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GQ Cover Story: The Business of Being Beyoncé Knowles-Carter

Klaudia//September 10, 2024
In GQ’s October cover story, the artist talks business, legacy, art, and family: “It’s not about being perfect. It’s about being revolutionary.”


Beyoncé is breaking out.

Midway through Cowboy Carter, her eighth and most recent studio album, released this past spring, a voice makes the project’s mission statement plain over blaring alarms and a thunderous beat—declaring the concept of genre to be a sense of confinement for those artists whose creativity is too wide-ranging to fit in a neat box. All before Beyoncé herself saunters in comparing herself to Thanos, the Marvel villain known for seeking precious stones of mystical power to claim as his own and assemble into one unified superpower.

There may not be an accompanying music video, but the lyrics conjure a potent visual: Beyoncé, armed with a bedazzled gauntlet, breaking down every stultifying wall, label, or box the industry ever tried to put her in across her 30-year career.

It’s a theme that applies to much of what Beyoncé has been up to for the past decade or so, especially in the last couple of years: a mission of reclamation, recentering Blackness in spaces where our influence has since been de-emphasized, whether in rodeo, on the great American plains, or on sweaty ballroom dance floors.

GQ Cover Story: The Business of Being Beyoncé Knowles-Carter

Klaudia//September 10, 2024
In GQ’s October cover story, the artist talks business, legacy, art, and family: “It’s not about being perfect. It’s about being revolutionary.”


Beyoncé is breaking out.

Midway through Cowboy Carter, her eighth and most recent studio album, released this past spring, a voice makes the project’s mission statement plain over blaring alarms and a thunderous beat—declaring the concept of genre to be a sense of confinement for those artists whose creativity is too wide-ranging to fit in a neat box. All before Beyoncé herself saunters in comparing herself to Thanos, the Marvel villain known for seeking precious stones of mystical power to claim as his own and assemble into one unified superpower.

There may not be an accompanying music video, but the lyrics conjure a potent visual: Beyoncé, armed with a bedazzled gauntlet, breaking down every stultifying wall, label, or box the industry ever tried to put her in across her 30-year career.

It’s a theme that applies to much of what Beyoncé has been up to for the past decade or so, especially in the last couple of years: a mission of reclamation, recentering Blackness in spaces where our influence has since been de-emphasized, whether in rodeo, on the great American plains, or on sweaty ballroom dance floors.

Widener University in Pennsylvania offers a course on Beyoncé

Klaudia//September 1, 2024
Queen Bey is heading to a Pennsylvania college this fall, and it’s not for the reason you might think.

Widener University in Delaware County is introducing a brand new freshman course focused on none other than Beyoncé.

The course will explore the following topics: continuing cultural and social significance of Beyoncé as a source of economic empowerment, feminism and Afrocentricity, a spokesperson for Widener said.

The course is taught by Dr. Richard Cooper, director of the Bachelor of Social Work program and coordinator of African American Studies at Widener University.

Cooper said that during this course, fans/students will use their knowledge of the Grammy Award winner to analyze the singer’s identity and social impact on a deeper level.

“Incoming freshmen are certainly familiar with some of Beyoncé’s amazing work, including the latest project titled Cowboy Carter. “However, part of the dynamic growth process that comes from liberal arts education experiences is to begin with what students already understand as an initial starting point,” Cooper said.

Beyoncé Among Social Category Nominees at MTV VMAs

Klaudia//September 1, 2024
MTV announced the four social categories and their nominees for its 2024 Video Music Awards.

Voting for the categories will be hosted on MTV’s Instagram Story.

The best trending video category “celebrates the artist’s videos and/or songs inspired fandoms to generate tremendous content related to the video and/or song.” Nominees include Beyoncé, Camila Cabello ft. Playboi Carti, Chappell Roan, Charli xcx, Megan Thee Stallion ft. Yuki Chiba and Tinashe. Fans can start voting on Sept. 2 at 11 a.m. ET with voting ending on Sept. 3 at 11 a.m. ET.

Another category fans can vote on is the show’s most iconic performance in years past. Performances include the memorable kiss that took place onstage during Britney Spears, Christina Aguilera, Madonna and Missy Elliot’s mash-up performance of “Like a Virgin” and “Hollywood”; Beyoncé’s pregnancy reveal after performing “Love on Top”; and Swift’s first VMAs performance with “You Belong With Me.” Voting begins Sept. 10 at 11 a.m. ET and concludes Sept. 11 at 11 a.m. ET.

