I also uploaded HQ photos from the photoshoot taken by Mason Poole, as well as some of his latest shots of Bey.
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July 15, 2018
February 23, 2018
Produced from largely previously unreleased footage and personal interviews, the documentary examines Andretta Tillman's life as the driving force in launching Queen Beyoncé and Destiny's Child's legendary careers, as well as many other Houstonian artists, who also rose to fame under Andretta's management.
"We felt an obligation to show the world the true impact of Andretta's irreplaceable contribution to the success of Queen Bey and her Destiny's Child band mates. We opened the vault of Andretta Tillman's estate to provide the viewer with an understanding that, what you see Beyoncé and Destiny's Child doing on stage today, was rooted in them through Andretta's irreplaceable influence and tutelage, from way back in the early 1990's as young ladies in Girls Tyme. Where they are today, is a direct result of the solid foundation Andretta Tillman taught them." cited Executive Producer of the documentary, Brian "Kenny" Moore (from whose book the documentary evolved).
"We at Dousic are delighted to have secured a partnership with Amazon to ensure the documentary reaches the masses. We are giving Beyoncé and Destiny's Child fans an up-close look at the excitement, distresses and sacrifices made to elevate the band to stardom, by revealing the hidden part of their story of Andretta's enormous contribution and sacrifice that has not been told, or has hitherto been omitted," said Michael Ferguson, Executive VP of Dousic Media Group.
The documentary features interviews with Gospel great Kathy Taylor, Original Girls Tyme/Destiny's Child members Nina and Niki Taylor. Former Co-manager Kenny Moore, Hip Hop Producer Cory Mo, Former Rap a Lot recording group Flajj, Destiny's Child first choreographer Harlon Bell, and members of Andretta Tillman's family.
Rent or buy the documentary on Amazon now!
February 11, 2018
And now Sir Elton John will be returning to the studio with theatre legend Tim Rice — as well as superstar Beyonce — for Disney’s live-action remake.
The Sun revealed last month that Bey had reached out to Elton to ask if they could work on the soundtrack together and now the Rocket Man has confirmed that they intend to collaborate on a new song for the eagerly anticipated movie.
In an exclusive interview, Elton told the Sun: “They need to have a new end credits song.
"There’s going to be four of our songs in the film, from the original: Can You Feel The Love Tonight? Hakuna Matata, I Just Can’t Wait To Be King and Circle of Life.
“And then there will be an end, closing song, and we’ve been speaking to Beyonce’s people and hopefully Tim and I and her can cook up something.
“That’s going out in 2019 as well. And it will be great to work with her. So we will see.”
December 11, 2017
November 20, 2017
E! News' Jason Kennedy caught up with Eichner at the 2017 American Music Awards and asked him about being cast in the live-action film.
"I was freaking out," Eichner told the E! News host. "I mean, the cast is amazing. Me and Seth Rogen are Timon and Pumbaa, so we do ‘Hakuna Matata' and then we also sing ‘Can You Feel the Love Tonight' with Simba and Nala, who are going to be voiced by Donald Glover and someone who is named Beyoncé."
Even though the comedian and the Lemonade singer will both be featured in the Elton John hit, Eichner wondered if he'll even get to meet the Grammy-winning artist in-person.
"Why would she want to be in the studio with me?" he said.
In addition to Eichner, Beyoncé, Rogen and Glover, the live-action remake will feature James Earl Jones as Mufasa, John Oliver as Zazu and Keegan-Michael Key as Kamari. The film will be directed by Jon Favreau, who also worked on the 2016 remake of The Jungle Book.
November 12, 2017
November 2, 2017
The studio confirmed Tuesday that she will voice the role of Nala, opposite Donald Glover’s Simba, in the classic coming-of-age tale set among the animal kingdom of the African savanna.
The star-studded cast will also include James Earl Jones — reprising his role as Mufasa from the 1994 animated version — Chiwetel Ejiofor in the part of Scar, and a new spin on a vintage odd couple: Billy Eichner and Seth Rogen as Timon and Pumbaa.
The new “King” will make a play for a box office coronation in July 2019. It will join a string of live-action adaptations (with a healthy dose of state-of-the-art visual effects) that have been reliable hits for Disney in recent years, following “Beauty and the Beast” this year, “The Jungle Book” in 2016 and “Cinderella” in 2015. Jon Favreau, who helmed the recent “Jungle Book,” will direct.
October 8, 2017
September 28, 2017
The revelation came as part of an interview with Billboard, who were speaking with directors Harry Elfont and Deborah Kaplan as well as star Rachael Leigh Cook and Hanley ahead of a concert Tuesday night in Los Angeles in which Hanley played songs from the Josie and the Pussycats soundtrack for the first time live.
“The list of people who auditioned to be in the movie. The fact that Beyoncé, Lisa 'Left Eye' Lopes and Aaliyah came in to audition was crazy,” Elfont said. “I think it was 2000. We read Left Eye twice. She really wanted to play the part. Beyoncé was really quiet and shy. Who knew? It was a comedy and Aaliyah was more serious and thoughtful. We wanted someone who could really play the comedy.”
When the film was in production, Beyoncé would have been well-known as a part of Destiny's Child but wasn't the global phenom that she would later become.
Had she won the role of Valerie Brown -- eventually played in the film by Rosario Dawson -- the band's meteoric rise in the film would likely have turned into a metaphor for Beyoncé herself in the years following the film's release and subsequent box office failure.
August 29, 2017
The FADER spoke to Beachler about her methods, motives, and the unique art of production design. Read the part where she talks about Lemonade below.
What were your most memorable experiences during the productions of Lemonade and Moonlight?
With Lemonade, I didn’t have any time to prep. So I did a lot of what I felt: How do I make this look like not just a regular plantation? How do I make this feel like a very beautiful place and we're on a dirt floor surrounded by bricks and an old fort? It hits these ambiguous points and abstractness is what we were going for.