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Official lyric video for "AMERICA HAS A PROBLEM” (Feat. Kendrick Lamar) by Beyoncé.

Beyoncé and Kendrick Lamar are bringing a new Renaissance.

On Friday, the singer surprised fans by releasing a remix to the track, 'America Has a Problem,' off her Grammy Award-winning seventh studio album.

While the remix sticks to its original dance beat, it quickly goes into Lamar's verse a few seconds in, which includes an ode to the Beyhive and artificial intelligence with lyrics that include: "Hold up, wait a minute / Even AI gotta practice clonin' Kendrick / The double entendre, the encore remnants / I bop like tin men, the opps need ten men."

Listen to the song below and buy it on Shop Beyonce.

Beyoncé banks a new milestone on the Billboard Hot 100, as “Cuff It” becomes the longest-charting hit on the survey of her solo career. The song adds a 34th week on the Hot 100, ranking, fittingly, at No. 34 on the April 15-dated chart, and surpasses the 33 weeks that “Telephone” with Lady Gaga logged in 2009-10.

“Cuff It” was released on Beyoncé’s album Renaissance, which launched as her seventh No. 1 on the Billboard 200 last August. The set’s lead single, “Break My Soul,” became her eighth Hot 100 No. 1 the same week, while “Cuff It” reached No. 6 this February. The latter song became her 21st top 10 as a soloist, while Renaissance became her first album with multiple top 10s since I Am…Sasha Fierce in 2008-09.

Here’s a look at Beyoncé’s longest-charting Hot 100 hits:

Weeks on Hot 100, Title, Peak Pos./Year:
34, “Cuff It,” No. 6, 2023
33, “Telephone,” Lady Gaga feat. Beyoncé, No. 3, 2010
31, “Halo,” No. 5, 2009
30, “Irreplaceable,” No. 1 (10 weeks), 2007-07
29, “Sweet Dreams,” No. 10, 2009
29, “Baby Boy,” feat. Sean Paul, No. 1 (nine weeks), 2003
28, “Check On It,” feat. Slim Thug, No. 1 (five weeks), 2006
27, “Single Ladies (Put a Ring on It),” No. 1 (four weeks), 2008-09
27, “Crazy in Love,” feat. Jay-Z, No. 1 (eight weeks), 2003
24, “Me, Myself and I,” No. 4, 2004

The 10th edition of the iHeartRadio Music Awards aired live from Los Angeles Monday night on Fox. Having been nomianted in 6 categories, Beyoncé won R&B Album of the Year for "Renaissance". Congratulations!

The 2023 NAACP Image Awards is announcing winners in several non-televised categories via streaming presentations all week long leading up to the live ceremony.

On Monday night, Beyoncé took home the most awards, including outstanding female artist, outstanding soul/R&B song for “Cuff It” and outstanding album for Renaissance.

Congratulations!

Beyoncé’s “Cuff It” charges 15-6 for a new Billboard Hot 100 high, besting its prior No. 10 peak. It tallied 55.8 million in airplay audience (up less than 1%), 9.4 million streams (up 37%) and 78,000 sold (up 4,026%, good for the chart’s top Sales Gainer nod), fueled by a range of remixes released during the tracking week, joining its previously available original clean and explicit versions: its “Wetter” remix (clean and explicit) was put up for purchase on Beyoncé’s official webstore Feb. 3, followed by its a cappella (clean and explicit) and instrumental versions (Feb. 5), with all mixes released wide on streaming services and digital retailers by Feb. 8. The track becomes her 10th No. 1 on the Digital Song Sales chart, where it blasts 44-1 (surpassing its prior No. 4 high).

Beyonce released official visualizers for the explicit and clean versions of "CUFF IT (WETTER REMIX)".

A capella and instrumental versions of "Cuff It" are now available on Shop Beyonce along with the album version and the previously released Wetter Remix.

