March 25. On Nov. 30, at 7 p.m. ET, the new duet version was released, hours before the end of the sales and streaming tracking week. In its first full tracking week, ending Dec. 7, the song sold 181,000 downloads, up 202 percent, according to Nielsen Music, as it spends a second week at No. 1 on the Digital Song Sales chart.

Plus, as the duet version accounts for 63 percent of the song's total sales for the week, Beyoncé has been added on the Hot 100 (and related charts) as a co-lead artist on "Perfect." (For chart purposes, both versions of "Perfect" contribute to the song's singular listing on the Hot 100.)

"Perfect" flies 11-3 on the Streaming Songs chart with 34.9 million U.S. streams, up 87 percent, in the tracking week ending Dec. 7, while, on Radio Songs, it pushes 4-3 (102 million in audience, up 14 percent, in the week ending Dec. 10). Read more...
Ed Sheeran and Beyoncé's "Perfect" could top next week's Billboard Hot 100 (dated Dec. 23), fueled most heavily by a hefty first full week of sales for its new duet version.

On this week's Hot 100 (dated Dec. 16), "Perfect" pushes from No. 5 to a new No. 3 high, aided by a partial first day of impact from the new version. It ranks below Post Malone's "Rockstar," featuring 21 Savage, at No. 1 for an eighth week, and Camila Cabello's "Havana," featuring Young Thug, at its No. 2 peak for a fifth frame.

Highlights of next week's Hot 100, which blends streaming, airplay and sales data, according to Nielsen Music, will post on Billboard.com Monday (Dec. 11).

"Perfect" was first released as a solo song by Sheeran on his album ÷ (Divide), which debuted atop the Billboard 200 dated March 25. Last Thursday, Nov. 30, at 7 p.m. ET, the new duet version was released, hours before the end of the sales and streaming tracking week. In the tracking week ending tonight, Dec. 7, the song should sell 160,000 or more downloads, according to preliminary data. Such a sum could be enough to propel "Perfect" past "Rockstar" and crown the Hot 100.

For chart purposes, both versions of "Perfect" will contribute to the song's singular listing on the Hot 100. Additionally, following the first full week of tracking for the duet version, which could account for two-thirds of the song's sales in the week, Beyoncé will be added on the Hot 100 as a credited artist on "Perfect." Read more...
Ed Sheeran is set to claim his fourth Number 1 on the UK Official Singles Chart as his latest single Perfect - newly re-worked as a duet with Beyonce - leads the way on the Official Chart Update.

Perfect originally entered the chart at Number 4 back in March, when he released his ÷ album. Last week the track matched its original peak after being given an official single release, and is now set to take this week's top spot after putting out a new version of the song with Beyonce.

If Perfect holds at Number 1, it will become Ed’s fourth UK chart topper following Sing, Thinking Out Loud and Shape of You.
Shortly after Adele took home the Grammy award for Album of the Year in February, she broke it in half--with the intention of physically sharing it with Beyoncé, the internet concluded—in recognition of the latter's Lemonade. But Queen Bey won an even more valuable distinction outright: she's this year's highest-paid woman in music, pulling in a whopping $105 million pretax.

Lemonade was a hit with both critics and fans, giving Beyoncé her sixth solo No. 1. The ensuing Formation World Tour, much of it falling into our list's scoring period, grossed a quarter of a billion dollars. Then she took time off as she and husband Jay-Z welcomed twins Rumi and Sir this summer. Adele finished second, earning $69 million, boosted by seven-figure nightly grosses on her first proper tour since 2011.

In order to form our list, we looked at pretax income from June 1, 2016 through June 1, 2017, and did not take out fees charged by agents, managers and lawyers. We gathered data from Nielsen SoundScan, Pollstar, the RIAA and interviews with industry insiders. The two mononymous stars both earned tens of millions more than the rest of the pack, but there are plenty of notable names further down the list.
Camila Cabello has fought off challenges from Rita Ora and Eminem to score a third week atop the Official UK Singles Chart with Havana.

Thanks to a new remix featuring Daddy Yankee, and the original Young Thug version still proving popular, Havana finishes 8,000 ahead of nearest competitor Rita Ora. Rising to Number 2, Anywhere is Rita’s third Top 10 single this year and her highest chart placing since I Will Never Let You Down topped the Official Singles Chart in May 2014.

Highest new entry this week comes from Eminem and Beyoncé at Number 7. Walk On Water becomes Eminem’s 28th UK Top 10, and Beyonce’s 19th as a credited performer.
Naughty Boy’s “Runnin’ (Lose It All),” featuring Beyoncé and Arrow Benjamin, tops Billboard & Clio’s Top TV Commercials chart, powered by Shazam, for September, thanks to the song’s appearance in Chanel’s “Film” ad.