The VMAs will return to New York and will take place at Long Island’s UBS Arena on Sept. 11 at 8 p.m. ET/PT.

Zoë Kravitz explains how she got approval to use "Im That Girl" in "Blink Twice"

Klaudia//August 25, 2024
Beyoncé doesn’t give her music to just anyone.

But the pop supernova made an exception for Zoë Kravitz, who skillfully deploys a fan-favorite “Renaissance” track during the bloody finale of her provocative new thriller “Blink Twice.”

The film follows a social climber named Frida (Naomi Ackie), who takes an impromptu vacation with billionaire Slater King (Channing Tatum) and his hard-partying posse. But their exotic island paradise gradually turns into a cult-like nightmare, as Frida discovers that Slater and his male cohorts have been drugging and assaulting the women in the group to assert their dominance.

When the women wake up to the men's abuse, they kill them off one by one. And at the end of the film, Frida teams up with new friend Sarah (Adria Arjona) to take revenge on Slater. Armed with knives, they stride into his palatial compound, soundtracked by the woozy opening thrums of Beyoncé’s “I’m That Girl.”

Frida and Slater tussle on the floor, knocking over candles and burning the mansion to the ground. But rather than let him go up in flames, Frida saves the corrupt tech CEO, and with the help of some memory-wiping substances, blackmails him for his fortune. And in the film's final scene, she hosts a swanky gala of her own.

The hypnotic “I’m That Girl,” with its rousing declaration of “ain’t stopping me,” was perfect for the movie’s empowering climax.

Trump campaign deletes video with 'Freedom' after singer threatens legal action

Klaudia//August 23, 2024
The Trump campaign does not have the freedom to use Beyoncé's "Freedom."

Former President Donald Trump's team has taken down a video featuring the singer's song after her record label and music publisher reportedly threatened to send a cease-and-desist letter, Rolling Stone reported on Wednesday.

The video featured the Lemonade track playing as Trump walked off a plane in Michigan. Trump campaign spokesperson Steven Cheung posted the video on Twitter on Tuesday with the caption "Touchdown in Michigan!! @realDonaldTrump." The tweet has since been deleted.

The 2016 song has become Vice President and Democratic nominee Kamala Harris' unofficial presidential campaign anthem with her running mate Tim Walz, and Beyoncé's team previously gave Harris' camp permission to use it. Harris has used the song since beginning her presidential campaign earlier this summer, walking up to the podium while "Freedom" played in her first appearance after President Joe Biden's endorsement, and as recently as Monday in a new ad also featuring Jeffrey Wright's narration.

Beyoncé's "Freedom" has also been played throughout the ongoing Democratic National Convention, currently taking place in Chicago.

Representatives for Trump's campaign and Beyoncé did not immediately respond to Entertainment Weekly's request for comment.

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Zach Bryan & Beyoncé Lead 2024 People's Choice Country Awards Nominations

Klaudia//August 18, 2024
Zach Bryan and Beyoncé are the leading nominees for the 2024 People’s Choice Country Awards, with 19 and 17 nods, respectively.

Hosted by Shania Twain, the 2024 People’s Choice Country Awards will air live Thursday, Sept. 26, at 8 p.m. ET/PT across NBC and Peacock from the Grand Ole Opry House in Nashville.

The show bills itself as “an award show for the people and by the people.” Winners are chosen entirely by the fans. Voting begins now and runs through Friday, Aug. 23, at 11:59 p.m. ET. Fans can vote online at VotePCCA.com. Votes cast on Turbo Tuesday, Aug. 20, from midnight to 11:59 p.m. ET, will count twice, equaling a maximum of two votes per day, per category. (Complete rules can be found here.)