Beyoncé is full of surprises. After announcing her highly anticipated “Renaissance World Tour” earlier this week, she has shocked fans again, but this time with the drop of “CUFF IT (Wetter Remix).”

The remix to the fan-favorite record was released on Friday (Feb. 3). Where the original album cut of “CUFF IT” is upbeat, Beyoncé opted to slow it down, making the already sexually suggestive song that much more sexy and sultry.

The track is a mashup of Queen Bey’s original vocals and the instrumental to Twista’s 2009 hit, “Wetter.” The Grammy Award-winning artist upped the ante by adding additional ad-libs and new lyrics at the top of the song. On it, she sings: “Baby make it rain/ Don’t let go till it storms again/ I pray this will never end.”

DJ Esentrik is behind the new cut. As the remix was released to Beyoncé’s website, he tweeted, “Soooo I’ve been hiding this for a while and now I can finally say it! ‘CUFF IT (WETTER REMIX)’ IS OFFICIAL! Thank you to Beyoncé, Parkwood, and most importantly the DJs and fans that supported this from the start! Love to all!”

As most of the BeyHive is probably aware, the popular DJ is known for doing creative mashups of popular hits. He first merged “CUFF IT” and “Wetter” in October, and it instantly blew up on TikTok, where the “CUFF IT” challenge has been thriving for months. Twista also acknowledged the release of the remix. In a tweet, he wrote, “Happy Friday,” while sharing a link to the track.

Her new remixed offering is only available via her website, so click here to check out Bey’s flawless vocals.

Beyonce is nominated in three categories at the 2023 Kids Choice Awards. The ceremony is set to air live on Saturday, March 4, at 7 p.m. (ET/PT) from the Microsoft Theater in Los Angeles. Check the nominations below:

Favorite Song
“About Damn Time”- Lizzo
“Anti-Hero”- Taylor Swift
“As It Was”- Harry Styles
“Bejeweled”- Taylor Swift
“Break My Soul” – Beyoncé
“First Class”- Jack Harlow
“I Ain’t Worried”- OneRepublic
“Lift Me Up”- Rihanna

Drake and Beyoncé are leading nominations at the 2023 Urban Music Awards alongside Stormzy and a host of other artists. The hip-hop/R&B/soul-centered event is happening on February 28th at the Porchester Hall in London. Given the ceremony’s focus on both U.S. and U.K. artists, there’s a lot of variety in these picks.

Starting with Album of the Year, nominees include Her Loss and RENAISSANCE from the aforementioned U.S. superstars. Another leading force was Stormzy, who’s also nominated in this category for This Is What I Mean. Other nominees include Little Simz’s NO THANK YOU, Knucks’s Alpha Place, and Kojey Radical’s Reason to Smile. The list continues with Chris Brown’s Breezy, DJ Khaled’s God Did, Cleo Sol’s Mother, and Dave’s We’re All Alone in This Together.

Also, they nominated both Drake and Beyoncé in the U.S. section of the Artist of the Year award. They face Chris Brown, Lizzo, DJ Khaled, Cardi B, Coi Leray, GloRilla, Latto, 21 Savage, Megan Thee Stallion, Nicki Minaj, and Jack Harlow.

Voting is now live and will remain open until February 20th. You can find the link to register and vote here.

Renaissance has earned Beyoncé some big nominations in the NAACP Image Awards’ music categories this year. On Thursday, the organization announced the nominees for this year’s awards show, and Bey leads with five nods.

Fans can now vote through Feb. 10 for their favorite artists online. Winners will be announced on Feb. 25 on BET.

Below are Beyonce's nominations:

Outstanding Album
age/sex/location – Ari Lennox
Breezy (Deluxe) – Chris Brown
Mr. Morale & the Big Steppers – Kendrick Lamar
Renaissance – Beyoncé
Watch the Sun – PJ Morton

Nominations for the UK’s equivalent of the Grammys, the BRIT Awards, were announced this week and brought major listings for the likes of Harry Styles, Beyonce, FLO, Burna Boy, Stormzy, Central Cee, and more.

