Beyoncé is the ultimate American cowboy.
Now, before anyone starts airin’ their lungs, the proof is right there in her blazing displays of bravura, burn-the-breeze grit, and unprecedented levels of Southern swag. This is, after all, the woman who turned keeping a bottle of hot sauce in her purse into a political battle cry.
Like any true cowboy, she is always on the search for new frontiers. At this point, it’s clear she drinks upstream from the pop herd. Despite having never released a music video for “TEXAS HOLD ’EM” or performed it live, the song is currently topping Billboard’s Hot Country Songs, making her the first Black female artist to reach the No. 1 spot.
She performs with the reckless abandon of the best rodeo roughstock twisters onstage, capturing audiences as if they were something that’s got to be roped in a hurry before they get away. Two thirds into her three-part RENAISSANCE opus, we’ve already witnessed her ride a silver horse named Reneigh while suspended in the air above tens of thousands of fans to close out a world tour for Act I, and grab the Super Bowl by the horns to drop “TEXAS HOLD ’EM” and “16 CARRIAGES,” the first two singles of Act II.