Here are Beyoncé's nominations for the 2024 People’s Choice Country Awards:

The People’s Artist of 2024
Beyoncé
Jelly Roll
Kacey Musgraves
Kane Brown
Lainey Wilson
Luke Combs
Morgan Wallen
Zach Bryan

The Female Artist of 2024
Beyoncé
Carly Pearce
Dolly Parton
Kacey Musgraves
Kelsea Ballerini
Lainey Wilson
Megan Moroney
Miranda Lambert

The Social Country Star of 2024
Bailey Zimmerman
Beyoncé
Dolly Parton
Jelly Roll
Kelsea Ballerini
Luke Combs
Morgan Wallen
Reba McEntire

The Album of 2024
Cowboy Carter – Beyoncé
Deeper Well – Kacey Musgraves
Fathers & Sons – Luke Combs
Higher – Chris Stapleton
Highway Desperado – Jason Aldean
Leather – Cody Johnson
Where I’ve Been, Isn’t Where I’m Going – Shaboozey
Zach Bryan – Zach Bryan

The Song of 2024
“A Bar Song (Tipsy)” – Shaboozey (Songwriters: Collins Obinna Chibueze, Jerrel Jones, Joe Kent, Mark Williams, Nevin Sastry, Sean Cook)
“Austin (Boots Stop Workin’)” – Dasha (Songwriters: Adam Wendler, Anna Dasha Novotny, Cheyenne Rose Arnspiger, Kenneth Travis Heidelman)
“I Had Some Help” – Post Malone feat. Morgan Wallen (Songwriters: Ashley Gorley, Austin Post, Chandler Paul Walters, Ernest Smith, Hoskins, Louis Bell, Morgan Wallen, Ryan Vojtesak)
“I Remember Everything” – Zach Bryan feat. Kacey Musgraves (Songwriters: Kacey Musgraves, Zach Bryan)
“Miles on It” – Marshmello & Kane Brown (Songwriters: CASTLE, Connor McDonough, Earwulf, Jake Torrey, Kane Brown, Marshmello, Nick Gale, Riley McDonough)
“Pink Skies” – Zach Bryan (Songwriter: Zach Bryan)
“Texas Hold ‘Em” – Beyoncé (Songwriters: Beyoncé, Brian Bates, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro, Raphael Saadiq)
“Wild Ones” – Jessie Murph feat. Jelly Roll (Songwriters: Feli Ferraro, Gregory Aldae Hein, Jason Deford, Jeff Gitelman, Jessie Murph)

The Female Song of 2024
“16 Carriages” – Beyoncé(Songwriters: Atia Boggs, Beyoncé, Dave Hamelin, Ink, Raphael Saadiq)
“Austin (Boots Stop Workin’)” – Dasha (Songwriters: Adam Wendler, Anna Dasha Novotny, Cheyenne Rose Arnspiger, Kenneth Travis Heidelman)
“Deeper Well” – Kacey Musgraves (Songwriters: Daniel Tashian, Ian Fitchuk, Kacey Musgraves)
“Hang Tight Honey” – Lainey Wilson (Songwriters: Driver Williams, Jason Nix, Lainey Wilson, Paul Sikes)
“hummingbird” – Carly Pearce (Songwriters: Carly Pearce, Jordan Reynolds, Nicolle Galyon, Shane McAnally)
“No Caller ID” – Megan Moroney (Songwriters: Connie Harrington, Jessi Alexander, Jessie Jo Dillon, Megan Moroney)
“Texas Hold ‘Em” – Beyoncé (Songwriters: Beyoncé, Brian Bates, Elizabeth Lowell Boland, Megan Bülow, Nathan Ferraro, Raphael Saadiq)
“Wranglers” – Miranda Lambert (Songwriters: Audra Mae, Evan McKeever, Ryan Carpenter)

The Collaboration Song of 2024
“Blackbiird” – Beyoncé, Brittney Spencer, Tanner Adell, Tiera Kennedy & Reyna Roberts (Songwriters: John Lennon, Paul McCartney)
“Can’t Break Up Now” – Old Dominion & Megan Moroney (Songwriters: Emily Weisband, Matthew Ramsey, Tofer Brown, Trevor Rosen)
“Chevrolet” – Dustin Lynch feat. Jelly Roll (Songwriters: Chase McGill, Hunter Phelps, Jessi Alexander, Mentor Williams)
“Hey Driver” – Zach Bryan feat. The War and Treaty (Songwriter: Zach Bryan)
“I Remember Everything” – Zach Bryan feat. Kacey Musgraves (Songwriters: Kacey Musgraves, Zach Bryan)
“Mamaw’s House” – Thomas Rhett feat. Morgan Wallen (Songwriters: Chase McGill, Matt Dragstrem, Morgan Wallen, Thomas Rhett)
“The One (Pero No Como Yo)” – Carin Leon & Kane Brown (Songwriters: Bibi Marin, Edgar Barrera, Elena Rose, Johan Sotelo, Jonathan Capeci, Julio Ramirez, Kane Brown, Oscar Armando Diaz de Leon)
“you look like you love me” – Ella Langley feat. Riley Green (Songwriters: Aaron Raitiere, Ella Langley, Riley Green)