Ahead of the February 11 ceremony, which is being hosted by Mo Gilligan and airs live from London’s O2 Arena, check out the list of nominees below.

Best International Artist
Beyoncé
Burna Boy
Kendrick Lamar
Lizzo
Taylor Swift

The nominations for the 2023 iHeartMusic Awards have been announced. Beyoncé has five nominations, including Artist of the year.

Polls for social awards are now open and run through March 20 at 11:59 p.m. PT. Get details on how to vote here.

The 2023 iHeartRadio Music Awards will take place Monday, March 27, at 8 p.m. ET on Fox.

See Beyonce's nominations below.

Artist of the Year
Beyoncé
Doja Cat
Drake
Dua Lipa
Harry Styles
Jack Harlow
Justin Bieber
Lizzo
Taylor Swift
The Weeknd

Beyoncé’s fan-favorite track from her recent Renaissance album, “Cuff It,” has jumped from No. 38 to No. 10 on the Billboard Hot 100 songs chart dated Jan. 14, 2023, giving the superstar her 21st Hot 100 top 10 hit as a soloist.

The achievement is her second top 10 from Renaissance, after “Break My Soul” spent two weeks at No. 1 beginning in August. The set is her first to spin off multiple top 10s since I Am…Sasha Fierce yielded four in 2008-09: “Single Ladies (Put a Ring on It)” (No. 1, four weeks), “If I Were a Boy” (No. 3), “Halo” (No. 5) and “Sweet Dreams” (No. 10).

What’s even more impressive, is that “Cuff It” climbed the chart without a music video or a pushed promotional strategy. The song gained traction on its own from Beyoncé fans and TikTok users, the latter of which taking part in a fun dance trend started by users Maycee (@maycsteele) and Kaitlyn (@ogpartyhardy26).

Terius “The-Dream” Gesteeldt-Diamant stands on the verge of several big milestones: He’s nominated for six Grammys, including Album of the Year for Beyoncé’s Renaissance, and Song and Record of the Year for that album’s “Break My Soul.” And, in what is perhaps the most personal accomplishment, he got a nod for the first-ever award for Songwriter of the Year for his part in penning music for Bey, Rosalía, Brent Faiyaz and Pusha T.

Over two conversations, one sitting in the pool house of his Atlanta residence and another over the phone, The-Dream goes deep into what inspires him, the unlikely origins of “Break My Soul” and more.

Let’s talk about the relationship between you and Beyoncé. This is an artist who does anthems. It’s one thing when you talk wild shit to other people, how do you work with someone like her where you’re telling her, “You should say it this way…”

That's my Virgo sister right there. So I'm the friend that's there that just happens to know how to relate musically, of course. I could look at her and just like, Nah. I know exactly what to say for this thing. People don't believe this most times, but it's the same thing that you're doing. I am a reporter. I'm just reporting emotions. I'm reporting Bey back to herself. Even shit she's missed. “You can't keep up with what the fuck you doing. I saw what happened yesterday and I could write the whole day down whole album if you needed me to, because I saw. You couldn't have seen it. You were doing it.” So in most things like “Single Ladies,” and I've said this before, where it's like, Oh, it's actually an easy story to write. … She's already written most of the shit that you're trying to write because there's only one motherfucker you can write that for.

On Friday night, lines formed outside of a relatively unmarked warehouse space in Downtown Los Angeles for “Club Renaissance,” a two-night event in celebration of Renaissance, Beyoncé‘s seventh studio album. The album, released in July, is a kaleidoscopic exploration of genre, escapism and self-expression; on it, Beyoncé experiments with different shades of dance, house, disco, pop and R&B.

The party’s unspoken 1970s-era theme was interpreted by attendees for their outfits in a range of ways, much like the sonic versatility of the project itself. The event, presented by Amazon Music and Parkwood Entertainment, featured several notables in attendance, including Kenya Barris, Lori Harvey, and singers Syd, Victoria Monét and Lucky Daye.