Using tagging data from Shazam, as well as sales and streaming information tracked by Nielsen Music, Billboard partners with Clio Music each month to present a chart ranking the top songs in commercials. Rankings exclude any song that has recently charted within the top 40 of the Billboard Hot 100 or top 10 on a genre chart.

“Runnin’,” which debuted and peaked at No. 90 on the Billboard Hot 100 in December 2015, leads all songs with 70,000 Shazam tags, 6,000 downloads sold and 2 million U.S. streams during the month of September, according to Nielsen Music.

The song is the first No. 1 on the chart for Naughty Boy, Beyonce, and Arrow Benjamin. Beyonce’s previous peak on the chart was at No. 2 on the April 2017-dated list, with “Freedom,” featuring Kendrick Lamar, which appeared in Apple Watch’s “Live Bright” commercial. Read more...
Cardi B's "Bodak Yellow (Money Moves)" tops the Billboard Hot 100 chart for a third week, marking a new longevity record for a hit by an unaccompanied female rapper. Plus, J Balvin and Willy William's "Mi Gente" blasts from No. 21 to No. 3, sparked by its newly added featured artist, Beyonce; Imagine Dragons' "Thunder" rumbles 17-7; and Demi Lovato hits a new best career rank, as "Sorry Not Sorry" rises 10-8 on the latest chart (dated Oct. 21).

As we do every Monday, let's run down the top 10 of the Hot 100, which blends all-genre streaming, airplay and sales data. All charts will update on Billboard.com tomorrow (Oct. 10).

"Mi Gente" surges from No. 21 to No. 3 on the Hot 100 (after previously reaching No. 19), after the first full week of tracking for its new remix featuring Beyonce, scoring the chart's greatest gains in sales and streaming. It rockets 34-1 on Digital Song Sales (79,000 sold, up 436 percent, with 87 percent of its sales from its new remix) and 14-5 on Streaming Songs (28.7 million, up 50 percent), while also climbing 32-29 on Radio Songs (46 million, up 18 percent).

J Balvin and William each earn their first Hot 100 top 10, while Beyonce banks her 17th (as a soloist, to go along with 10 as a member of Destiny's Child). She had last reached the region with Lemonade track "Formation," which spent a week at No. 10 (upon its debut) in May 2016. She notches her highest rank since "Drunk in Love," featuring JAY-Z, peaked at No. 2 on Feb. 15, 2014. Read more...
On Thursday evening, Beyonce shared a 20 second video on Instagram announcing she had joined a remix of J Balvin and Willy William's hit "Mi Gente" and would donate all her proceeds to disaster relief charities for Puerto Rico, Mexico and the other recently affected Caribbean islands.

Following in the footsteps of Luis Fonsi and Daddy Yankee's record-breaking success with the Justin Bieber-featuring "Despacito" remix, Beyonce's good news with a good cause marked a big moment for Latin music in the mainstream. With Queen Bey singing in both Spanish and English on the track, it and its star-studded music video racked up millions of streams in its first 24 hours, topping iTunes' sales charts in 30 countries and YouTube's trend ranking, and looks prime to hit the Hot 100 top 10.

Here's how the collaboration came to be:

A remake of an original song by French DJ Willy Williams, "Mi Gente" had the makings of a global hit when it was first released in April and immediately sparked talk of a general market remix. "But we wanted it to live for a while and get as big as it could on a global scale in Spanish," says Rebeca Leon, who co-manages Balvin with Balvin's label, Universal Music Latin Entertainment (UMLE).

The "lofty goal," says UMLE president Victor Gonzalez, "was to make it No. 1 on Spotify at a global level." Read more...
Beyonce's twins are blowing up Instagram once more -- and this time, we actually get to see their faces.

Queen Bey took to her Insta in the early hours Friday (July 14) to unveil her newborns, Sir and Rumi Carter, to commemorate their one-month birthday. In line with the elaborate floral backdrop that Beyonce used when announcing that she was expecting twins in February, the pic shows the singer holding her babies amidst another flower-decked canopy, draped in a pastel gown and sporting a blue veil.

If you recall, Beyonce's pregnancy announcement set the record for Instagram's most-liked picture on the day it was posted (Feb. 1), garnering 6.4 million likes within hours and surpassing Selena Gomez's previous record of 6.305 million on her Coca-Cola ad photo. With her latest baby pic, though, Beyonce has now claimed the top two spots on the most-liked ranking, as it took only 9 hours for it to become the second most liked picture in Instagram history. Just 24 hours after she revealed the Carter babies to the world, the number of likes stands at 9.2 million.

So now the question is, will Beyonce (and her babies) replace herself for the top spot? As of press time, the pregnancy photo is now at 11,113,053 likes, which means the picture with the twins has about 1.8 million more likes to go before Beyonce tops Beyonce. Only time will tell, but it certainly appears to be on track so far.