The Cover Song of 2024
“Blackbiird” – Beyoncé, Brittney Spencer, Tanner Adell, Tiera Kennedy & Reyna Roberts (Songwriters: John Lennon, Paul McCartney)
“Cowboys Are Frequently Secretly Fond of Each Other” – Orville Peck & Willie Nelson (Songwriter: Ned Sublette)
“Dancing With Myself” – Maren Morris (Songwriters: Billy Idol, Tony James)
“Jolene” – Beyoncé (Songwriter: Dolly Parton)
“Perfectly Lonely” – Parker McCollum (Songwriter: John Mayer)
“Sun to Me” – mgk (Songwriters: Zach Bryan)
“Take Me Home, Country Roads” – Lana Del Rey (Songwriters: Bill Danoff, John Denver, Taffy Nivert)
“Three Little Birds (Bob Marley: One Love – Music Inspired by the Film)” – Kacey Musgraves (Songwriters: Bob Marley & The Wailers)

The Crossover Song of 2024
“Better Days” – Zach Bryan feat. John Mayer (Songwriter: Zach Bryan)
“Cowboys Cry Too” – Kelsea Ballerini feat. Noah Kahan (Songwriters: Alysa Vanderheym, Kelsea Ballerini, Noah Kahan)
“I Had Some Help” – Post Malone feat. Morgan Wallen (Songwriters: Ashley Gorley, Austin Post, Chandler Paul Walters, Ernest Smith, Hoskins, Louis Bell, Morgan Wallen, Ryan Vojtesak)
“II Most Wanted” – Beyoncé & Miley Cyrus (Songwriters: Beyoncé, Michael Pollack, Miley Cyrus, Ryan Tedder)
“Lonely Road” – mgk feat. Jelly Roll (Songwriters: Bill Danoff, Brandon Allen, Colson Baker, John Denver, Mary Danoff, Nick Long, Steve Basil, Taffy Nivert Danoff, Travis Barker)
“Midnight Ride” – Kylie Minogue, Orville Peck & Diplo (Songwriters: Christopher Stracey, Kylie Minogue, Marta Cikojevic, Orville Peck)
“Miles on It” – Marshmello & Kane Brown (Songwriters: CASTLE, Connor McDonough, Earwulf, Jake Torrey, Kane Brown, Marshmello, Nick Gale, Riley McDonough)
“My Fault” – Shaboozey feat. Noah Cyrus (Songwriters: Bailey Bryan, Collins Obinna Chibueze, Doug Walters, Nevin Sastry, Noah Cyrus, PJ Harding, Sean Cook)

The Storyteller Song of 2024
“16 Carriages” – Beyoncé (Songwriters: Atia Boggs, Beyoncé, Dave Hamelin, Ink, Raphael Saadiq)
“Deeper Well” – Kacey Musgraves (Songwriters: Daniel Tashian, Ian Fitchuk, Kacey Musgraves)
“Dirt Cheap” – Cody Johnson (Songwriter: Josh Phillips)
“Pink Skies” – Zach Bryan (Songwriter: Zach Bryan)
“Sorry Mom” – Kelsea Ballerini (Songwriters: Alysa Vanderheym, Hillary Lindsey, Jessie Jo Dillon, Karen Fairchild, Kelsea Ballerini)
“The Little Things” – George Strait (Songwriters: Bubba Strait, George Strait, Monty Criswell)
“The Man He Sees in Me” – Luke Combs (Songwriters: Josh Phillips, Luke Combs)
“Too Good to be True” – Kacey Musgraves (Songwriters: Daniel Tashian, Ian Fitchuk, Anna Nalick, Kacey Musgraves)