The building was lined with graphic posters of a Renaissance promotional image, which several partygoers used as a backdrop for their photographs. And there was another wall ripe for photo opportunities, decorated with neon signs that bore song lyrics and titles from the album, like “Church Girl” and “Cozy.”

Guests chatted and sipped thematically named cocktails (“Cuff It” and “Alien Superstar,” also Renaissance titles) once doors were open, and approximately an hour after the event started at 9 p.m., the DJ began to play Renaissance top to bottom and in spatial audio. Attendees enjoyed it from the dance floor for the duration, creating the very Studio 54-esque dance party the project promises. (A group of engineers tucked along the periphery were controlling the sensory displays, which included strobe lights and fog elements.)

The glowing, holographic horse Beyoncé is seated on in the album’s cover art was prominently placed in the center of the room, enclosed in a glass box like a museum artifact. Throughout the night, the air was buzzing with the question of if Beyoncé herself would join the event, like she did in previous cities (ultimately, she did not, but she did record a special message for the attendees).

Free tickets were released online to her subscribers last week and sold out in under 20 minutes.

"BREAK MY SOUL is Certified Platinum. Thank you so much for all the love and for releasing the wiggle."

BLACKPINK‘s Rosé has never been shy about how Beyoncé inspired her to become a musician, although her goal of becoming “like Beyoncé” has since changed.

"My dream? When I was really little, my dreams were very absurd. I really wanted to become a great singer like Beyoncé or Michael Jackson."

When she was little, Rosé admits that she used to play piano and loudly sing Beyoncé songs, which possibly annoyed her parents into realizing how seriously she wanted to pursue music.

"Once I grew up, they told me, ‘Rosie, to be honest, it was really hard for us to go to bed when you were singing at the top of your lungs.’ I think I would sing Beyoncé’s ‘Listen’ when I couldn’t reach the notes cause I was a terrible singer."

Of course, Rosé has become a global superstar, currently on BLACKPINK’s BORN PINK world tour and constantly impressing fans with her tremendous talent.

The global icon was also recently featured on the cover of Vogue Hong Kong, stunning fans with her gorgeous and elegant visuals.

And in her interview with the magazine, Rosé continued to express her admiration for Beyoncé, having felt honored to be able to attend a Tiffany & Co. event with her idol.

NYLON talked to ten artists, designers, and photographers responsible for some of the year’s best album covers to learn how Beyoncé’s mirror-covered Renaissance horse came together, Steve Lacy’s delightfully weird collage for Gemini Rights was assembled, beabadoobee’s whimsical Beatopia was conceived, and more.

Beyonce’s Renaissance horse by set designer Nicholas des Dardins

How did you get involved with Beyoncé's Renaissance?
Not the most exciting story, but producers reached out to me based on previous work of mine. Not entirely sure what previous stuff of mine got me the gig.

How did you conceptualize covering the horse with disco balls?
The horse came about working with her and her creative team. Originally we were going to do a giant 8-inch disco ball that was already in production when we shifted ideas. The job from the start was under an immense time crunch, so for a while I was hesitant about the horse. Install was Monday after Easter weekend and the concept came about on Thursday night. We negotiated down to just doing a saddle covered in disco ball mirrors, but me and my studio manager knew it would be so worth it if we could pull it off, so we scoured the greater Los Angeles area for an available life-size horse. We waited until we knew it was possible to pull it off before we let her and her team know that we were going to deliver the full horse that inevitably became the cover.

What was the biggest challenge you faced bringing the horse to life?
Time. We had very little. Thankfully, we discovered a secret source for old fiberglass horses, as many of the current manufacturers had months-long wait periods. We found and picked it up that day and immediately started to work on covering it in 1/4" glass mirror pieces. The mirrors were coming in shipments from different vendors to get enough in time. Me and the rest of the team were literally waiting for the mail person and ripping the boxes open and continuing the task as the mirrors trickled in.